| Walt Disney Studios Motion Pictures | Release Date: March 8, 2019 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
32
Mixed:
23
Negative:
1
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Critic Reviews
On the other hand, we have Brie Larson, who is by far the best reason to see the movie. If we ignore “Elektra” (2005), which isn’t hard to do, this is the first film to be fronted by a woman in the male-infested galaxy of Marvel—quite a burden for Larson, who shoulders it with ease, executing her duties, not to mention her opponents, with resourcefulness and wit.
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The film doesn’t give Ms. Larson enough good stuff to fulfill her role’s potential. Her Captain Marvel is an appealing character who becomes an impressive one, wrapped in a shimmering aura of blue and white energy. What’s missing, though, is what helped make “Wonder Woman” an exemplary figure of female empowerment two years ago: unforced warmth, along with strength, and flashes of delight.
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For all its thematic and behind-the-scenes innovations, cinematically Captain Marvel feels like a step backward for the MCU. Fresh off the heels of the all-or-nothing bombast of “Avengers: Infinity War,” the righteous representation of “Black Panther” and the giddy lunacy of “Thor: Ragnarok,” Captain Marvel is a retreat into a bland formula.
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The 21st entry in Marvel’s galactic film empire, and the first focused on a female superhero (played by Brie Larson), is a perfectly fun time at the movies that deftly lays out the stakes of its new character for many future appearances. But more often than not, it feels a little routine.
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Captain Marvel itself has none of that rebellious spirit. It takes very few risks in the way that something like Thor: Ragnarok did, beyond the fact that it is the studio’s first blockbuster with a female hero in the lead. Personally, I like my movies about rule breakers to actually break some rules.
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The GuardianMar 5, 2019
I wanted a clearer, more central story for Captain Marvel’s emergence on to the stage, and in subsequent films – if she isn’t simply to get lost in the ensemble mix – there should more of Larson’s own wit and style and, indeed, plausible mastery of martial arts. In any case, Captain Marvel is an entertaining new part of the saga.
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This shiny and progressive and golly-gee packaging misrepresents how Captain Marvel made its way into the world, and what it is actually about. Namely: money, the easy exploitation of intellectual-property, artistic conformity and queasy politics that undermine whatever liberal notions it’s peddling.
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It’s comparatively short and fast-paced by modern standards. Unfortunately, it also has a lackluster plot; bog-standard chase scenes and pew-pewing space ships; a notable shortage of interesting characterizations; and a fight scene set to No Doubt’s “Just A Girl” that is nowhere as awesome or as silly as it should be.
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