Benny & Joon

Metro-Goldwyn-Mayer (MGM) | Release Date: April 23, 1993

CRITIC SCORE DISTRIBUTION

57	METASCORE Mixed or average reviews based on 21 Critic Reviews

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Critic Reviews

Critic score Publication By date

Peter Rainer

This sentimental stew is not without its flavors, and the cast tries hard to be winsome and adorably distraught. Read full review

Time Out LondonStaff (Not Credited)

Another one flies over the cuckoo's nest in this soft-hearted romantic three-hander. It's acted out in the secondary emotional register of the glass menagerie: whimsical, delicate, idiosyncratic, barmy. Read full review

EmpireMatt Mueller

It would be easy to slam this flimsy romantic charmer for its cloying whimsicality, but at the core of its misfits-need-love-too storyline lies a warmhearted charm so captivating that only the most hardened cynic will fail to be enchanted. Read full review

Emanuel Levy

Johnny Depp and Mary Stuart Masterson render such startling performances in the romantic fable Benny & Joon that they almost overcome the trappings of an emotional tale that is not particularly well written or directed. Read full review

Steve Persall

Romantics of any age will probably succumb to Depp's deft portrayal, cinematographer John Schwartzman's fantastic vision and Berman's comic wordplay. [23 Apr 1993, p.5]

TV Guide MagazineStaff (Not Credited)

A gentle comedy about two misfits--a schizophrenic girl and a boy whom earlier generations would have called an odd duck--who find love, Benny & Joon means well but overdoses on whimsy. Read full review

Marjorie Baumgarten

Naïf meets waif in this touching yet unrealistic tale of love amongst society's write-offs. Between Masterson's schizophrenic Joon Pearl and Depp's oddball Sam, it's difficult to tell which one's the naïf and which is the waif. Read full review

Rita Kempley

Chechik has crafted Benny & Joon not as a seamless whole but as a tumble of scenes. Unfortunately, too many of them are inspired by Charlie Chaplin, Harold Lloyd or Buster Keaton, and they seem to spill from the screen like Bozos from a kiddie car. Read full review

Desson Thomson

Playing a mentally unhinged, almost wordless naif who finds true love with equally nutty Mary Stuart Masterson, he's supposed to invoke the silent comedian, with a little Chaplin thrown in. But he's just Edward Scissorhands without the scissors -- or the edge. Read full review

Jay Carr

Every now and then, Benny & Joon makes you think it's going to finally take off, but it never does. It looks good but has credibility problems even on the level of whimsical fairy tale. [16 Apr 1993, p.86]

Bill Cosford

Inside Benny and Joon, a love story that celebrates dysfunction and the cutes, though not necessarily in that order, there's a character drama whispering to be let out, but that's no help. Long before you get around to liking this little movie, you'll hate it. And that's always a problem. [16 Apr 1993, p.G5]

Edward Guthmann

Ultimately, Chechik can't pull off the fractured-fairy-tale aspect of Benny and Joon. His film never explains mental illness, but romanticizes it, making it seem like a state of enchantment. It's ultimately irresponsible, and not very funny. [16 Apr 1993, p.C1]