| TriStar Pictures | Release Date: October 21, 1988 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
5
Mixed:
6
Negative:
2
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Critic Reviews
It's hard to imagine what the film might have been with anyone other than Mr. Hackman in this role, for this actor's quintessential decency and ordinariness have never seemed more affecting. It's precisely the lack of bravado in Hambleton that makes him an interesting character, and a poignant anti-Rambo.
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Director Peter Markle, whose credits include TV documentaries and commercials as well as "Young Blood," has taken pains to make this a craftsmanlike production, shot in Malaysia, full of laborious attention to detail and enterprising stunt flying. Regrettably, the script doesn`t fly quite as smoothly.
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What we have here is a solid war story with excellent performances, but a largely superficial look at Vietnam's atrocities. If Bat 21 says anything, it's that Hollywood is reluctant to release any more pure-action Vietnam pictures. However thin, there must be some message to the madness. [21 Oct 1988, p.E8]
Indeed, there's so much cutting between Hackman on the ground and Glover in the sky, the overwhelming feeling at the end of Bat 21 is relief that the viewer was able to get through the ordeal without a dose of Dramamine. [21 Oct 1988, p.6]
Gene Hackman, who plays Hambleton, has always been a master of understatement, an actor whose quiet authority forces you to pay close to seem just a little too subdued had the movie not also featured some broader, more obviously lively performances. [14 Feb 1993, p.56]
Certain scenes achieve a genuine tension, as when Hackman has to watch a captured chopper pilot sent into a waterlogged minefield by NVA soldiers; but this is immediately undercut by a retaliatory bombing raid that destroys a camouflaged NVA hideout, regardless of civilian casualties. Like the film as a whole, such scenes elicit sympathy more for the tacitly guilty Hackman than for the innocent victims.
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This is just another generic war movie of the kind that revels in combat's greater
glories. You know the type - the camaraderie that never quite rings true,
the plot that never once makes sense. In short, the whole bombs-bursting-
in-air, truth-through-the-night jive. [21 Oct 1988]
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