| Fine Line Features | Release Date: March 18, 1994 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
16
Mixed:
11
Negative:
1
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Critic Reviews
This much can be said for Roman Polanski's carnal hoot-fest Bitter Moon -- it keeps you wondering from scene to scene if the director has gone bonkers. No doubt a lot of the lunacy is intentional, but it's still lunacy. And not terribly enjoyable lunacy either. The film plays like a dirty joke that somehow got lost in the translation.[18 Mar 1994, p.F1]
Bitter Moon would be a camp classic if it weren't so dispiriting watching Roman Polanski cannibalize and then finally parody himself into narrative and artistic collapse. The film's big problem is that it's so totally devoid of the sexual energy it needs to traverse the gantlet of perversity through which Polanski sends it. [15 Apr 1994, p.94]
Polanski attempts a precarious mixture of drama and comedy here -- seesawing between a serious look at sexual obsession on the one hand and an antic, spoofy tone on the other. It's a bold risk, but it rarely works because we usually don't know if Polanski is being intentionally funny, or merely inept. [25 Mar 1994, p.C3]
Four years after Frantic, Roman Polanski approaches rock bottom with Bitter Moon, a phony slice of huis clos drama between two couples aboard a Euro ocean liner. Strong playing by topliner Peter Coyote can't compensate for a script that's all over the map and a tone that veers from outre comedy to erotic game-playing.
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