| Amazon Studios | Release Date: October 12, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
29
Mixed:
16
Negative:
0
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Critic Reviews
The crux of the story rests on the relationship between David and Nic, and Carell and Chalamet truly bring the characters to life with their raw, humanistic performances indicative of the open wounds displayed onscreen. The film nimbly captures the bitter animosity that only arises amongst those whom we love most.
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Beautiful Boy keeps you strung on that line for nearly all of its run time, and sometimes it feels less like a movie than an endurance test — one that’s lovingly, meticulously made but almost too much like real life: an impressionistic series of highs and lows, relapses and recoveries, without the necessary anchor of a cohesive arc.
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IndieWireSep 8, 2018
Chalamet, a heartthrob unafraid to tackle unglamorous material, so embodies the tragic struggles of a drug-addled young man it’s a wonder he made it through the production, while Carell’s melancholic eyes absorb every detail. It’s a haunting two-hander that allows their talent to tower over everything else.
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The imperfect yet affecting new film Beautiful Boy, based on memoirs by the real-life Nic and David, examines addiction and its effects on one family. But it’s also a meditation on memory and the difficulty of reconciling the happiness of the past with a present that’s become too sad to bear.
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Beautiful Boy is a beautifully made and complex rendering of a father and son’s relationship that ends with too little hope to fit into people’s “inspirational movie” box. But at its best, it’s a strong rendering of both that horror and the frayed rays of hope that sometimes break through. It’s not easy to watch, but it is, in its own way, still beautiful.
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It’s an earnest and compassionate treatment of a story that is, by necessity, grueling as hell. It’s graced with sincere performances by Steve Carell (as David) and Timothée Chalamet (as Nic) that strive to steer clear of Actorly Moments. And there are mysteries here — of parenting, of human experience — that director Felix Van Groeningen looks at sharply before looking away.
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The Film StageSep 9, 2018
If this was Nic’s story from the start I wouldn’t know a better avenue existed. And if it remained David’s throughout I could continue seeing the teen as the tragic cautionary tale he should be rather than the selfish plot device he becomes. On a purely aesthetic level, however, Beautiful Boy succeeds.
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As enacted here by unquestionably fine actors, this story does not emerge as compelling or convincing, and the film is aggravatingly narrow-minded in its interests. However, if one stays with it all the way to the end, it is absolutely worth sitting still for the end credits, over which is played a monologue by Nic which is the best thing in the picture.
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The root problem is repetitiveness, the seemingly endless cycle of progress and relapse that causes heartbreak in real life and induces déjà vu in audiences — even dejà déjà vu, since there’s repetition within the already familiar pattern. The mosaic structure is simply, though not successfully, an attempt to hold our attention.
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