| Twentieth Century Fox Film Corporation | Release Date: November 2, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
17
Mixed:
23
Negative:
10
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Critic Reviews
You will not see a more perfect and imperfect rock and roll biopic than Bohemian Rhapsody, which does many things extremely well, other things sort of average, and one thing flawlessly: capturing the immense charisma and panache of Queen singer Freddie Mercury. Jamie Foxx’s full-body inhabitation of Ray Charles just got some competition at the top.
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As with all dramatized stories of real lives, artistic license hammers messy reality into a watchable film. Dramas are not documentaries. The essential emotions of Freddie’s life and the history of the band are here. There’s nothing unexpected in the structure of the movie. It’s a visit with some old mates you’ve not seen in a long time.
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Appropriately for a group known for its theatrical, crowd-pleasing tunes, this authorised-by-the-band biopic carries itself lightly, serving up familiar plot points with panache and a sense of humour, while at the same time investing in the story’s emotional through-line, building to a genuinely moving climax.
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Bohemian Rhapsody is fun but entirely superficial, playing it safe rather than trying to be as bold or brazen as its larger-than-life subject. It ultimately relies on the magnetism of Rami Malek’s portrayal of Freddie Mercury and Queen’s bombastic, beloved music to make up for its narrative shortcomings and by-the-numbers direction.
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Bohemian Rhapsody doesn't throw itself into the tale of the band with anything approaching the abandon of the boldly unconventional 1975 smash hit that gives the movie its name. Instead, Bohemian Rhapsody plays it safe in a manner that's often cliched and always predictable — but not entirely unsatisfying.
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Winds up being giddily entertaining, first as an exercise in so-bad-it’s-funny kitsch, and ultimately as something far more meaningful and thrilling. Every now and then, a film comes along that defies the demands of taste, formal sophistication, even artistic honesty to succeed simply on the level of pure, inexplicable pleasure. Bohemian Rhapsody is just that cinematic unicorn: the bad movie that works, even when it shouldn’t.
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In strict filmmaking terms, Bohemian Rhapsody is a bit of a mess. Some of its scenes connect awkwardly, and it hits every beat of disaster and triumph squarely, like a gong. Yet if it has many of the problems we associate with “bad” movies, it has more ragged energy than so many good ones, largely because of Rami Malek’s performance as Mercury, all glitter and muscle and nerve endings.
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A lively, uncomplicated jukebox movie. Bohemian Rhapsody is a feature-length earworm that leaves “Don’t Stop Me Now,” “We Are the Champions,” “Another One Bites the Dust” and the rest of them wriggling in your cochlea and helping to drown out any inner whisper suggesting that you’ve just had the wool pulled over your eyes by these masters of rock theatrics.
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This charitable act of resuscitation for the benefit of Mercury’s admirers is something that the film as a whole ultimately fails to accomplish, as Bohemian Rhapsody mistakenly believes that simply trudging through a workmanlike overview of the Queen frontman’s life will allow it to arrive at something approaching intimacy.
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Although Malek looks the part, and has Freddie’s dance moves down, his performance is all stiff British accent and overbite (Mercury was born with four extra teeth). Singer never gets beyond the superficial to tell us anything profound or meaningful about Queen or Freddie Mercury or the perils of rock stardom.
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RogerEbert.comOct 30, 2018
Bohemian Rhapsody is bad in the way a lot of biopics are bad: it's superficial, it avoids complexity, and the narrative has a connect-the-dots quality. This kind of badness, while annoying, is relatively benign. However, the attitude towards Mercury's sexual expression is the opposite of benign.
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