| Oscilloscope | Release Date (Streaming): May 8, 2020 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
6
Mixed:
4
Negative:
2
|
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Critic Reviews
There’s a soft, dim quality to the air in Clementine, the feature debut of writer-director Lara Gallagher. It sometimes blurs into murkiness, but mostly it gives the psychological drama an appropriately dusky glow. This is a movie about not being able to see others clearly, and how that distorts the way you see yourself.
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RogerEbert.comMay 8, 2020
At its best is more a mood piece than a narrative, an exploration of the shifting power in relationships with striking images and overtones of duality. But at its weakest, it is more of a workshop than a story — the ultimate resolution, like the story Lana tells that gives the film its name, is less meaningful than it aspires to be.
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It’s too early to state for sure, but restraint appears to be one of Gallagher’s gifts — the kind that rewards moviegoing patience. With this first feature, Gallagher spins a yarn, also peeling a story of attraction and power, identity and coming-of-agency. Only this Clementine is no toss off.
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IndieWireMay 9, 2020
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