Black Swan
Fox Searchlight Pictures | Release Date: December 3, 2010
8.2
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Universal acclaim based on 1264 Ratings
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Negative:
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5
moviebufferJan 14, 2011
This review contains spoilers, click expand to view. the lead actress is very nice. She had a superb acting. the movie is good but it is not as exciting or thrilling as I expected it to be. Since from the beginning I already guessed that Nina has psychological disorder so its not thrilling for me anymore. however, it is still a bit confusing.… Expand
1 of 2 users found this helpful11
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9
bitburnJan 14, 2011
Mila Kunitz + Nathalie Portman = Sublime! Awesome movie, weird, dark, spooky, yummy! One of the best film I have seen this year. Portman is a wonderful actress that finally gets the shot of her career.
0 of 1 users found this helpful01
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7
Surtr13Jan 13, 2011
The idea behind the film is pure excellence, especially when compared with The Wrestler. Portman is fantastic of course, but I felt quite bored through large chunks of the film. Good film but I can't say I'll watch it again anytime soon.
1 of 3 users found this helpful12
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0
HeathJan 12, 2011
This review contains spoilers, click expand to view. Black Swan makes Harry Potter and the Deathly Hallows Part 1 look like best picture of the year--I say this because I thought the Potter movie just might be the worst movie of 2010. To my surprise, and dismay, that is not the case. There's an even worse film: Black Swan. It takes itself so seriously--We're making Art here, people!--that I wished I was watching ballet and not this movie. I hate ballet and this movie made me want to watch ballet. That's how bad this movie is. Watching ballet would have been more entertaining, more fun, and for more original than this insipid meat cleaver to the face--thirty seconds into the movie and it's clear that Natalie Portman's character is madder than a hatter and there the guesswork ends; the conspicuous meat cleaver has split your face in two, but does director Aronofsky stop there? Nope. His disgust for subtlety (of any kind) knows no bounds, or shame. He wants us to be so sure that Portman is madder than a hatter that he meat cleavers us in the face over and over: She's madder than a hatter! It's all in her head! Get it? Yes, Darren Aronofsky, I got it thirty seconds into the movie when the first meat cleaver got me square between the eyes, thank you very much. This movie is so bloody obvious that I began to wonder if Aronofsky simply doesn't want his audience to use their brains while watching one of his art house movies. (We're making Art here, people, and curing cancer!) Is he so threatened by someone else's interpretation that he leaves no possible room for interpretation? Is that the reason for the meat cleavers to the face, Darren? If true, I'd argue Aronofsky's got some issues that he might want to take up with his urologist. There isn't an original moment in this predictable, so-called disturbing movie. Disturbing? It's disturbing that Black Swan was so bad it made me want to watch ballet! To make matters worse, (if that's possible, and dear God in heaven, it is), there isn't a likeable character in the entire film. Now, there's nothing in filmmaking 101 that says you have to have a likeable character in your movie, but basic storytelling will tell you that if you want your audience to connect in a way that matters, a likeable character might be a good idea. In the very least, have an unlikable character find some kind of redemption at the end so that the audience will feel emotionally satisfied. In Black Swan, every character is not only an obvious stereotype, they're repugnant. (When Barbara Hershey came in as the evil ballet stage mother, I thought I was watching bad satire.) I was like, well, geez, I can't stand these people, I have no hope for them, it's clear there is no hope for them because they're all crazy, so why do I care what happens to them at the end? It isn't my fault that I felt this way. It's Darren Aronofsky's fault. When the end did finally come (thank God), was I surprised, shocked, horrified, confused, sad? No! I just wanted to get out of the theatre and see some ballet! And this brings me to Natalie Portman's brave acting job: Brave because she lets a hot chick go down on her and shows us her orgasm face. Wow, that takes some talent. (Porno stars do it all the time, but they're professionals so they make it look easy.) Halle Berry did the same thing for Monster's Ball, and she did it better, longer and with Billy Bob Thorton--now that's what I call brave!--and at least Halle showed some boob. All we get in Black Swan is Portman's worried orgasm face. Of course, she'll be nominated for an Academy Award for Best Actress (because she was so brave--We're making Art here, people, curing cancer and bringing peace to the world!) The Academy did the same thing to Halle, but Hollywood has a tradition of rewarding actresses who show us their orgasm faces in movies. Put a famous actress in a movie where a guy or girl goes down on her and she shows us her orgasm face and you can be sure she'll receive a nomination. Most of the time, they don't do that for the men. (Sean Penn got an Academy Award for MILK, but he didn't show us his orgasm face or go down on a guy in the movie, so it doesn't count.) It's usually just the ladies. Hollywood's orgasm face double-standard, like this typical Hollywood movie: A steaming pile of hubristic crap.

My rating: Six Irish Carbombs and a Mind Eraser shooter, and a ticket to the ballet.… Expand
3 of 5 users found this helpful32
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10
MedinaReviewsJan 12, 2011
'"Black Swan'": Horrifically Beautiful

In a year full of great films by Hollywood's most talented storytellers, Black Swan manages to rise above the rest. In today's modern age of crystal clear high-definition and mind-blowing 3D effects,'"Black Swan'": Horrifically Beautiful

In a year full of great films by Hollywood's most talented storytellers, Black Swan manages to rise above the rest.

In today's modern age of crystal clear high-definition and mind-blowing 3D effects, director Darren Aronofsky is not afraid to create a beautiful piece of visual art with grain and grittiness. But how would you classify this film? Psychological thriller? Horror? Art dance piece? The truth is it is all of these, executed to perfection.

A good film is usually respected because the filmmaker is able to execute one or two important elements really well. Either the story is unique and well told, or they were able to get great performances, but it is truly a rare film that is able to tell a compelling story while at the same time using each aspect of filmmaking to its full potential. In "Black Swan", Aronofksy was able bring together production design, cinematography, editing, and sound design in such away that the audience was brought completely into the world of Nina Sayers, played by Natalie Portman. From the very first frame, with Portman dancing alone in a spotlight, the audience can't help but be captivated and drawn into the film.

There were some very interesting, very brilliant choices in cinematography throughout the film. What is truly amazing, looking at the technical specs, is that while most of the film was shot on 16mm film stock, some sequences were seamlessly integrated into the film that were shot on the Canon 7D, a digital camera. How they were able to utilize and intercut the two mediums is remarkable in itself, but Aronofsky and his cinematographer, Matthew Libatique were able to achieve a specific look for every scene in such a way that would have been impossible using only one medium, all the while keeping the overall asthetic of the film surprisingly consistent. But what is really noteworthy of Aronofsky's distinct visual style is his camera work. Starting in "The Wrestler", he began shooting many of his scenes following directly behind his subject. While some storytelling traditionalists might find this odd because you would normally be missing the facial reactions of the characters, it does make you feel like you are experiencing the locations and situations right in the person's shoes, much more so than a point-of-view shot could ever hope to accomplish.

It was remarkable to see the level of perfection they were able to achieve with the camera operation during the dancing sequences as well. What must have taken take after take to nail it just right came across almost effortless, yet ultimately added so much to the choreography and movement of the dancers. Darren Aronofsky is one of the few directors that doesn't just use his camera as a device to show his story to an audience, but rather uses it as an integral storytelling tool.

But what ultimately gave these spectacular shots their power was the editing. With some of the strongest cuts to be put on the screen in decades, editor Andrew Weisblum was able to tell a complicated story at a relentless, riveting pace. Once cut in particular immediately stood out, and that is when the camera is following Portman walking into the Lincoln Center, and we jump-cut to another location while keeping her perfectly in the center of frame. This kind of editing really should not work, because it is visually jarring, yet at the same time it is so intriguing, and practical, to keep the story moving that it perks your attention and keeps you always wanting more. It should be noted here, however, that it is impossible to have this level of editing without having a great sound design accompanying it.

Despite every single member of the crew obviously performing their jobs expertly, this film really only belongs to one person, and that is Natalie Portaman with the role of her lifetime. We have certainly seen different sides of her as an actress, and how she can, with the right direction, completely immerse herself into a character in her previous work, but never like this. Her burden of carrying this film must have been both emotionally and physically draining beyond imagination. When it comes to an actor being dedicated to their craft, you don't get much better than this. Having to not only perfectly execute the transformation in character from a shy, timid girl into a powerful dancer but all the while having to pull off looking like a world-class ballet dancer is not a job for every actress. Portman always had a certain way of drawing the audience in and being completely captivating to watch, but in this film she really had to go into some dark emotional places that she was able to translate directly onto the screen.

