Bird on a Wire

Despite the extended running time jam packed with action scene after after scene it still feels a little short on content. Read full review

Screwball romance, action picture. Summer movie. Read full review

Badham, a consummate craftsman, certainly knows how to stage his action sequences competently, but they lack spontaneity and thrills. The movie careens from one concocted obstacle to the next and ends with the most ridiculous and overlong sequence of all. [18 May 1990, p.G5]

Even as a showcase for the actors, Bird on a Wire is disappointing. More than anything else it's an action movie, and not a very good one, with wall-to-wall chase scenes from start to finish. [18 May 1990, p.E1]

Moves along quite entertainingly for a while and then begins to get swallowed up by its own high (and high-tech) concepts. By the end, what had been a rather amusing, zany chase comedy starring Mel Gibson and Goldie Hawn has turned into a bizarre and totally ridiculous free-for-all in a zoo, with crocodiles slithering and tigers roaring and piranhas chewing up people. [18 May 1990, p.3F]

Bird on a Wire lords its star power over us; it thinks the sheer cumulative adorableness of the principals will win us over and make up for its multitude of sins. It should think again. There is nothing to this John Badham movie except the spectacle of determined stars turning the brilliance of their personalities on us. That and chases -- car chases, motorcycle chases, airplane and helicopter chases. Read full review

Within the first half-hour, we've met the baddies (led by a taciturn Carradine), heard Rick and Marianne's teasing banter, and experienced the thrills of a shootout and car chase. As for what follows, this drearily repetitious film offers more of the same with variations in backdrop, all directed in perfunctory fashion by Badham. It does have a nice '60s soundtrack; shame about the rest. Read full review

Both frenetic and witless--a bad combination. It's the sort of action-comedy vehicle that stands a chance of succeeding only if the star chemistry is strong enough to compensate for all the uninspired calisthenic derring-do. Read full review

Action director John Badham has made the ultimate smash-and-crash chase movie. It's practically brain dead. It uses a hackneyed premise to string together as many stunts as possible, all the while borrowing from Badham's, Gibson's and Hawn's movies. [18 May 1990, p.7]