Batman & Robin
Warner Bros. Pictures | Release Date: June 20, 1997 CRITIC SCORE DISTRIBUTION
29
METASCORE
Generally unfavorable reviews based on 21 Critic Reviews
Positive:
1
Mixed:
9
Negative:
11
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Critic Reviews

Critic scorePublicationBy date
70
The New York TimesJanet Maslin
Joel Schumacher, director and ringmaster, piles on the flashy showmanship and keeps the film as big, bold, noisy and mindlessly overwhelming as possible. Read full review
60
SalonRobin Dougherty
There's something almost maniacally heroic about packaging the fourth sequel of a superhero action series without resorting to the old standbys of good writing, capable acting or inspired directing. Read full review
58
Entertainment WeeklyLisa Schwarzbaum
Unfortunately, the charming Batfamily can't stay in their cave indefinitely; they've got to go out and fight crime. And that's where this elaborately high-style production from Batman Forever director Joel Schumacher hits an iceberg. Read full review
50
Chicago Sun-TimesRoger Ebert
Batman & Robin, like the first three films in the series, is wonderful to look at, and has nothing authentic at its core. Read full review
50
ReelViewsJames Berardinelli
This film, which places yet another actor in the batsuit, has all the necessary hallmarks of a sorry sequel -- pointless, plodding plotting; asinine action; clueless, comatose characterization; and dumb dialogue. Read full review
50
San Francisco ChronicleMick LaSalle
It's the lightest of the Batman movies, the most cartoony, the dumbest and the least ambitious. But it holds the audience's attention, brings on a few laughs and never really gets boring. Read full review
50
Christian Science MonitorDavid Sterritt
George Clooney looks great in a cape, but this fourth installment in the series has invested so much capital in razzle-dazzle special effects that it hardly matters whose head is under the pointy-eared helmet. Read full review
50
VarietyTodd McCarthy
Unfortunately, the operative word is bland, as the newcomers don't add much to the formula, leaving it to their nemeses to enliven the proceedings. Narrative drive and humor are also in short supply, which creates a serious sagsag in the middle when the novelty of the fresh components has mostly worn off. Read full review
40
L.A. WeeklyElla Taylor
There's so much happening in the movie that it feels like nothing is happening at all. Which leaves you free to gaze, slack-jawed, on the true glory of Batman & Robin -- its fabulously color-coded set design. Read full review
40
TV Guide MagazineMaitland McDonagh
It's a gee-whiz kiddie movie imagined by pervy grown-ups who get a giggle out of mixing bloodless fight scenes with close-ups of rubber-wrapped butts and baskets. Read full review
30
SlateAlex Ross
It has none of the minor virtues of Schumacher's other films. It looks bad: cluttered surfaces, production design reminiscent of overblown Broadway musicals, editing too fast for the eye to catch up, poor staging of fast action. Read full review
30
NewsweekDavid Ansen
Screenwriter Akiva Goldsman has written quips, not characters and Joel Schumacher still seems miscast as a Bat-action director: he stages the mayhem confusingly and the comedy too broadly. Read full review
25
San Francisco ExaminerBarbara Shulgasser
Clooney's stiff cornball delivery and tendency to smile during the most tragic moments bring this as close to the cartoonish Batman television series of the 1960s as any of the movies have come. Read full review
20
Washington PostRita Kempley
The current Bat cycle was already tired when Schumacher replaced Tim Burton behind the camera on "Batman Forever." This chapter -- so action-packed, yet so insufferably dull -- makes it clear that there's nowhere else to go. Read full review
20
Austin ChronicleMarc Savlov
Batman & Robin fails to engage the spirit of Batman, Robin, or decent marketing in general, and instead ends up as a limp, excruciatingly shallow knockoff that leaves viewers cringing at the unavoidable one-liners that make up the better part of the script. Read full review
20
Chicago ReaderJonathan Rosenbaum
It's clear that writer Akiva Goldsman and director Joel Schumacher are bereft of ideas and using the MTV clutter as a cover-up. Read full review
20
Dallas ObserverPeter Rainer
The fourth installment in the Batman franchise is one long head-splitting exercise in clueless cacophony that makes you feel as though you're being held hostage in some haywire Planet Hollywood while sonic booms pummel your auditory canal. Read full review
20
Los Angeles TimesKenneth Turan
Lacking most kinds of inspiration and geared to undemanding minds, this project is so overloaded with hardware and stunts, it's a relief to have it over. Read full review
10
The A.V. ClubKeith Phipps
Clooney fails to make much of an impression as The Batman, but to make an impression amongst all the garish theatrics, he would pretty much have to shout his dialogue in rhyming verse, backwards. Read full review
10
Washington PostDesson Thomson
Like a wounded yeti, Batman & Robin drags itself through icicle-heavy sets, dry-ice fog and choking jungle vines, before dying in a frozen heap. Unfortunately, that demise occurs about 20 minutes into the movie, which leaves you in the cold for approximately 106 minutes. Read full review
0
The Globe and Mail (Toronto)Liam Lacey
Campy costumes can't disguise the incoherent plot, confused performances and lame script that send this star vehicle spiralling downward. Read full review
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