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0 of 1 users found this helpful01
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7
sergioltfJan 11, 2011
This review contains spoilers, click expand to view. Making a deep art experience a horror film is a big, big flaw. Making a horror film a deep art experience, a big sin as well. Aronofsky has usually a deep insight and great, great imagery, but like in Requiem for a Dream the one-dimensional plot is a problem and it can be summarized in "drugs are bad". On the Wrestler, that's a perfect example of a good main character. In here, instead of creating two faces of a same character (depth!), he keeps playing with one dimension in two characters. Where's the moment that the actress mixes the two swans and get in control of that? Besides the 'actress-killing-rival-before-premier' is quite worn out already. I was expecting a true transformation, a true character, and all that was shown is a girl that cannot stop whining and an alter-ego that is a plain murderer. Everything else was stunning, and brought high art to the masses: the songs, the grace of the swans, the art environment, and a specifically good scene where the teacher, tryint to seduce her, shows her (and us) the true meaning of ballet. I just think it needed characters with more depth to add verisimilitude to it.… Expand
1 of 2 users found this helpful11
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9
DPadsJan 10, 2011
The best way to describe Black Swan would be to call it an artsy psychological thriller. Darren Aronofsky goes from making us sympathize with large sweaty men hitting each other with chairs to making pretty girls in tutus scary as hell, andThe best way to describe Black Swan would be to call it an artsy psychological thriller. Darren Aronofsky goes from making us sympathize with large sweaty men hitting each other with chairs to making pretty girls in tutus scary as hell, and he does it with style. From the first frame to the final fade Swan is a breathless descent into madness which left me breathless at the end. I went into the movie expecting it to be intense, but I was in no way prepared for what was in store and I will say I left the theatre very happy. Very disturbed, but happy. Portman is amazing as Nina pulling the audience down into madness with her, making a gradual transition which is captivating to watch (which is good because she gets the vast majority of the the screen time). Mila Kunis is frightening as Lily, changing from breezy and friendly to dark and scary on a dime creating a terrifying antagonist for Nina while also serving to be a great foil as well. However the one dark horse in the movie is Winona Ryder, who doesn't have very much screen time but makes every second count making the audience deathly afraid of her character while still feeling an overwhelming sense of pity as well. Aronofsky's direction is certainly felt, but it never gets in the way, deftly moving from scene to scene and gradually increasing the tension like a master. The visuals of the film are nothing short of beautiful, even with the purposefully dark and grainy filming. In my opinion it is one of the best of the year, the best thing both Portman, Kunis and Aronofsky have done as well. However the dark tone and graphic nature of the film is definitely not for everyone.… Expand
0 of 2 users found this helpful02
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8
allystewJan 10, 2011
This movie is two people. Darren Aronofsky is back to his deep psychological best and Natalie Portman in a definate Oscar nomination role. This movie will not be for everyone, but if you've seen Requiem For A Dream (in my opinion stillThis movie is two people. Darren Aronofsky is back to his deep psychological best and Natalie Portman in a definate Oscar nomination role. This movie will not be for everyone, but if you've seen Requiem For A Dream (in my opinion still Aronofskys best work) and could handle the tough but powerful scenes and performances then this is for you. A deep and dark delight.… Expand
0 of 2 users found this helpful02
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10
FranciscoAzenhaJan 10, 2011
Wonderful film, both artistic and psychological approaches were fantastic. Nina didn't distinguish reality from imagination until the end, it was necessary for her to kill Lily so she could be her alter-ego (in the way it resembles Lily),Wonderful film, both artistic and psychological approaches were fantastic. Nina didn't distinguish reality from imagination until the end, it was necessary for her to kill Lily so she could be her alter-ego (in the way it resembles Lily), certain psychological depth. She took the path of the self abyss, so when she could became perfection she died, has a being she could never achieve.
I've red so many critics, and still, I doubt if some journalists should have their way in critics.
Certainly the best of the year… Expand
0 of 2 users found this helpful02
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10
daviddepriestJan 10, 2011
This movie is ally hype. It's nothing more than a compilation of lesbian sex scenes, blood and emotion. If this is what the world calls a good movie I seriously wonder what the hell is in the water these days! Americans need to wake up andThis movie is ally hype. It's nothing more than a compilation of lesbian sex scenes, blood and emotion. If this is what the world calls a good movie I seriously wonder what the hell is in the water these days! Americans need to wake up and see what is essentially softcore porn.… Expand
2 of 4 users found this helpful22
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4
JennetPJan 10, 2011
As I was watching "Black Swan," I started counting the times the camera lingered on Natalie Portman staring pointlessly at herself in a mirror and lost count at eight billion. Guess that means I'm not one of the many crying "bravo" for thisAs I was watching "Black Swan," I started counting the times the camera lingered on Natalie Portman staring pointlessly at herself in a mirror and lost count at eight billion. Guess that means I'm not one of the many crying "bravo" for this film. I love Vincent Cassel, but here he's wasted as one more catalyst for the flowering of Natalie Portman's neurosis into capital-A Art. It's interesting to me that Winona Ryder showed up as the has-been dancer because Portman seemed to base her character on the timid mental patient Ryder played in "Girl, Interrupted" (watchable only for Angelina Jolie's much more dynamic sociopath). The difference here is that we experience manifestations of Portman's disintigration and are clearly supposed to wonder whether she is, in fact, being sabotaged. That would be the thriller part. But it's evident from the first 10 minutes of the movie that this chick is way too screwed up for anyone to bother sabotaging; all an intelligent rival would have to do is stand around, smoke a cigarette or two, and wait for her to self-destruct. So "thrills," for me, along with surprises, were in pretty short supply. I was mildly interested in how she'd finally sex up her Black Swan (hint: no sex involved) but rolled my eyes when it finally happened. I'm happy for all the people who swooned with delight at this film, but I was definitely not one of them. Plusses: some nice dancing. Vincent Cassel putting the mack on Portman then walking off in disgust. Barbara Hershey's scary facelifts finally used to advantage.… Expand
8 of 13 users found this helpful85
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9
JonnyFendiJan 9, 2011
The little girl in LEON: THE PROFESSIONAL (1994) had grown up now. Natalie Portman is at her peak performance so far. Team up with heavy-caliber Director Darren Aronofsky, they made a beautiful story but horrifying at the same time. AronofskyThe little girl in LEON: THE PROFESSIONAL (1994) had grown up now. Natalie Portman is at her peak performance so far. Team up with heavy-caliber Director Darren Aronofsky, they made a beautiful story but horrifying at the same time. Aronofsky is invincible, especially when he explored human desperation, like in his previous films REQUIEM OF A DREAM (2000), THE FOUNTAIN (2006) and THE WRESTLER (2008). For about 100 minutes of the movie, I felt like I was experiencing the theater performance, not just like a common movie. It filled with beautiful images and great orchestra. Nina (Portman) is a chosen ballerina to fulfil her dual roles all at once, to be irresistible innocence White Swan and also to become seductive evil Black Swan. Slowly but sure, the darker side of Black Swan absorbs her real life. I love the brilliant Cinematography. Aronofsky seemed to use two techniques of camera work. One was for The Long Shot, he used steady conventional method. And the second for The Close-up, he used Hand-held Camera. I had ever said that Hand-held Camera is modern technique in today cinematic world. Not only for Action, but recently for Drama as well, Hand-shake Camera is able to effectively drag you into the middle of ongoing situation, if you are not using Hand-held Camera, you are out of date now. The Cast is amazingly fit. Vincent Cassel is fit for provocative and ambitious Ballet Instructor. Mila Kunis is fit for seductive and ambitious Nina colleague. Barbara Hershey is fit for authoritarian and ambitious mother. And even a brief but impressive appearance by Winona Ryder as anxious and ambitious competitor. Yeah, it is all about ambition and you can see it in each character, all of them have their own ambition. However, the star of all stars above is Portman herself. She shows her darker side successfully, you could literally feel her pain, pressure and paranoia situation. The movie becomes more mysterious with some unusual sex scenes. For the last half hour of film duration, she drives us into beautiful but ironic condition, sometimes absurdity become the part of it. Those last scenes are extremely horrified, with broken fingernail, peeling skin and fractured bone for the elements. I almost could categorize thiz movie as a Horror movie. The movie emphasizes in every beautifulness of ballet, there is dark side that we never know before. Finally, I just want to say, It was perfect.

Visit My Blog on JONNY'S MOVEE : http://jonnyfendi.blogspot.com… Expand
1 of 4 users found this helpful13
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10
davidp1045Jan 9, 2011
Really good movie. Excellent acting from the cast, especially Natalie Portman. The scene with her and Mila Kunis in her bedroom was amazing. I left the theatre stunned, in a good way. Go see it now!
0 of 4 users found this helpful04
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10
jsadamsJan 9, 2011
Variously described as a psychological thriller, a body horror film or a descent into madness, the film follows the mental and emotional detoriation of a young ballerina attempting the lead role in swan lake. Pressured by her overbearingVariously described as a psychological thriller, a body horror film or a descent into madness, the film follows the mental and emotional detoriation of a young ballerina attempting the lead role in swan lake. Pressured by her overbearing mother living vicariously through her, her fiercly competitive peers and her psychologically and sexually assertive director her already frail personality deteriorates.
The film variously addresses the balance between perfection, control and passion. It also portrays Obssesive complusive disorder, body dysmorphism, self mutilation, bulimia, anorexia and the visual hallucinations of psychoses.

The film is shot in a grainy, close up, hand held style and in such a manner the audience is barely able to disthinquish reality from fantasy much as the main character herself can not. The file is a likely n od for best picture, best director and best actress and perhaps other technical awards as well. Not for everyone but definitely a critical and artistic acheivement of note.… Expand
0 of 3 users found this helpful03
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10
criticalrangerJan 9, 2011
Almost certainly one of the best films I have ever seen. It has the same levels of intensity as a **** film, and uses the same black and white depiction of good and evil to visually emphasize the thematic progression. To say this film rockedAlmost certainly one of the best films I have ever seen. It has the same levels of intensity as a **** film, and uses the same black and white depiction of good and evil to visually emphasize the thematic progression. To say this film rocked me, frightened me, and amazed me would be an understatement. I have never, ever had to sit down in the theatre lobby after a movie to process what was just viewed - to do it for 30 minutes, only saying to my friends over and over and over again how good the film was, really made it clear that what I watched was something of great power. An important film in the history of film, I hope. Certainly an important film thematically, touching so many ideas and breaking so many expectations - leaving you confused and terrified for the truth....

