| Metro-Goldwyn-Mayer | Release Date: December 18, 1966 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
11
Mixed:
4
Negative:
0
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Critic Reviews
This is so ravishing to look at (the colors all seem newly minted) and pleasurable to follow (the enigmas are usually more teasing than worrying) that you're likely to excuse the metaphysical pretensions—which become prevalent only at the very end—and go with the 60s flow, just as the original audiences did.
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Blow-Up defies analysis by design, given that it's about an artist who makes messes and cleans them up only in part, leaving behind the splatter that interests him. Antonioni follows a similar methodology, making strict interpretations of Blow-Up pretty pointless, and certainly less enjoyable than soaking up the mod decadence and ennui.
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When the film came out, Michelangelo Antonioni's mixture of suspense with vagueness and confusion seemed to have a numbing fascination for some people which they associated with art and intellectuality.
Arty examination of the nature of reality in Swinging London. [20 Feb 2004, p.H23]
Michelangelo Antonioni's famed mod mystery (complete with a funny scene with The Yardbirds) examines the nature of reality-or-not as captured by photography -- throwing in sexual titillation and brilliant use of sound on the side. [20 Feb 2004, p.13D]
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