| Artistic License | Release Date: May 15, 1998 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
12
Mixed:
5
Negative:
2
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Critic Reviews
On the surface, it's a mystery in which someone is going around stealing personal items, and the women are suspected -- and suspect each other. In a larger sense it's about how corporate culture is not only antithetical to individuality and human kindness but also hostile toward these things.
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The film's message, that it's impossible to trust in an environment that does not reward loyalty, is as dark as the message sent by the far more acidic In The Company Of Men. Though Clockwatchers doesn't feature the flashy language of that brutal film, it still reveals a similarly astute assessment of modern inter-office politics and workplace alienation.
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Clockwatchers has a terrific, submerged feel, in keeping with its themes of corporate lassitude, isolation and paranoia. [24 Jul 1998]
Clockwatchers may not be perfect, but it's on to something. [22 May 1998, p.D5]
Quite consciously, Sprecher has dramatized that wry riff from Frank Zappa: "Life is high school with money." [12 Jun 1988, p.C3]
More on-the-money than Nine to Five and a refreshing change from the Armani-clad piranhas of Wall Street, Clockwatchers contrives the rare feat of being both funny and depressing. [12 Jun 1998, p.14]
The film isnt without bumps -- theres something rather gnomish and self-serving about its tolerance for grotesqueries and caricature -- but it presents us with a wholly rendered, largely credible world peppered with witty little moments and wryly chosen details. [19 Jun 1998, p.30]
Clockwatchers gets many of the details of office life eerily right: the arrogant, smarmy male executives who affect a patronizing jocularity with secretaries whose names they can never remember; the iron-fisted boss who huffs windily about everyone in the company being a "family"; the petty tyrant who doles out pencils as though they were gold bullion.
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