Absolutely stunning.… Expand
0 of 3 users found this helpful03
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9
InfamousPrinceJan 7, 2011
I'm not a big fan of this type of movies, but I'll still separate this film, because as far as the cast, this film is phenomenal, in terms of story, is simply great and I think this film, with all the awards and nominations he has received,I'm not a big fan of this type of movies, but I'll still separate this film, because as far as the cast, this film is phenomenal, in terms of story, is simply great and I think this film, with all the awards and nominations he has received, is excellent. Strongly recommend that you look, whether in cinema or on TV.… Expand
0 of 2 users found this helpful02
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7
juliankleissJan 7, 2011
Warns that inexorable perfectionism may lead to insanity. Picturing two opposite, and problematic extremes of living: safe, or self-destructive; eventually leaving the audience to conclude for themselves, that it would be best to pursue aWarns that inexorable perfectionism may lead to insanity. Picturing two opposite, and problematic extremes of living: safe, or self-destructive; eventually leaving the audience to conclude for themselves, that it would be best to pursue a balanced middle way. Sympathetic character, some quite shocking moments.… Expand
0 of 3 users found this helpful03
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10
nutterjrJan 6, 2011
Bravo! Encore! The best film I have seen for a very long time.
A spectacular film, through the brilliant mind of Aranofsky who never ceases to impress me. The story is gripping, with strong contrast between beauty and elegance with darknessBravo! Encore! The best film I have seen for a very long time.
A spectacular film, through the brilliant mind of Aranofsky who never ceases to impress me. The story is gripping, with strong contrast between beauty and elegance with darkness and insanity. The score is really moving and adds to the suspense and the surprisingly the previously shallow Portman brings a rich in layer and depth performance worthy of many awards!… Expand
1 of 3 users found this helpful12
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10
DKayJan 5, 2011
F'in Masterpiece. F'in Masterpiece. F'in Masterpiece. F'in Masterpiece. F'in Masterpiece. F'in Masterpiece. F'in Masterpiece. F'in Masterpiece.
1 of 3 users found this helpful12
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1
lowsparkJan 5, 2011
I heard great reviews about this movie so I expected to see a great movie about the ballet Swan Lake. The movie started with camera work I would have expected from an amateurish 8th grader holding the camera for the first time. It was shaky,I heard great reviews about this movie so I expected to see a great movie about the ballet Swan Lake. The movie started with camera work I would have expected from an amateurish 8th grader holding the camera for the first time. It was shaky, forcefully zoomed in, and did not capture the mood of an ballet. After the terrible camera work hit me I was forced into the overworked tense scene where everything they tried to place in a scene that would scare her just seemed funny. The dream sequences which were not dream sequences left me asking who asking who came up with this script and you need to pick a genre and stick to it. Finally while things like costumes and acting were amazing, the directing was terrible and ruined what could have been a great movie.

