Alliance Communications Corporation | Release Date: August 13, 1999 CRITIC SCORE DISTRIBUTION
59
METASCORE
Mixed or average reviews based on 18 Critic Reviews
Positive:
12
Mixed:
6
Negative:
0
75
Boston GlobeJim Sullivan
A semisweet nugget, an insinuating, low-budget little charmer. [27 Aug 1999, p.E4]
75
Perhaps the best thing about Better Than Chocolate is that it works as a comedy of characters, not of morals. If there's such a thing as a screwball same-sex comedy, this is it. [10 Sep 1999]
75
Winning performances and bright writing enliven Better Than Chocolate. [20 Sep 1999, p.D5]
70
There's a playful exuberance on display in Better Than Chocolate, a bright, funny and sexy romp set in the heart of Vancouver's vibrant lesbian community. Although it has a little trouble deciding what it wants to be when it grows up - romantic comedy or full-throttle farce - the picture's tonal ambiguity also happens to be part of its unpredictable charm. [12 Aug 1999]
70
Even though you could wish that Better Than Chocolate was a little more substantially developed, it nonetheless brims over with good humor and high spirits and has some moments of stunning yet tasteful eroticism. [13 Aug 1999, p.F10]
63
Despite its familiar trappings, Better Than Chocolate turns out to be quite enjoyable, thanks to some very engaging acting, a few involving subplots and an energy that must be credited to director Anne Wheeler. [27 Aug 1999, p.I]
63
An upbeat-if-shapeless Canadian comedy about two adorable young women, an artist and an aspiring writer, who fall in love at first sight. [26 Jul 1999, p.C06]
63
Better Than Chocolate is essentially a 101-minute sitcom that runs out of energy (but not vulgarity) long before it reaches its predictable finale. [27 Aug 1999]
63
St. Louis Post-DispatchEllen Futterman
A semi-sweet but not all-that-satisfying Canadian import, set around a lesbian-run bookstore. [17 Sep 1999, p.E3]
50
Better Than Chocolate is well-filmed and for the most part well-acted. But its technical professionalism only serves to make the amateurishly crude patches of Maggie Thompson's script more obvious. [13 Aug 1999, p.062]