| Cinevista | Release Date: August 7, 2002 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
3
Mixed:
1
Negative:
1
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Critic Reviews
In a sense, Caravaggio has less to do with its ostensible subject than with Jarman's own insistence on sensual, and largely homoerotic, expression, though there's a feeling of stifling enclosure to the images Jarman invents, of eros turned inward, toward private fantasy and longing, rather than outward to a world of real possibility.
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