I go to art school and saw it with my art school friends, unless you are a pretentious art school kid, skip this movie. As a man, even the lesbian scene was just sad and I kind of laughed through most of it due to just how unrealistic this movie is. I can't really find a group of people to recommend this to. I know girls who have done Ballet and yes they are stressed but do not have mental issues like she does. Just generally a bad movie...… Expand
8 of 13 users found this helpful85
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6
BairdoJan 5, 2011
I just plain didn't enjoy this movie. I'd give it another chance if I thought I could sit through it again. It's not a ballet thing either... I could enjoy watching anything if I found the story engaging. Vincent Cassel is great at playingI just plain didn't enjoy this movie. I'd give it another chance if I thought I could sit through it again. It's not a ballet thing either... I could enjoy watching anything if I found the story engaging. Vincent Cassel is great at playing douches...there, I found something semi-positive. Did anyone notice that there was a lot of crotch grabbing in this film? That's all positive.… Expand
0 of 2 users found this helpful02
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9
tyronerubinJan 5, 2011
In Black Swan, Darren Aronofsky creates a nightmarish world that the audience is viscerally thrown into, with continuous twists and surprises at every step of the way, never knowing what will happen next. We only hope there is some salvationIn Black Swan, Darren Aronofsky creates a nightmarish world that the audience is viscerally thrown into, with continuous twists and surprises at every step of the way, never knowing what will happen next. We only hope there is some salvation at the end. Black Swan is created by one of the most passionate bright young filmmakers alive. The camera style is more regimented and thoughtfully composted compared to the cinema verite, looser, documentary style of The Wrestler. Every shot is perfectly thought out, and the use of mirrors in this film is simply magnificent. The monochromatic colour tone is stunning and at all times the colour palette of everything in shot is tempered to enhance the story. Especially in the wardrobe coloring. The Wrestler was based in the real world, the world we all live in, where a man is grappling with the failures in life, has a daughter, works part-time as a butcher, falls for a stripper and tries to resurrect his fledgling career. It deals with his ego and his determination. Its almost documentary in style. Black Swan is a film sprung from Darren Aronofsky's imagination, aided by a team of talented writers. It is a dark tale of ones inner struggle with perfection. In essence the film centers on the central character of Nina Sayers as she grapples with life as a star ballerina. She does all she can to find perfection within her self and with others. We go into the depths of her mind, and at times the film is as frightening as a Polanski film, at its best. Natalie Portman went on a rigorous training regime for this film and it shows, her performance is mature, dark and stunning. I can continue to write numerous pages on pledging my love for this film but I wont waste my time, or yours, as if you need further information on this, the web is abound with it. When Darren Aronofsky was recently talking about his next film, The Wolverine he made a very interesting point "Iâ… Expand
0 of 2 users found this helpful02
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9
DukeJan 4, 2011
We manifest our own destiny; we either create our own brilliant success or our tragic downfall. Regardless of the situation, most of our problems donâ
0 of 1 users found this helpful01
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8
LynJan 4, 2011
This movie is like "Requiem for a Dream," but with ballet. (Awarded an extra point for Portman's performance -- and actually, Hershey is excellent as well.) I found the mix of blood-sex-fantasy and lunacy quite riveting, but if you want aThis movie is like "Requiem for a Dream," but with ballet. (Awarded an extra point for Portman's performance -- and actually, Hershey is excellent as well.) I found the mix of blood-sex-fantasy and lunacy quite riveting, but if you want a "ballet movie," rent "The Turning Point."… Expand
0 of 2 users found this helpful02
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1
ErichSchoeJan 4, 2011
Unbelievably trashy. A cross between Polanski's Repulsion, Carrie and everything done by Cronenberg. But unfortunately done by all the above much better. A boring, repulsive, claustrophobic experience with a courageous, yet artificialUnbelievably trashy. A cross between Polanski's Repulsion, Carrie and everything done by Cronenberg. But unfortunately done by all the above much better. A boring, repulsive, claustrophobic experience with a courageous, yet artificial performance by Portman. I never believed for a minute that she was the obsessed, naive and sheltered character she was playing. And this whole nonsense that all she needed was a good orgasm to perform the Black Swan with passion was too much. And was the lesbian sex scene really necessary?… Expand
6 of 10 users found this helpful64
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10
VGabrieleJan 3, 2011
This is the best movie to come out in the past twenty years. Absolutely gorgeous, and haunting at the same time. It will stay on your mind for days after seeing it. Every Academy Award should go to Black Swan, Natalie Portman, and DarrenThis is the best movie to come out in the past twenty years. Absolutely gorgeous, and haunting at the same time. It will stay on your mind for days after seeing it. Every Academy Award should go to Black Swan, Natalie Portman, and Darren Aronofsky. My new favorite movie.… Expand
5 of 8 users found this helpful53
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2
SGITJan 2, 2011
Lame and boring. How can I use 150 characters to say this movie was lame and boring? Until the last 20 minutes, I was really wanting to just leave before I fell asleep. And I really went in expecting to be impressed. Maybe it's aimed at theLame and boring. How can I use 150 characters to say this movie was lame and boring? Until the last 20 minutes, I was really wanting to just leave before I fell asleep. And I really went in expecting to be impressed. Maybe it's aimed at the artsy, NYC theater crowds. But here in Texas it just falls flat. And this was from the general consensus of the people we talked when leaving the theater. Lame and Boring. Unless you live in NYC and have a thing for Ballet, skip this one… Expand
6 of 11 users found this helpful65
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8
scrieciuJan 2, 2011
Mind-blowing and a horrific epic movie, '' Black Swan '' is one of the best dramas I ever saw. Natalie Portman plays, remarkably amazing, Nina Sayers, a ballet dancer who struggles with her role as the ''Swan Queen'', which she must both beMind-blowing and a horrific epic movie, '' Black Swan '' is one of the best dramas I ever saw. Natalie Portman plays, remarkably amazing, Nina Sayers, a ballet dancer who struggles with her role as the ''Swan Queen'', which she must both be the White Swan (the good side) and the famous Black Swan (the evil side, witch she loses control). Very artistic and interesting movie. The chemistry between the actors was brilliant ! You can really feel the emotion going on. It was very unique and even if you're not into ballet, you will still enjoy this thriller. But the ending disturb me a little bit. Everything was perfect until the last tiny ten seconds. It's still a amazing film. Definitely worth to watch… Expand
2 of 4 users found this helpful22
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7
macks4386Jan 2, 2011
I still haven't decided whether this movie was good or not; but it certainly was one of the most enthralling films I have seen in a long time (Gives new meaning to the genre of psychological thriller). Portman's acting is out of this world,I still haven't decided whether this movie was good or not; but it certainly was one of the most enthralling films I have seen in a long time (Gives new meaning to the genre of psychological thriller). Portman's acting is out of this world, and the cinematography is certainly unique and complex. Definitely worth a watch...… Expand
0 of 3 users found this helpful03
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10
jbarkin13Jan 2, 2011
From the opening scene to the final credits this movie had me completely wrapped around its finger for the whole time. Natalie Portman gives a performance of a lifetime. The story and direction are executed brilliantly. Though I could talk adFrom the opening scene to the final credits this movie had me completely wrapped around its finger for the whole time. Natalie Portman gives a performance of a lifetime. The story and direction are executed brilliantly. Though I could talk ad nauseum about the depth and message of the movie, it can simply be summed up by saying everyone involved in this movie deserves any award they are nominated for.… Expand
0 of 3 users found this helpful03
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5
kormac66Dec 31, 2010
He pulled it together by introducing Kunis' character and a solid ending, but the opening half hour is atrocious. overall, it's a bit overwrought for my taste, but i did appreciate the campy humor and quality acting.
1 of 2 users found this helpful11
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1
DRahaimDec 31, 2010
Very Disappointed in this movie. Yes the dancing and the Photography is good, but it takes a lot more then that to make an interesting movie. My group found the movie tiring and the ending predictable. The idea that anyone would cast suchVery Disappointed in this movie. Yes the dancing and the Photography is good, but it takes a lot more then that to make an interesting movie. My group found the movie tiring and the ending predictable. The idea that anyone would cast such a fragile, timid ballerina in the lead of a major production of Swan Lake in one of the world's premiere ballet companies is laughable. Dancing required hard work and discipline. As the movie states, it is a very competitive art. I do not think this character, who still sleeps in a room that was designed for a three year old would have ever made it past her first three years of dance, much less make it to stardom. She would have "cracked up" years and years before. I have read the other reviews and "know where they were going"...I just don't think they ever got there.… Expand
8 of 13 users found this helpful85
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10
SDMOVIEGOERDec 31, 2010
I loved this movie! Natalie Portman was mesmerizing! I was on the edge of my seat for most of the movie. It was exhilarating and disturbing at the same time. An Oscar contender for certain. I would see this movie again.
3 of 4 users found this helpful31
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10
DarkCriticDec 30, 2010
I really love Natalie Portman's performance ever in this dark twisted movie. She really scared everyone in the audience. Black Swan is a perfect film that shows a character who really wanted to become a perfect ballerina so she can be in theI really love Natalie Portman's performance ever in this dark twisted movie. She really scared everyone in the audience. Black Swan is a perfect film that shows a character who really wanted to become a perfect ballerina so she can be in the musical stage and then she got split personality on herself that she couldn't control herself all because of the fears of practicing ballet. But also,I really love for my personally favorite is to all of you men,that we love to see Natalie Portman and Mila Kunis are making out in this picture,that's it!… Expand
1 of 4 users found this helpful13
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5
SausageDec 29, 2010
Lets be honest, in 5 years time people are not going to be looking back saying " wow, remember that movie Black swan? It was amazing!!!" Nope, Once it has finished surfing its current 'hype' wave, it will sit among the 'pretty good' movies ofLets be honest, in 5 years time people are not going to be looking back saying " wow, remember that movie Black swan? It was amazing!!!" Nope, Once it has finished surfing its current 'hype' wave, it will sit among the 'pretty good' movies of 2010! Ill give credit where its due, Natalie Portman gives so much of herself that you wonder what depths she went too to portray this tortured soul...She is absolutely spellbinding. The Director 'Darren Aronofsky' however holds the reigns as best he can, but with such a bleak pallet and morbid tone, his raw technique, digs deeper than it needs and seems lost in its own pretensions. The Final 20 minutes however are breathtaking, with all the forgotten loose ends brought together in a truly operatic finale. To be fair maybe it needs another viewing to fully appreciate its complexities, but the thing is, " I don't want to watch it again"!!… Expand
14 of 24 users found this helpful1410
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7
DalemDec 26, 2010
{Spoiler alert] Very good movie in many respects. The acting is good and, from a quite formal point of view, the film is well-structured. One of the interesting things about the film is the many thematic references. It references{Spoiler alert] Very good movie in many respects. The acting is good and, from a quite formal point of view, the film is well-structured. One of the interesting things about the film is the many thematic references. It references Freud in dealing with repression and the relation between a woman and her mother. Jung is referenced in the story of how a person must come to terms with his or her "shadow" which is often referred to as a doppleganger. Even French Symbolist poetry with its fondness for the swan, which in French is the "signe"--the sign or symbol, comes into play. If you are a person who really likes things intellectual like this, you will probably get a lot out of this film. However, on an emotional level, the film never takes flight. We really never connect to the character. There is very little emotional variety in this film. It's the same emotion throughout with just an increasing intensity. It may be a "tour de force" but after a while it kind of gets monotonous. When I saw the film, audience members laughed at a scene of a dead body being dragged. (A ballerina dragging a dead body is funny!) I have heard of other viewings with hoots and hollers at the sex scenes. I think people just get bummed out at such "very serious theater" sort of business. At the end of the film, the main character dies. I have yet to hear of anyone shedding a tear for her.… Expand
0 of 3 users found this helpful03
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9
DCLeahyDec 26, 2010
This review contains spoilers, click expand to view. Aronofsky's dizzying and dazzling new film grabs the audience and take them on a ride through the intense trials and pressures on a increasingly unstable ballerina played masterfully by Natalie Portman. Aronofsky's engaging camerawork places you directly in the action and dares you to join him on his feverish trip through Nina Sayers' mind. Although Aronofsky's film may not be "perfect" like Nina's final, suicidal performance, it comes close.… Expand
1 of 2 users found this helpful11
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10
TonyDec 26, 2010
Perfection--a major theme of the film and ultimately what it achieves. Portman is stunning. Aronofsky's direction is masterful. The cinematography and sound are interesting and integral to the story. This is simply a masterpiece in thePerfection--a major theme of the film and ultimately what it achieves. Portman is stunning. Aronofsky's direction is masterful. The cinematography and sound are interesting and integral to the story. This is simply a masterpiece in the psychological horror oeuvre.… Expand
3 of 6 users found this helpful33
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8
VAFrankyDec 26, 2010
This movie was excellent. Some of the scenes made you feel so embarrassed or ashamed for the main character, but I think that is exactly what Aronofsky was going for. This movie contains some of the best acting that I have seen out of NatalieThis movie was excellent. Some of the scenes made you feel so embarrassed or ashamed for the main character, but I think that is exactly what Aronofsky was going for. This movie contains some of the best acting that I have seen out of Natalie Portman yet which totally validates my thoughts that she has been throwing her potential away thus far in her career. Mila Kunis, Vincent Cassel as the slimy Ballerina director and; surprise, Winona Ryder are also excellent. The movie also gets its message across and gets out, instead of lingering on needlessly like many art house type movies tend to do. This movie may be a little emotionally draining for some but I think that it is one of Aronofsky's best work. I'm not even that fond of Aronofsky's earlier films save The Wrestler, but I think he did a really good job with this one.… Expand
0 of 2 users found this helpful02
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10
bruciebabyDec 25, 2010
Natalie Portman was difficult to watch in this so-called psychological thriller. Her quest for perfection took her into the uncharted territory of real/imagined physical injuries and damages, real/imagined conflicts with her demanding andNatalie Portman was difficult to watch in this so-called psychological thriller. Her quest for perfection took her into the uncharted territory of real/imagined physical injuries and damages, real/imagined conflicts with her demanding and smothering mother and her jealous competitors, and real/imagined conflicts about her sexuality.
This movie was painful to watch because it WENT NOWHERE and had no UNDERSTANDABLE RESOLUTION in the final frame. If I had ten thumbs, they would all be DOWN in rating this abortive attempt at defining the conflicts of a woman searching for ultimate acceptance of her talents by all her peers and her critics. An absolutely HORRIBLE, DEPRESSING MOVIE!!… Expand
2 of 3 users found this helpful21
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9
SyrnykDec 25, 2010
Great film. Cements Natalie as a solid actress capable of playing any role. This film twists the very foundation of art and makes one look at dance from a different frame - examining the damaging components. One of the strongest films to beGreat film. Cements Natalie as a solid actress capable of playing any role. This film twists the very foundation of art and makes one look at dance from a different frame - examining the damaging components. One of the strongest films to be released in 2010 for sure.… Expand
0 of 2 users found this helpful02
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9
nomdiploomDec 25, 2010
Definitely worth seeing. The acting is as brilliant as the psyches portrayed are perverse.
Brooding, dark, and mysterious, while compelling you to watch, ever mindful that you do not know what what is truth or delusion.
2 of 6 users found this helpful24
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10
NickXoNDec 24, 2010
As any movie, Black Swan has it's little defects. Even though i am willing to call it - Masterpiece. Natalie Portman's performance is breathtaking. We see Nina as a skilled ballet dancer obsessed of the desire of being perfect. She has theAs any movie, Black Swan has it's little defects. Even though i am willing to call it - Masterpiece. Natalie Portman's performance is breathtaking. We see Nina as a skilled ballet dancer obsessed of the desire of being perfect. She has the greet opportunity of playing the lead role in Swan Lake, but to take it she has to become the very best. Finally it results that the only obstacle on her way is her own personality. That is one of those love or hate movies. As you watch it you stop thinking about the other stuff and once it is over you spend several seconds or even a minute staring at the screen, processing the information, while wondering what exactly you just saw. As the time passes by the image becomes clearer and at the end you succeed in realising it's message. For me that's the idea of a brilliant movie, the one that leaves a trace behind in your mind and soul.… Expand
2 of 4 users found this helpful22
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10
NancyBDec 24, 2010
I hate to be so vulgar but this movie was a total mindf*ck; and I mean that in the best way. Seriously, I don't know how else to describe it. Whatever it feels like to drop acid, that's what this movie was like. Mesmerizing. UncomfortablyI hate to be so vulgar but this movie was a total mindf*ck; and I mean that in the best way. Seriously, I don't know how else to describe it. Whatever it feels like to drop acid, that's what this movie was like. Mesmerizing. Uncomfortably intense, dark, powerful, creepy, sexy, and heartbreaking. I recommend you see it; it will kick your ass and you'll love every second of it!… Expand
