Focus Features | Release Date: September 17, 2021
6.9
USER SCORE
Generally favorable reviews based on 23 Ratings
USER RATING DISTRIBUTION
Positive:
17
Mixed:
3
Negative:
3
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JojoSarangSep 20, 2021
Wtf did I watch?! First off stop lying with these rates secondly none can act and Justin wtf it sounds like you are humiliating people from the south. Making fun of them or what?! Seriously the terrible accent is disgustingly disturbing!Wtf did I watch?! First off stop lying with these rates secondly none can act and Justin wtf it sounds like you are humiliating people from the south. Making fun of them or what?! Seriously the terrible accent is disgustingly disturbing! That’s not how they sound bro! And who are these other ones? Sorry not sorry Justin you and your fake actors this movie was pointless. Oh a tearjerker?! Ok put anyone in that scenario yup y’all make viewers cry. But what they really crying at is the bad acting, the horrible horrible accents, the scenes of Justin trying to act all tough seriously please stop. This is a waste of time and money! This movie doesn’t even deserve a one star! Get it together people! Expand
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3
Mauro_LanariFeb 5, 2022
(Mauro Lanari)
The end does not justify the means and Justin Chon, in his fourth film as director and here also screenwriter and main interpreter, proves to be incapable: he does not make it clear where he wants to go before the help of the
(Mauro Lanari)
The end does not justify the means and Justin Chon, in his fourth film as director and here also screenwriter and main interpreter, proves to be incapable: he does not make it clear where he wants to go before the help of the final captions, he does not decide between the relevance of a childhood trauma and the wrong choices made as an adult, that is, if the responsibilities are parental, personal, systemic, legislative, police, does not use different shots from the close-up (a male version of "La passion de Jeanne d'Arc"?), does not give space to the other protagonists, does not avoid abusing a depressing trumpet in the score, does not dodge the slipping into the melodramatic.
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