| Kino Lorber | Release Date: March 6, 2020 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
24
Mixed:
3
Negative:
0
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Critic Reviews
The Film StageMay 17, 2019
Credit where credit’s due, as Bacurau owes a considerable debt to Carpenter–while also taking ample cues from another half-dozen genre auteurs–but in terms of complexity and ambition, this furious political allegory co-written and directed by Kleber Mendonça Filho and Juliano Dornelles (the production designer on Mendonça Filho’s previous features) is very much a case of the students outclassing the master.
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There’s a reason this movie was a critical and popular success in Brazil: It resonates. And despite the beauty of the weathered local faces this movie celebrates, it resonates for anyone, anywhere, watching it. “What do they call the inhabitants of Bacurau?” a young boy is asked. “People!” he responds. Just so.
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There are some breathtakingly gorgeous images the movie throws at you — the townsfolk silently waving white handkerchiefs during a funeral — among the few giddily grotesque visuals that you can’t shake. (Pedro Sotero’s cinematography is as stunning as a painting and as psychotropic as the drugs the villagers take before the finale.)
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The GuardianMay 17, 2019
In its bloody denouement, Bacurau feels like a Spaghetti Western, playing with post-"Seven Samurai" idea of peasants learning to be soldiers at the hands of warriors. But it's also a subversion of that idea, and brings in elements of the old horror conventions about bloodthirsty killers in remote places.
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