4 of 5 users found this helpful41
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9
NeilieoDec 23, 2010
Thrilling, chilling, and mesmerizing is how I would describe this movie. I was fully into the movie then entire time, even though I don't know too much about ballet. Portman gives an incredible performance and the climatic finale had me onThrilling, chilling, and mesmerizing is how I would describe this movie. I was fully into the movie then entire time, even though I don't know too much about ballet. Portman gives an incredible performance and the climatic finale had me on the edge of my seat. At some times the movie was confusing but that is why it works.… Expand
2 of 4 users found this helpful22
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9
ShiiraDec 23, 2010
This review contains spoilers, click expand to view. At the end of Rob Marshall's "Chicago", in an effort to clear up any lingering doubts from moviegoers about what they just saw, the titles proudly trumpet that the principal actors did all their own singing and dancing. So adept were Richard Gere, Catherine Zeta-Jones, and Renee Zelwegger at both performing arts, some audience members may have presumed that professionals were called in to do all the heavy lifting, especially the dancing, where, as is the norm for any movie that requires multi-tasking(stunt work, stripping, etc...) of its actors, a double can be inserted whenever the camera catches the body without a head. Knowing this, the novelty aspect behind a Hollywood starlet, a veritable household name, casting vanity aside and trying to disappear into the role of a top-flight ballerina is dispelled, right off the bat, when the filmmaker establishes his subject's competence(or dare I say, mastery) in dramatic fashion. Dancing by herself, establishing shots of Natalie Portman in balletic repose, give way to a close-up of disembodied feet, whose legs, cut off somewhere above the knee, could belong to anybody, but are indeed Portman's, when a camera tilt, along with the dancer's contortions, reorientates the actress to her lowest extremities, right after those thought-to-be-anonymous feet go from horizontal to vertical(in other words, "on point"), and then in gilded motion, like a pro. It's a goosebump moment, believe me. It's really her, the stripper who wouldn't strip in Mike Nichols' "Closer"...doing THAT! With Portman's credibility issues out of the way, this neo-"Repulsion" story becomes the focal point, which wouldn't be the case if Nina Sayers, a woman-girl with mommy issues(and sexuality issues) who's losing it, was heavily subordinated by a Julliard-trained stand-in to do all the hard stuff. The camera doesn't lie, especially a hand-held one, a probing thing that gets in Nina's grille(on and off-the-job), and Portman's body, all sinewy muscle and bone, is the truth, and passes with flying colors. The unbridled passion and masochism and predilection for self-sacrifice that every hungry, up-and-coming dancer possesses is captured in unerring detail by Portman, who on a short-time basis, obviously, went through the same taxing process herself, because you can see, actually see, that she's thinking, as opposed to acting, like a dancer in the cut-throat world of New York City swan-making. When asked by her lecherous ballet director(Vincent Cassell) to embody the second swan with the same assuredness as its white doppleganger, the virginal Nina goes down a rabbit hole of repression and self-hatred when the unformed girl is forced to ruminate over sex, a subject she clearly deflects through overcompensation, in which ballet has proven to be a stunting mechanism for this grown woman(who still lives with her mom and has a room populated with a menagerie stuffed animals), thereby creating a vast disconnect between her emotional and chronological age. When you get right down to it, "Black Swan" is all about f*cking. In her room, Nina touches herself, and is made to feel guilty about having desire, all at once, upon discovery of her mother asleep in a bedside chair(or is she?), indicating a past history in which Erica(Barbara Hershey), a failed dancer who has mixed emotions about her daughter's success, impeded Nina's sexual development through calculated sheltering. Not wanting to draw comparisons with Michael Haneke's "The Piano Teacher", Nina and her mother sleep in separate rooms, but the disturbance created by Erica, her seeming entitlement to be in such close proximity to her adult daughter, suggests that the bedtime arrangements are still new. In a sense, the mother helped birth the black swan that haunts Nina. As a result of her psycho-sexuality, Nina stabs the dark bird, stabs Lily(Mila Kunis), for awakening her greatest fear, inflaming the fragile ballerina to stab herself, out of self-hatred for not being the white swan, mother's "sweet girl".… Expand
0 of 2 users found this helpful02
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9
tinar1Dec 23, 2010
Great film. Natalie delivers one of her best performances to date.
Not for all the family because of the sexual tension on it.
It has many levels, if you can see trough it.
2 of 5 users found this helpful23
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10
egnincoDec 22, 2010
Kenneth Turan of the LA Times is absolutely clueless. This film was brilliant. The fact that you are unable to distinguish reality from psychosis is what is so compelling about the piece. Natalie Portman deserves an Oscar for her amazing performance.
3 of 6 users found this helpful33
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9
wishmasterDec 22, 2010
this movie is the best I saw in 2010, amazing, one of the best music underscore.! Portman just wonderful, everything was spectacular ... This combination of psychological drama is a mixture of feelings that you uncoordinated and keeps youthis movie is the best I saw in 2010, amazing, one of the best music underscore.! Portman just wonderful, everything was spectacular ... This combination of psychological drama is a mixture of feelings that you uncoordinated and keeps you glued to the screen until the last minute… Expand
1 of 3 users found this helpful12
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9
iamtrent424Dec 22, 2010
Outstanding Acting, Directing, and story. One of the best thriller movie i seen. Outstanding performance by Natalie Portman and Mila Kunis. On of the year best films. This movie is going catch your attention from beginning to end. I enjoyOutstanding Acting, Directing, and story. One of the best thriller movie i seen. Outstanding performance by Natalie Portman and Mila Kunis. On of the year best films. This movie is going catch your attention from beginning to end. I enjoy this movie a lot. Natalie Portman gave such a good performance in this movie. I love thriller movies like this. I think this is a movie ever body would enjoy. Very crazy and amazing movie.… Expand
1 of 2 users found this helpful11
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9
martinexDec 21, 2010
I've never used this word before but this movie was breath taking. It started out a little slow but man does the pace pick up as the movie goes along. Portman deserves Oscar consideration for an amazing performance. The camera work wasI've never used this word before but this movie was breath taking. It started out a little slow but man does the pace pick up as the movie goes along. Portman deserves Oscar consideration for an amazing performance. The camera work was fantastic. I've never attended a ballet before. I think I'd like to go to one now.… Expand
2 of 6 users found this helpful24
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4
bostonDec 21, 2010
This movie's plot was thin and played out in a shocking and gruesome way. Come on folks, give the viewer a little more credit for taste and intelligence.
4 of 7 users found this helpful43
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10
AwesomeDragonDec 21, 2010
If 'Black Swan' was directed by David Fincher, it would be called 'Ballet Club,' and it would be a thematic sequel to 'Fight Club.' However, it wasn't directed by Fincher, but instead by Darren Aronofsky, which explains why it is probably theIf 'Black Swan' was directed by David Fincher, it would be called 'Ballet Club,' and it would be a thematic sequel to 'Fight Club.' However, it wasn't directed by Fincher, but instead by Darren Aronofsky, which explains why it is probably the most well-directed movie of the year. I can't say that it is the best film of the year, which I believe is 'The Social Network' because it is both good and culturally relevant, but Aronofsky's skill is at its peak in 'Black Swan,' and it sure is something to marvel. I believe Aronofsky exquisitely directed the most perfectly structured and beautifully told story of any film I have seen this year. I still give major props to Fincher, as well as David O Russell ('The Fighter') and Christopher Nolan ('Inception'). Natalie Portman steals the screen for the majority of the film, brilliantly portraying the fragile ballerina Nina Sayers. After winging the role of the Swan Queen in the upcoming show of the popular Swan Lake dance, Nina struggles to move out of the shadow of her nutty, sheltering mother, while rejecting the sexual advances and dark nature of her extremely professional instructor, all the while preparing for a performance she wants to make perfect. Seeing 'Tron Legacy' and 'The Fighter' before this (I saw all three in one day) helped keep me up with this whole perfection fiasco, which is the entire theme of 'Black Swan.' The most brilliant thing about 'Black Swan' is that it actually adapts the story of 'Swan Lake' into Nina's story that we see in the film. Since I'm a guy, I know very little about 'Swan Lake,' but Aronofsky obviously wasn't targeting all females with this film, so he throws in a summary about halfway in. It is then that you should be able to pick up that everything Nina is going through is a literal translation of the 'Swan Lake' story. This is even easier to notice with the orchestra music that plays throughout the movie during scenes that would not normally have music playing in the background. Most guys won't find this information fascinating at all, but hey, we get to see two hot chicks making out. Or do we? Aronofsky does a lot more with this film than you'll probably be able to notice after seeing it once. This includes having Natalie Portman always wearing white while Mila Kunis always wears black, to represent Portman as the Swan and Kunis as the dark side, although this symbolism is all in Nina's head. Her reluctance to push everyone else out of her life shows as we continually see her trying to keep her mother out of her room, as well as her attempts to impress her instructor while failing to understand what he wants out of her. Her struggle to impress two perfectionists drives her to the point of insanity, and the balance of the two characters on Nina's shoulders represents the struggle of the "swan" with it's dark side, which we see leads to a surprisingly extravagant conclusion. I would say that Aronofsky was very Fincher-esque with the psychological mindf**k, Kubrickian with the perfectionist structure of the film (especially with the bombastically loud orchestral soundtrack), or even Tarantinoish with the way he incorporated symbolism every which way (as 'Inglourious Basterds' did), but if you have seen any of this director's past films, you will understand that this is all Aronofsky. While it is indeed perfect, and very symbolic, it is also very dark and never afraid to push the limits, just as his other films are. 'Black Swan' as a whole represents the beauty of Aronofsky's dark natured filmography, although some will not like it since the limits the film pursues to push are not the type fans of Disney's 'Ice Princess' would've expected. It actually thrilled me to see many of the young girls in the theater covering their eyes throughout the film, just so I could assure myself that I wasn't watching some Hannah Montana manure.… Expand
5 of 8 users found this helpful53
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8
KundKDec 21, 2010
Some may mockingly call it "Repulsion in a Tutu", but the movie works. The acting is top notch, lifting the heavy atmosphere of repression (sexual and otherwise) and body horror above the Grand Guignol theatrics into pure gut-wrenchingSome may mockingly call it "Repulsion in a Tutu", but the movie works. The acting is top notch, lifting the heavy atmosphere of repression (sexual and otherwise) and body horror above the Grand Guignol theatrics into pure gut-wrenching psycho-terror and pain. Portman (in Machinist-style emaciation) is sublime in her descent into psychosis, Hershey is fabulously creepy as her domineering mother, Ryder does wonders with her few minutes on screen and Kunis is a great fiery and free-flowing opposite to the frigidly perfect Swan Queen. Aaronofsky is a bit heavy-handed with symbolism and uses too many of his trademark tracking shots from behind, the script could have been better, but there might be some awards here, especially for Portman and Kunis. Well worth a watch.… Expand
2 of 5 users found this helpful23
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10
Bama72Dec 21, 2010
This movie is stunning. I just love a movie when, after you leave, you can't stop thinking about it and talking about it. Well made and well acted, a must see.
1 of 3 users found this helpful12
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4
movieboyDec 20, 2010
Considering all the laudatory reviews and the number of 10 ratings one might assume a masterpiece had birthed. Alas not for this viewer. Natalie did a fine job, no problem there, but talk about an overwrought Polanski rip-off. If this isConsidering all the laudatory reviews and the number of 10 ratings one might assume a masterpiece had birthed. Alas not for this viewer. Natalie did a fine job, no problem there, but talk about an overwrought Polanski rip-off. If this is masterful film making today, I'm depressed. It had the makings of an interesting, dramatic thriller. But where was the subtlety, the craft of a work that gradually seduces you. Not here. I'm only seen a couple major reviewers that have really questioned the artfulness of this project. I felt like I had been hammered by it. It was so over the top.… Expand
8 of 13 users found this helpful85
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9
dniceDec 20, 2010
Black Swan is very good!. The movie is perfectly paced, great art direction and Mila Kunis is very underrated in this prestige film. I am not a big fan of Darron Aronoksy but this is a rare feat. I don't like ballet but it was interesting toBlack Swan is very good!. The movie is perfectly paced, great art direction and Mila Kunis is very underrated in this prestige film. I am not a big fan of Darron Aronoksy but this is a rare feat. I don't like ballet but it was interesting to have a better understanding of the art.… Expand
2 of 4 users found this helpful22
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9
AveryDec 20, 2010
Black Swan is one of those all too rare films these days where you are never quite sure where it is going. Sometimes that can be upsetting and disorienting--but not so with this film. Aronofsky's direction kept me constantly on edge andBlack Swan is one of those all too rare films these days where you are never quite sure where it is going. Sometimes that can be upsetting and disorienting--but not so with this film. Aronofsky's direction kept me constantly on edge and even provided some genuine thriller moments where more than one audience member shrieked out loud. It is a darkly hued tale expertly told and performed by Natalie Portman in what is surely one of her most powerful roles to date. Indeed this story is at times disturbing and provocative, but that's the way good art should be--even in the seemingly simple lithe world of ballet dancing.… Expand
3 of 5 users found this helpful32
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9
MadAlfredDec 19, 2010
Natalie Portman does for Black Swan what Mickey Rourke did for The Wrestler. Both players pushed themselves physically and emotionally to lend gravitas to an art form that isn't widely respected or understood. She brings such life to herNatalie Portman does for Black Swan what Mickey Rourke did for The Wrestler. Both players pushed themselves physically and emotionally to lend gravitas to an art form that isn't widely respected or understood. She brings such life to her roll. She embodies anxiety, fear, excitement, frustration, and sexual confusion. Every other character in the film represents some external source of emotion. None of the supporting players gets three dimensions. Each fills a role: "the mother," "the director," "the rival," "the former star." To that end, each of those characters inspires a different sort of anxiety, curiosity, dread, or fury in the central character, and Natalie Portman brilliantly evokes the oftentimes subtle distinctions between those emotional responses. It's fascinating to watch.… Expand
1 of 2 users found this helpful11
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9
ckaryDec 19, 2010
"Black Swan" is a terrifying and beautiful psych-thriller which completely blew me away. I almost felt genuinely sick while watching the movie, similar to the feeling I had while watching the downward spiral that was "Requiem for a Dream;""Black Swan" is a terrifying and beautiful psych-thriller which completely blew me away. I almost felt genuinely sick while watching the movie, similar to the feeling I had while watching the downward spiral that was "Requiem for a Dream;" but I can't say that it wasn't amazing. "Black Swan" hits you at your emotional core, and Portman's performance in the film may very well be her best outing to date. The film follows Nina (Natalie Portman), the main character and recently selected lead in her studio's upcoming production of "Swan Lake," through the weeks leading up to the debut of the play (which is re-instated in a more simple form to attempt to defibrillate the struggling company). As her instructor Thomas (Vincent Cassel) states, the role is very dynamic, and requires her to get "loose" to play the seductive and deceptive black swan. She struggles at first, but soon finds darkness in a life filled with innocence, and becomes ensnared in the role. The movie turns into a nightmarish and terrifying struggle between good and evil, as Nina battles amongst herself to try to come to grips with the ballet role that is consuming her life, and her soul. The film is edgy, raw, and at times, outright frightening. It has that visceral and striking presence which Aronofsky is so masterfully talented at projecting, although it is purposely flawed so that you are sick to your stomach with Nina's mental health. It makes heavy work of symbolism and irony, and repeating themes include duality, hatred, anger, control and insanity. Personally, I loved the film. It is almost impossible to not be hypnotized by the intense cinematography, the outstanding performances, and the bold imagery. The entrancing score by Clint Mansell, a long-time collaborator of Aronofsky's, is real and powerful, and perfectly captures the essence of the film's most intense moments. I guess the one thing which kept me from giving it a ten would be that the film almost does too much at times. It is complicated, and although brilliantly conceived, it draws away from an audience which may more greatly appreciate it for it's terrifying reality, and not its symbolism and depth. Regardless, the movie is greatness in a bottle. If you haven't seen it yet, treat yourself over the holidays; you won't regret it.… Expand
1 of 3 users found this helpful12
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5
figman5000Dec 19, 2010
I found this movie to be deceptively shallow--entertaining to watch but ultimately flimsy. It is a psychological thriller and a conventional one at that, often dependent on predictable horror movie cliches. It is generally well paced andI found this movie to be deceptively shallow--entertaining to watch but ultimately flimsy. It is a psychological thriller and a conventional one at that, often dependent on predictable horror movie cliches. It is generally well paced and effectively creates a mood of foreboding, but the payoff, when it comes, is not terribly interesting and is no surprise at all. It confirms what you'd already anticipated and resolves whatever mild curiosity you might have had. The acting is good. Mila Kunis is terrific. The relationship between Natalie Portman's character and her domineering, self-loathing mother is completely credible, and Portman is effective in playing an obsessive, egocentric, immature artist. Unfortunately for her, that sort of emotional unintelligence does not make for an absorbing character--the interplay between reality and her own disturbed psyche is just not that interesting.

