| Focus Features | Release Date: May 17, 2024 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
10
Mixed:
22
Negative:
13
|
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Critic Reviews
Movie NationMay 31, 2024
Like a lot of musical bio-pics, from maudlin Whitney Houston stories to the overrated Oscar winners “La Vie En Rose” and the much more fun “Bohemian Rhapsody,” the filmmakers limit us to “the greatest hits.” And that’s a far from complete or wholly satisfying immersion in this life and her world.
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The Film StageApr 24, 2024
Although the filmmakers say that Winehouse’s family didn’t interfere with the creative process, this watered-down interpretation of her troubles feels written with the intention of ruffling as few feathers as possible, pulling its punches when dramatizing the more harrowing moments in her life.
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Sam Taylor-Johnson’s Back to Black—her attempt at telling the taboo tale of one of music’s most tragic figures, Amy Winehouse—leans too much into the dark cloud looming over the singer’s sad demise, in turn fumbling what could’ve been a rare, successful dramatization of fame and addiction.
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A movie like this—about such a fiery, singular person—should not play like mere misty elegy, a brief recounting of happy memories and sad ones that amounts to a sentimental sketch of an artist. Where is the whir of the world as Winehouse saw it, the matrix of pleasure and heartbreak that so fascinated her? Where is the Winehouse who, in the full glare of her being, ought to be remembered?
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The Observer (UK)Apr 15, 2024
Not all of these vignettes are duds – Amy’s meet-cute with Blake Fielder-Civil (Jack O’Connell, excellent) over pints and pool in a Camden boozer is genuinely terrific – but they don’t make a script that already feels soft-soaped to get the Winehouse’s estate’s approval, feel any less pedestrian.
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