| Netflix | Release Date (Streaming): August 13, 2021 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
7
Mixed:
15
Negative:
2
|
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Critic Reviews
Beckett moves through the film not as an invincible badass, but as a man who is tired and in a great deal of pain. And there is indeed no rest for the weary: when Beckett has a brief respite from his physical odyssey, the grief rushes back in. It’s all pretty difficult to watch, as it probably should be.
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Apart from a few lapses, Filomarino is straightforward and gets the job done. Along the way, he taps into everyone’s most paranoid fantasy about foreign travel — where the police and authority figures turn on you, and the Constitution or Bill of Rights are a few thousand miles away.
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Washington is a likable actor and easy on the eyes, but the character is unproductively one-dimensional and so is the performance, which remains reactive and opaque. Here, at least, he can’t turn an underconceptualized character into one whom you either care about or want to watch gasping and grimacing for several hours.
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Directed with a workmanlike lack of style by Ferdinando Cito Filomarino and written by Kevin A. Rice without the required ambiguities to feed the protagonist’s paranoia, this pedestrian wrong-place-wrong-time manhunt through Greece never really sparks. And the jury that’s still out over whether John David Washington is movie-star material gets shaky evidence to support that case.
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