Considering all the hype and critical acclaim, I'm tempted to give this movie a score in the basement, but it's not a _bad_ movie. It's an entertaining way to spend an hour and a half, but nothing more than that.… Expand
6 of 12 users found this helpful66
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6
emkadvDec 19, 2010
The performances were strong, but the story just was not credible. It relied too much on the idea that to be a great artist, one must be at least a little bit mad. Although many artists have fought madness, it's hardly a requirement.The performances were strong, but the story just was not credible. It relied too much on the idea that to be a great artist, one must be at least a little bit mad. Although many artists have fought madness, it's hardly a requirement. Furthermore, much of Nina's madness was hard to accept. Finally, I didn't find any of the characters likable.… Expand
2 of 4 users found this helpful22
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10
jdolan74Dec 19, 2010
This review contains spoilers, click expand to view. I really feel like Aronofsky has found a happy medium between Requiem for a Dream and The Wrestler with his latest masterpiece, Black Swan. He definitely takes his interpretation of Swan Lake and All About Eve to some unique places with the film. And he doesn't feel the need to have to make sense on a practical level, because he is using his chosen medium to express the torment Natalie Portman's character is going through as she prepares for the greatest role of her career. And the film parallels both the stories of Swan Lake and All About Eve's storylines on a metaphorical level that is raw and provocative. I have talked with many people who hated this film and our biggest degree of separation is the fact that I felt this film perfectly conveys what it is to put one's self out there on the stage, and what an actor (or dancer) must do to get to a certain place. They felt that the film's unrealities derailed it from the point it was trying to make. But I don't think a good filmmaker must be constricted by reality when trying to prove a point. An artist must separate themselves from who they are and become what the character demands. Portman's character didn't need to change to be the White Swan. But to be the Black Swan, she had to abandon everything her mother wanted her to be. Which brings me to the relationship between Portman and Barbara Hershey. I personally know girls who have this EXACT relationship with their mothers. I even know a girl who was named after Baryshnikov, who trained as a ballerina as a young girl, but ultimately gave up that dream and she has this exact relationship with HER mother. So needless to say this relationship REALLY spoke to me. The mother wants her daughter to remain innocent and perfect and be the ballerina in the box. But she ultimately becomes the broken and chipped away figurine because that's what life does to us. She has to rebel against her mother, her company, and even herself to find the darkness within that she needs to play this part. And if people don't really believe this is what artists go through, they don't have to look as far back as Van Gogh severing his ear to remember the fates of Heath Ledger and River Phoenix. Some artists who try and tap into the darkness wind up killing themselves in the same way Portman's character slips over the edge. That's why I think this movie is so spectacular, and why Portman deserves the Oscar. Her transformation was flawless. And lovely to watch. And Clint Mansell's hypnotic score ushered us along in perfect sync with Portman's descent. For someone who has enjoyed ballets and operas and theatre in general, Aronfsky has given us a dour tour de force that should satisfy most pallets, whether they can handle the macabre elements or not. I can't wait to see what he does with The Wolverine. Haha.… Expand
2 of 5 users found this helpful23
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10
GaryDec 18, 2010
Stupendous film, which could have at its core the would-be, the almost, the near-but-not quite great, the jock who is on the brink of stardom but can't cope with the pressure, the constant stress and anxiety, the bodily abuse. Except it'sStupendous film, which could have at its core the would-be, the almost, the near-but-not quite great, the jock who is on the brink of stardom but can't cope with the pressure, the constant stress and anxiety, the bodily abuse. Except it's the mirror image, the almost great ballerina who is coping poorly (at best) with the stress/fatigue/injuries/obsessions/dedication/rejection/guilt trips, ya-da. Definitely not for those who like fluff, Mr. Happy-Face, P or PG rating, or perhaps R ratings based on swearing or violence. A true "art house", "artsy - f--tsy", "thinkin' " movie. The remarkable finish leaves the audience stunned, astonished, agog.… Expand
2 of 4 users found this helpful22
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8
JamesLDec 18, 2010
This movie was good but the story limited the effect as one knew what the outcome would be. They did a great job of keeping you rattled and not sure of what was real and unreal. Portman dazzled as did Hershey who creeped me out. This willThis movie was good but the story limited the effect as one knew what the outcome would be. They did a great job of keeping you rattled and not sure of what was real and unreal. Portman dazzled as did Hershey who creeped me out. This will make my top ten but not the first five.… Expand
1 of 5 users found this helpful14
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1
carldamnitDec 18, 2010
This review contains spoilers, click expand to view. Spoilers!!! Not that much of the plot revealed below would be surprising after watching the first 10 minutes of the film. 1. The premise is flawed. Why would they select such a spiritless, vapid, flat emotional wreck to carry Swan Lake.

