| Open Road Films (II) | Release Date: November 18, 2016 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
19
Mixed:
14
Negative:
1
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Critic Reviews
The soundtrack is effective and overt – from the badass rock blare of Billy Squire, Bad Company and AC/DC to the atmosphere compositions of the indie musician Julia Holter to the riveting nu-blues of Willis Earl Beal. The camera work is slick, too; tricky sound-editing notions are pulled off with aplomb.
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Teller’s work is the film’s soul, and he completely convinces us of Vinny’s affability, flaws and steely determination. The performance has intelligent touches, some of them comic — such as the hint that Vinny’s rehab battle is heroic but also a bit goofy. It’s the kind of thing that first-rate actors can pull off.
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Teller is cornering a market on recklessness in the roles he chooses -- the energy from that demonic drum solo at the end of “Whiplash” seems to carry over into the ferocity with which Vinny pounds at life. He’s not very smart, he’s kind of a jerk, but he never, ever stops, and Bleed for This earns your respect for him.
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Nothing much revelatory here, but what makes the movie a keeper is the energy of director Ben Younger (Boiler Room) and the charisma of Miles Teller, the sensational young actor from "Whiplash," who invests the role of a prizefighter with the same intensity he brought to the role of an obsessively driven drummer in that film.
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Bleed For This looks at Vinny Paz and sees only unshakable determination, and though there’s a certain queasy, even darkly comic thrill to seeing the man (courageously? foolishly?) bench press his injuries away, Teller can’t make much of a character out of nothing but raw conviction and a spectacularly crappy mustache.
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