| Tartan | Release Date: February 17, 2006 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
11
Mixed:
5
Negative:
2
|
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Critic Reviews
Reygadas asks audiences to plunge headlong into his chaotic vision of the world, no questions asked but complete trust required. Not everyone is going to be willing or able to take this leap of faith, but those who do go along with Reygadas may well feel they have come away having undergone a stunning revelatory experience.
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Battle In Heaven is like a serious of artful photographs, except that Reygadas also moves the camera in astonishing and unusual ways, swooping around the conventional x- and y-axes while teasing the audience with what he's about to show. He's got an astonishing technique. Here's hoping that someday he'll use it to make a movie.
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Reygadas is clearly out to shock us, to shake us and show us a host of furious ideas about class, gender, religion, nationality, love - really, there's very little he doesn't throw into this thickly ambiguous stew. If only he hadn't made his deliberately confusing, heavily symbolic story quite so difficult to digest.
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Reygadas is an undeniably important artist hewing his own path, but who is also self-consciously playing to the tastes of a tiny elite audience that craves obscurantism, confrontation and heavy-handed symbolism. Still, I really want you to see this. Then I'll have somebody to talk about it with.
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