| Warner Bros. Pictures | Release Date: March 30, 1988 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
14
Mixed:
4
Negative:
1
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Critic Reviews
The story almost comes off the rails, but Beetlejuice’s charm lies more in the execution. The movie is crammed with visual invention and snappy comedy. The afterlife is richly imagined as a macabre bureaucracy. The living world is no less outlandish, especially with those eye-popping interiors and costumes.
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By the time this irresistible treat is over, it has created some of the funniest moments and most inspired visual humor and design we may expect to experience at the movies all year. [30 Mar 1988]
Beetlejuice means something good: that imaginative artists can bring a fading genre back from the dead. [11 Apr 1988]
Take Topper. Add a pinch of Pee-Wee Herman and a dollop of the Addams Family. Mix in Nightmare on Elm Street (any part will do), The Money Pit, and the lighter side of The Rocky Horror Picture Show. The result will be unlike any movie ever made, and it won't begin to come close to Beetlejuice . [Apr 1, 1998]
So original that it'll be years before a major filmmaker attempts another one. We're talking black-belt cult-movie status here. [30 Mar 1988]
For all the film's popped eyeballs and severed limbs, Beetlejuice retains an innocence that makes the grotesque humor very appealing. Burton has captured the sweet ghoulishness of a 12-year-old pouring over horror comics, dreaming of the greatest Halloween costume ever invented. [30 Mar 1988]
For sheer off-the-wall audacity, Tim Burton's demented Beetlejuice certainly demands respect, even if it's more enjoyable in concept that in execution. [4 Apr 1988, p.72]
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