| Twentieth Century Fox | Release Date: August 2, 1996 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
6
Mixed:
7
Negative:
9
|
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Critic Reviews
Chain Reaction is one explosion after another, none of which seem to advance the . . . uh . . . plot. But, of course, in a movie this lead-footed you spend more time wondering what the filmmakers were thinking, or if they were thinking, than about the few plot-like fragments that do present themselves now and then.
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The movie is so uninvolving that it inspires renewed respect for Broken
Arrow, which was equally stupid but excitingly filmed. Though
its sound effects will shake up your marrow, you can experience
the same effect by plunking $ 100 worth of change into a rumbling
bed at the nearest seedy motel. [2 Aug 1996]
Chain Reaction has the unenviable hurdle of following up a summer load of action flicks, but this one would have felt like a dog in May. When Lily sees Eddie wrestling with the controls of an airboat and asks "What are you doing?" he yells back "The best I can!" Keanu, you could have done a lot better. [2 Aug 1996, p.5G]
Hollywood movies with anti-profiteering themes always strikes me as tacky. We're talking about an industry, after all, that sends trade reps all over the globe, lobbying other countries to prosecute anyone trying to dupe a copy of "Waterworld." There is a cheaper way to protect U.S.-made movie products. Keep making movies as bad as "Chain Reaction." No one will want to copy them. [2 Aug 1996, p.32]
There are a few nice special effects, and Jerry Goldsmith's score works overtime to make the rather bland proceedings a bit more exciting, but, ultimately, any movie in which even Morgan Freeman manages to give a lackluster performance can only be considered a seriously botched job.
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