2. Natalie Portman's performance is spiritless, vapid and flat for 90% of the movie and laughably over the top for the remainder. Though the laugh factor is not entirely her fault, because....

3. The forced combination of surrealism and melodrama provided by the script and Aronofsky's direction would be hilarious if it wasn't so embarrassing.

4. At least Showgirls had nudity and memorable one-liners.

5. I'm sure Aronofsky and whoever wrote this has seen The Piano Teacher and that pisses me off, because both movies include:

a. A sexually and emotionally constricted woman that trains vigorously in a performance art

b. a disturbingly intimate relationship with a mother who is overbearing

c. a closing shot of the lead having stabbed themselves at one of their performances

6. Even the frequent masturbation scenes and casual lesbianism that was included to keep straight guys like my brother interested in the movie was unsuccessful. According to my brother, these ladies are thin and gross.

7. The frequent shifts in what is real and what is a hallucination is tiring and I eventually lost interested in telling the two apart, thus making me indifferent to what was I assume meant to be a tragic ending.

8. Aronofsky put me in the uncomfortable position of feeling bad for laughing when other people might not have realized how stupid this movie is.

9. This movie sucked.

10. My brother may never trust me to choose a movie ever again. Here is my brother's two word review of the movie: **** Swan.

.… Expand
7 of 17 users found this helpful710
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6
jeremypDec 18, 2010
This review contains spoilers, click expand to view. A beautiful, seriously flawed, at times laughable, melodrama. The only suspense, soon disposed of, is whether we are witnessing the descent into madness or a ghost story. Descent into madness it is! Sit back and watch her unravel, or rather metamorphize. Vincent Cassell is out of his depth in a role that requires more than his usual fetid pathological intensity. Natalie is sweet but her ultimate transformation seems like more than she can, or is allowed to, emote. The ultimate problem lies in the often weak direction which seems engrossed in pulp fiction or comic strip camp instead of the exploration of driven ambition.… Expand
5 of 7 users found this helpful52
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10
drawkward86Dec 18, 2010
Wow. The one weak link is the screenplay (Cassel has to say some truly awful lines). I couldn't possibly care less. I haven't seen a film this visceral in years, maybe ever. Portman is career-best (by a lot) and Barbara Hershey is superb.Wow. The one weak link is the screenplay (Cassel has to say some truly awful lines). I couldn't possibly care less. I haven't seen a film this visceral in years, maybe ever. Portman is career-best (by a lot) and Barbara Hershey is superb. Perfectly captures the weird dichotomy of the deathly serious and the absurd that any obsessive artist confronts themselves with on a daily basis... why do we let ourselves tear ourselves to shreds over something that, in the grand scheme, should be so trivial? Black Swan doesn't answer the question and doesn't seek to, but it does explore it through a totally committed performance from Natalie Portman that has to be one of the most difficult acting assignments I've seen someone take on in a film in years. A dizzy, demented film that doesn't give a damn about the line between reality and delirium. I love that.… Expand
2 of 5 users found this helpful23
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8
TVJerryDec 18, 2010
Natalie Portman gives a career-defining performance as a ballerina who's been chosen to dance the title role in "Swan Lake." Her lack of confidence and obsession with perfection rise to hallucinatory levels before it's all over. DirectorNatalie Portman gives a career-defining performance as a ballerina who's been chosen to dance the title role in "Swan Lake." Her lack of confidence and obsession with perfection rise to hallucinatory levels before it's all over. Director Darren Aronofsky knows how to create a character's world that's intimate and potent. This time he and Portman have plumbed the depths and emerged with a dark, compelling character study.… Expand
1 of 4 users found this helpful13
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10
WriteInkDec 17, 2010
Leaving the theater, my friend and I overheard a man say, The lesbian scenes werenâ
1 of 5 users found this helpful14
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9
officerbukowskiDec 14, 2010
If you were a fan of The Wrestler you'll love this. If Requiem For A Dream flipped your stomach over, get ready for Black Swan. This movie was absolutely incredible. The story isn't unknown to the common movie-gower, but it doesn't haveIf you were a fan of The Wrestler you'll love this. If Requiem For A Dream flipped your stomach over, get ready for Black Swan. This movie was absolutely incredible. The story isn't unknown to the common movie-gower, but it doesn't have flashing signs and big arrows that yell "SYMBOLISM" or "METAPHORE". The surrealism mixed with the psychological torment of competition gave this film a VERY realistic feel for any person once involved with competitive theatre or dancing. All the actors were terrific and Mila Kunis was not shadowed by Natalie Portman, she stood her ground as her black swan and was a terrific supporting actress. Do what you can to see this movie. Do it.… Expand
1 of 2 users found this helpful11
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10
ExordiomDec 14, 2010
An excellent movie. Definitely a Best Picture. The acting is just brilliant and if you don't see it know I guarantee you will be missing out on an important piece of 21st century cinema.
2 of 5 users found this helpful23
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10
immortalwaDec 14, 2010
This is one of the best movies made in the past ten years. Its art is mesmerizing. Its entry into the psyche of Portman nearly singularly unique. Its portrayal of the relationships excellent, its moments of tenderness and want, concern andThis is one of the best movies made in the past ten years. Its art is mesmerizing. Its entry into the psyche of Portman nearly singularly unique. Its portrayal of the relationships excellent, its moments of tenderness and want, concern and horror, worthy of almost any director. Over the years, we will see this film grow in stature. Its record twelve Broadcast Film Critics Association nominations are no mistake.… Expand
25 of 34 users found this helpful259
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10
swdelDec 12, 2010
Amazing visceral acting, cinematography, score, and most importantly, the film deeply immerses you.

