| Paramount Pictures | Release Date: December 21, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
27
Mixed:
11
Negative:
1
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Critic Reviews
John Cena is top billed, and though his brick-jawed military man doesn’t actually get many scenes, he does get a disproportionate share of the script’s best lines. He gives good muscle, but Bumblebee brings something even more important — and actually transforming — to the series: a sense of humor, and a heart.
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IndieWireDec 9, 2018
What Bumblebee does best is remember that this is a franchise for the young, and embrace that fact without any shame while also still delivering on the action. There’s no self-importance, no grafting of ultra-patriotism and too-dense mythology onto what should be a simple narrative.
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Bumblebee is, again and easily, the best “Transformers” movie. Heck, it’s probably the only genuinely good “Transformers” movie, with nary a caveat to be found. But it’s also a lively and earnest 1980s nostalgia trip, made with affection for the era and its characters and its soundtracks and its storytelling styles and, yes, even its toys.
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It’s hard enough to have a fully CG character as your co-star, and it’s even tougher when an actor is tasked with creating a deep emotional bond with something she can’t even see during production. Steinfeld is up to the challenge, making us believe in Bumblebee’s existence almost as much as the animators who worked on bringing him to life.
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The PlaylistDec 12, 2018
A crowd-pleaser for sure, Bumblebee can feel a little corny and on-the-nose when it comes to ingratiating itself to the decade and formula it idolizes, but overall, it’s a strong adaptation of what many wanted in the first place: a live-action version of the cherished 1980s animated cartoon.
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The selection of Oscar-nominated animated feature film director Travis Knight (Kubo and the Two Strings) to helm the prequel turns out to be spot-on, as he exhibits an instinctual sense for the film’s requisite action quotient while attentively crafting the central characters’ emotional arcs.
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Knight, coming from a born animator’s background, retrofits the intergalactic Sturm und Drang for a more humanistic tone that manages to be both more entertaining overall and moderately Spielbergian (he continues to executive produce the franchise) in this tale of a girl and her big, lovable, lemon-colored E.T. It’s a kinder, gentler Transformers movie for the holidays. Go figure.
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