| Warner Bros. | Release Date: September 6, 2024 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
38
Mixed:
20
Negative:
3
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Critic Reviews
The nicest surprise is that Beetlejuice Beetlejuice is that rare thing, a big-budget comedy which is actually funny. The screenplay by Alfred Gough and Miles Millar is packed with knock-out punchlines, and Burton's visual gags manage to be hilarious even while pushing the boundaries of how eccentric and macabre a Hollywood blockbuster can be.
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Burton has just allowed himself to be silly and have fun; Beetlejuice Beetlejuice is filled with low-stakes wisecracks and kindergarten-style one-liners, but the effect works. The movie carries you along on its wriggling magic carpet of mayhem—and features one sequence of creepy-elegant-funny cracked poetry that’s classic, old-school Burton.
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RogerEbert.comSep 4, 2024
Beetlejuice Beetlejuice is a return to form for director Tim Burton only in the sense that, like Burton early in his career, it’s not interested in form except at the immediate level of the image and the scene. It’s an overstuffed toy bag of a movie: every minute or two, the director digs into the bag and produces a new toy.
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Burton understands what the Beetlejuice-loving audience wants (Keaton stirring up supernatural chaos, Winona Ryder glowering in goth-girl chic, jump scares with eyeballs popping out of heads) and provides it in cheerful abundance, without subjecting us to lengthy origin stories or cumbersome expositions of franchise lore.
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Beetlejuice Beetlejuice acts as something of an inverse to its predecessor: Whereas the first film follows a relatively simple throughline of small-town domesticity coming crashing down under the sudden cognizance of life after death, its sequel is defined by an excess of storylines, all vying for their claim to a meager slice of the 100-minute runtime.
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To a degree and certainly by studio-sequel design, Beetlejuice Beetlejuice has a cozy familiarity. If the manic edginess of Keaton’s original performance suggested that his character had ingested way too much caffeine, though probably something a great deal stronger, he now seems more like a super-eccentric uncle — only, you know, dead.
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The movie is just a lightweight riff on “Beetlejuice” — a piece of fan service, really. It doesn’t give you the full monster-kitsch jolt that the original film had. Yet there’s good fan service and bad, and as stilted and gimcracky as it can sometimes be, I had a pretty good time at Beetlejuice Beetlejuice.
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Although Beetlejuice Beetlejuice suffers a little from an overabundance of ideas leading to a bit of a third-act scramble, and its plot points are sign-posted so large you can see them a mile away, it’s a much better-executed and enjoyable film than it has any right to be, charmingly reverent and referential to the point that even its cliche story beats can be mostly excused.
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Tim Burton allows the cast of Beetlejuice Beetlejuice to have fun, even if they're all off in separate movies that barely overlap. Its story is intentionally robbed of dramatic weight, but this makes way for the goofy, imaginative practical effects of Burton's early days, resulting in a small-scale legacy sequel that doesn't take itself too seriously (because it doesn’t need to).
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Certain qualities are undeniable, such as Keaton’s command of this character and O’Hara’s unique wit. Ryder has the heaviest performance lift, transitioning her character from teen to mom, but she finds her groove in the back half of the movie. But there’s something a bit bland and manufactured about this version.
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With its limp humor, canned sentiment, and over-egged efforts to gross us out, Beetlejuice Beetlejuice is a waste of a good cast and a defacement of a classic film’s legacy. Most galling of all, it was summoned willingly by people who should know better than to mess with what’s long been peacefully laid to rest.
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