Natalie Portman deserves an oscar nomination for her role.
4 of 5 users found this helpful41
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1
Man3Dec 12, 2010
This movie is a horror flick and is not worth the money to see it. The story and script are terrible. Perhaps the acting is good, but it is wasted on this terrible horrific film. Save your time and money and skip this one.
9 of 20 users found this helpful911
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9
OscarPicks2010Dec 11, 2010
It is one film of the year where I walk out of the theater and went, Hmm, nice! Well, that doesn't mean it's better than some other films I saw this year, but this is an impressive. Black Swan offers plenty of drama, plenty of thrillingIt is one film of the year where I walk out of the theater and went, Hmm, nice! Well, that doesn't mean it's better than some other films I saw this year, but this is an impressive. Black Swan offers plenty of drama, plenty of thrilling moments, and plenty of sexiness. With a thrilling and perplexed performance by Natalie Portman, and stylish directing from Darren Aronofsky, Black Swan can go far. The story is more complicated than you think it is. It is not just about a ballet dancer, it is about a ballet dancer with deep mental issues. Nina is professional ballet dancer who got promoted to play the key role in a ballet performance, the Swan Queen. With a lot of pressure on her, the story proposes that she is obviously hallucinating about her body being deform. At first, I thought all of this was real because Natalie Portman is so believable. But as the story developed, I know for a fact that this girl has some serious mental issues. A summary about the film really doesn't do it justice, go watch it and you'll see exactly what I'm talking about. Black Swan demonstrates how ballet is as exciting and thrilling as an action movie with Arnold Schwarzenegger in it. Natalie Portman might even win the Best Actress Oscar, that is if she beat Annette Bening (but she already locked herself an Oscar nod). Darren Aronofsky will probably snatch the Best Director nod, but Black Swan will definitely have a chance at the Best Picture run.… Expand
1 of 2 users found this helpful11
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9
brewcrewprideDec 6, 2010
"Black Swan" runs an intense and gripping course that is provided by the direction of Darren Aronofsky; but the spectacular and spellbinding performance of Natalie Portman is the reason that this film will be remembered long after.
3 of 4 users found this helpful31
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4
RobE_inSFDec 6, 2010
I did not enjoy watching this movie and I would not see it again. I had two serious issues with it: (1) the premise that an emotional lightweight could get the lead role of Swan Lake in one of the world's premiere ballet companies and (2)I did not enjoy watching this movie and I would not see it again. I had two serious issues with it: (1) the premise that an emotional lightweight could get the lead role of Swan Lake in one of the world's premiere ballet companies and (2) the overuse of stock surprise elements -- over and over and over again to the point of distraction (and exhaustion). The basic story line is good and interesting, and some performances were very, very strong (especially Mila Kunis'). That said, the overall execution was very disappointing.… Expand
5 of 10 users found this helpful55
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10
athinnesDec 6, 2010
An excellent psychological-horror film. The score does a wonderful job of setting the mood and tone, along with the excellent cinematographic. The acting overall is phenomenal. It would be a shame if Portman did not get OscarAn excellent psychological-horror film. The score does a wonderful job of setting the mood and tone, along with the excellent cinematographic. The acting overall is phenomenal. It would be a shame if Portman did not get Oscar consideration for her role. In a age where for some, being entertained at the movies is a rare occasion, Black Swan succeeds triumphantly.… Expand
2 of 5 users found this helpful23
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10
MkMDec 6, 2010
Make note: of the two idiots who gave this bad reviews, one did so to draw attention to a technical problem with the metacritic site and the other wrote his based on the trailer, which made him "angry" even though he doesn't seem to know whatMake note: of the two idiots who gave this bad reviews, one did so to draw attention to a technical problem with the metacritic site and the other wrote his based on the trailer, which made him "angry" even though he doesn't seem to know what the movie is actually about. Frustrating. Oh, and by the way, the movie is one of the best to come out this year.… Expand
4 of 10 users found this helpful46
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9
LuciousDec 6, 2010
Outstanding film. Portman gives an excellent performance. This is not a film that is enjoyable to watch, minute-to-minute, as it moves along. It is a ride you are on. And it is incredibly stressful and scary at points, but that is a signOutstanding film. Portman gives an excellent performance. This is not a film that is enjoyable to watch, minute-to-minute, as it moves along. It is a ride you are on. And it is incredibly stressful and scary at points, but that is a sign of Aronofsky's success in putting you inside the protagonist's increasingly frayed mind. The ending is exhilarating and powerful. As good of a closing 30 seconds as I have seen in a film in quite some time. The film is an excellent piece of art with several good acting performances.… Expand
3 of 4 users found this helpful31
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8
StevieGJDDec 5, 2010
Black Swan is an imperfect film. But it is thought provoking and interesting. I am not a fan of ballet; in person it bores me to tears. But I do respect the athleticism and talent involved in the process. The ballet in this movie isBlack Swan is an imperfect film. But it is thought provoking and interesting. I am not a fan of ballet; in person it bores me to tears. But I do respect the athleticism and talent involved in the process. The ballet in this movie is merely the context of the story, not the point. This is also not about a rivalry between two ballerinas, which was written by another user. That may be implied by the trailer but it is not what's going on; I bet that person did not see the movie. This is about a woman who is losing her mind, imagining lots of things including a rivalry that is more about her limitations and flaws than anything else. My only complaint about the movie is either about how Natalie Portman played Nina or how Nina was written or how Arronofsky wanted Nina to come across. I'm not quite sure which one. The problem is that Nina is so sheltered and so scared and so naive and so timid and so repressed that her character doesn't ultimately make sense. The time and effort that go into such a career are monumental, as is the amount of rejection and judgement to which these people are subject. It simply is not realistic on any level that Nina could have gotten as far as she did in the world of ballet while being on such a weak psychological precipice. It makes the story easier to believe, Portman looks on the verge of tears many times in this movie. But anyone who had gotten that far in such a difficult profession quite frankly would have more mettle. But that person wouldn't psychologically crumble as easy as Nina. Still it is interesting. Is Nina's mom living vicariously through her daughter (because she had to give up her career) or is the mom so over-protective that she has kept her daughter in a state of perpetual childhood. I suspect a little of both. Is Lily a potential ally or is she the rival Nina perceives her to be? Did Lily help Nina by giving her ecstasy or did that hasten Nina's downfall? I had hoped that it would have been less clear what was real vs. imagined. It sure seemed pretty obvious.… Expand
2 of 4 users found this helpful22
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9
SchwabADDec 5, 2010
Darren Aranofskyâ
5 of 9 users found this helpful54
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8
RyanGeeDec 3, 2010
Coming from a successful award circuit with The Wrestler - which consequently restarted Mickey Rourke's acting career - director Darren Aronofsky returns with the ballet-based psychological thriller Black Swan. Following in the footsteps ofComing from a successful award circuit with The Wrestler - which consequently restarted Mickey Rourke's acting career - director Darren Aronofsky returns with the ballet-based psychological thriller Black Swan. Following in the footsteps of Aronofsky's previous films (Pi, Requiem For A Dream), Black Swan is a dark psychological nightmare with disturbing cinematography that freely crawls underneath the skin of its audience. In his newest venture, it seems as if Aronofsky took stylistic notes from Jean-Luc Godard and at the same time attempted to make a vague statement. Essentially, Black Swan is a film that has too much style rather than its implied substance. Like The Wrestler, Black Swan converges most of its attention onto a single character. Natalie Portman strays from her archetypal roles and impeccably plays the innocent character of Nina; an aspiring ballerina who receives the star role of the "Swan Queen" in an upcoming rendition of Swan Lake. The production of Swan Lake requires the queen to play the innocent White Swan and the provocative Black Swan. Primarily, the film focuses on Portman's conservative character, who must under pressure, contrastingly channel her inner malevolence to "perfectly" perform her role. Portman IS the highlight of this film. Like with Mickey Rourke in The Wrestler, Portman defines herself as an actress in this film. Although it takes an excessive amount of time to buildup to Nina's breakdown, the final half of Portman's performance is flawless. The spectrum of emotion and insanity she displays is so real, she has truly locked the "best actress" category for the upcoming award season.

While Portman's performance is flawless, this brings to question the real point of the film. Aronofsky places symbolism in the film that is vague and at the same time obvious. With different scenes of shocking imagery such as the sensual scene between Kunis and Portman, it is really difficult to grasp why the film possesses such figurative scenes. There are various points of blatant symbolism, giving the impression that the film attempts to be deep. An exemplification of this complaint is the non-stop sensuality seen in the film. I acknowledge that it is to bring out Portman's immorality and show the effects of a disturbed artist, but there is just so much that it overshadows the brilliance of the film. There are too many figurative aspects in Black Swan. That is where the film loses substance, it tries to be cerebrally abstract even when it is not. The film really should have focused on Portman's mental breakdown rather than employing figurative imagery. Even though the film's "figurative" impression refrains itself from being a masterpiece, Black Swan is one of the best films that 2010 offers. Set aside the excessive focus on deepness, Aronofsky's film is visually gorgeous and its intensity immense. The visual imagery is the disturbing essence that you expect from the director. It digs into your emotions, and it stays there throughout the movie. Black Swan is gritty and raw, and the usage of handheld filming is subtle yet effective (unlike movies like **** which uses it in an irrelevant fashion).

Overall, Black Swan is an excellent film that is not quite the "masterpiece" that many are saying it is. With that being said, it is still a quality film where its pros outshine its cons. Its visual brilliance and its suspenseful emotion makes up for the film's flaws. Black Swan will disturb and haunt its audience to the fullest. Hopefully audiences will just ignore the film's senseless statement. Grade: B+… Expand
7 of 11 users found this helpful74
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