| Warner Bros. | Release Date: March 25, 2016 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
10
Mixed:
31
Negative:
10
|
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Critic Reviews
The director, a strong technician whose slam-bang emphatic, occasionally operatic style seems made for comic book adaptations, has been well-served by an adept script co-written by Chris Terrio (an Oscar winner for Ben Affleck's "Argo") and David S. Goyer, which raises a number of interesting issues.
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RogerEbert.comMar 22, 2016
There are a few brilliantly realized moments, the acting is mostly strong despite the weak script (Affleck and Cavill are both superb—Affleck unexpectedly so), and there's enough mythic raw material sunk deep in every scene that you can piece together a classic in your mind if you're feeling charitable; but if you aren't, “Batman v. Superman” will seem like a missed opportunity.
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The GuardianMar 22, 2016
It’s tough to take all the hardcore emoting seriously, particularly as the emotional heavy lifting is designed to be done by the occasional maudlin line in brief pauses between the explosions. For a film so concerned with its characters’ inner lives, there’s a fundamental disconnect going on here – enough to make you yearn for the lighter touch of the Marvel films.
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That face-off between two comics legends becomes but one in a series of big things bashing into other big things, which is what Snyder and writers Chris Terrio and David S. Goyer mistake for storytelling. The trio do manage to cough up an acceptable number of ooh-that’s-cool moments, and fans who will be satisfied with those will be satisfied with those, but any other ideas and characters the movie might offer get lost in the rubble.
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I recommend “Batman v. Superman” to anyone who thought director Zack Snyder showed too much restraint in “300,” who felt “Man of Steel” whisked by too briefly or who wondered how Ben Affleck could be made to seem one of America’s most animated actors while clenching his jaw as tight as a Christmas nutcracker.
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While “300" maestro Snyder puts together some very striking scenes — which may be enough for many fanboys — they never really cohere into a whole. He literally throws in the kitchen sink in a film that frantically introduces characters and concepts while never clearly establishing the rules of the DC Comics universe.
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I’m not sure how a filmmaker whose work normally speaks to me as clearly as Snyder’s does could deliver something that feels this confused, this impersonal, and this corporate. It is a confounding mess of a movie, and while there are individual sequences that I enjoyed as isolated moments, it is almost breathtakingly incoherent storytelling.
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Batman v Superman: Dawn of Justice isn’t a film. It’s a two-and-a-half-hour movie trailer. Better yet, it’s one of those videos that pop up on screens before a ride at Universal Studios, where all the actors speak to you and keep hinting at bigger things to come — you know, like a ride? Basically, it’s everything the SEO-friendly title promises — and more.
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Strip away the trite character beats, rote plot points, random dream sequences and other narrative padding, and “Batman v Superman” comes down to the actors, their characters and whether they can sustain interest over the long haul. The answer is yes, if they wind up in the hands of filmmakers blessed with authentic imagination rather than serviceable technical chops.
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To put it delicately, this comics fan hated Batman v Superman with the fury of a thousand red-dwarf suns. Blunt, humorless, and baffling, it collides the brutish directorial stamp of its director (he of 300 and Watchmen fame) with the most shameless instincts of our latter-day superhero franchise bubble.
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