| Warner Bros. Pictures | Release Date: October 26, 2012 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
21
Mixed:
20
Negative:
4
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Critic Reviews
Its too-muchness is also the source of its power; I was absolutely never bored, and felt surprised when the movie ended. It's an amazing, baffling, thrilling and (for many, it would appear) irritating experience, and for my money the most beautiful and distinctive big-screen vision of the year.
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EmpireFeb 18, 2013
Don’t let its commercial nosedive in the US tell the whole story. Cloud Atlas is a tough sell, but a rewarding journey all the same. It’s an adventure into the very concept of storytelling: magical, enthralling and thrilling as much as bewildering, pompous and potty. In other words, up in the clouds.
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Measured scene by scene, the film isn't always successful, and its transcendent moments make it easy to wish it could reach that elevated pitch more often. But Cloud Atlas is the sort of work where the big picture matters more than the details. It's an imperfect film of great daring and tremendous humanity, a work of many stories, but a singular achievement.
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Even at three hours, the film feels truncated, which raises the question of whether the entire adaptation exercise might have chosen the wrong form. Stretched out to 10 or 12 hours on cable television, Cloud Atlas, the series, would be the talk of the fall television season, and the stories, rather than the thematic scaffolding, would be the right focus of attention.
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Unlike "Tree" or "2001," Cloud Atlas offers more answers than it does questions, and by the end of its nearly three-hour running time - which flies by surprisingly fast, all things considered - it feels like the most feverishly expensive late-night college bull session ever. There are glories here, but they fade in the light of day.
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Most viewers are likely to be impressed more by the magnitude of the effort than the magnificence of the effect. Cloud Atlas is a Terry Gilliam movie without the kinks, a Wong Kar-wai film without the smoky dreamscape, a time-and-Space Oddity that remains frustratingly earthbound. Put it another way: this is no "Speed Racer."
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Each segment feels more like an extended trailer for itself than a sound narrative unit. Maybe this incompletion is purposeful, but it's a problem when what's invariably elided or taken for granted is the very human connection and commiseration that is supposedly the most vital force in the universe.
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A manifesto in the form of an enormously budgeted quasi-sci-fi epic, Cloud Atlas is evidently personal, defiantly sincere, totally lacking in self-awareness, and borderline offensive in its gleeful endorsement of revenge violence against anyone who gets in the way of a good person's self-actualization. The rest of the time, it's just insipid, TV-esque in its limited visual imagination, and dramatically incoherent.
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