American Cinematheque | Release Date: August 8, 2001
7.9
USER SCORE
Generally favorable reviews based on 148 Ratings
USER RATING DISTRIBUTION
Positive:
121
Mixed:
15
Negative:
12
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10
nickaSep 9, 2006
Horrible, unnerving, grisly, haunting, this film works because it doesn't do what you think it will, some of the scenes are quite gut wrenching and difficult to watch but regardless this is another superb effort from Miike.
2 of 2 users found this helpful
10
robz.Apr 12, 2009
It's been a few months now, and the images of the movie are still vivid in my mind. It is disturbing, and shocking. But yet, that's what I look for in a horror movie. From the moment that phone rings in her apartment with the shock It's been a few months now, and the images of the movie are still vivid in my mind. It is disturbing, and shocking. But yet, that's what I look for in a horror movie. From the moment that phone rings in her apartment with the shock scene, the action never lets up. Expand
2 of 2 users found this helpful
9
RichSep 5, 2007
This is Miike at his best, creating a film that will confuse and disturb you. The first half starts as a peaceful romantic comedy, and then, slowly builds up to the squirm inducing finale. Yes the start may seem slow, but it all adds to the This is Miike at his best, creating a film that will confuse and disturb you. The first half starts as a peaceful romantic comedy, and then, slowly builds up to the squirm inducing finale. Yes the start may seem slow, but it all adds to the effect of luring you into a false sense of security. Brilliant. Expand
1 of 1 users found this helpful
8
TTW107May 9, 2012
What a crazy f*cking broad! It was actually not as disturbing as I thought it would be. For about five minutes towards the end I found myself sitting with my mouth wide open staring in awe at the screen. But that's really the only disturbingWhat a crazy f*cking broad! It was actually not as disturbing as I thought it would be. For about five minutes towards the end I found myself sitting with my mouth wide open staring in awe at the screen. But that's really the only disturbing part of it. Whether you find it disturbing or not, you cannot deny that this is a masterpiece of horror. I will definitely come back to this movie from time to time. Expand
1 of 1 users found this helpful10
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8
Ryanosaur2000Jan 1, 2013
One of my all-time favourite horrors. Audition plays with your emotions like all good horrors should and the mundane setting adds to the impact of the nightmarish ending. This is maybe not a movie for those looking for a supernatural horrorOne of my all-time favourite horrors. Audition plays with your emotions like all good horrors should and the mundane setting adds to the impact of the nightmarish ending. This is maybe not a movie for those looking for a supernatural horror such as Ringu, or for those looking for slasher fare - this is cold blooded, psychological horror at it's best in my opinion. Expand
1 of 1 users found this helpful10
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2
PeterB.Dec 12, 2006
This movie was awful. I honestly cannot see what everyone else sees in it. Not only is it technically unimpressive--the cinematography was a subpar attempt to imitate a high schooler's video or photo skills-- the storyline was terrible. This movie was awful. I honestly cannot see what everyone else sees in it. Not only is it technically unimpressive--the cinematography was a subpar attempt to imitate a high schooler's video or photo skills-- the storyline was terrible. It took over an hour to even get into any kind of real story, and then the last half hour or so was a trippy, ridiculous and confusing rehash of the crap from first hour. Acting is poor, screenplay is unimpressive, and worst of all- IT'S NOT SCARY! Disturbing, yes, but scary it certainly is not. The unexpected turns that people talk about are not like you'd expect--they're just points in the movie where the director couldn't figure out where to go and instead said "ya know what? I'm gonna just completely change everything just to mess with people!" Avoid if at all possible. Expand
0 of 2 users found this helpful
3
TCAug 24, 2009
Not scary. Not disgusting. Boring.
0 of 5 users found this helpful
7
JacobparkerMay 14, 2013
The movie begins as a love story and if you think that this is not a horror movie, then you are wrong. At the end it happens.
the unexpected.
The Shocking.
0 of 1 users found this helpful01
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8
LowbrowCinemaApr 3, 2015
Like a slap in the face to middle aged men, AUDITION is an audacious and pitch perfect examination of true misogyny and the real fear men have of women. The film works on too many levels to count. As astounding today as it was in 1999.
0 of 2 users found this helpful02
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0
PanchogulMay 24, 2020
No fue lo que esperaba, los primeros 70 minutos fueron insoportables, parecía un descabellado culebrón cursi sacado de algún capítulo de Mujer Casos de la Vida Real, luego por fin se desencadenan los momentos supuestamente retorcidosNo fue lo que esperaba, los primeros 70 minutos fueron insoportables, parecía un descabellado culebrón cursi sacado de algún capítulo de Mujer Casos de la Vida Real, luego por fin se desencadenan los momentos supuestamente retorcidos ejecutados sin razón de ser y sin ninguna gracia. Por momentos percibí cierto machismo implícito que sólo sirve como la base de la historia.
A nivel técnico no hay nada interesante que resaltar ni mucho menos de las actuaciones.
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10
PhoenixDownJun 11, 2017
Quite simply the best horror film I have ever seen. It is visceral, intensely disturbing and unforgettable. I have seen many films which have made these claims, but Audition is one of the very few that have delivered. This is largely due toQuite simply the best horror film I have ever seen. It is visceral, intensely disturbing and unforgettable. I have seen many films which have made these claims, but Audition is one of the very few that have delivered. This is largely due to the fact that first half of the film is a bitter sweet drama, if not a romantic comedy. Unlike the generic cast of characters who perish in your standard Western horror film, I felt empathy toward and emotionally invested in the main character - a sad, lonely yet likeable man trying to move on after the death of his wife. In many ways this is an anti-horror film, a realistic nightmare that will stay with you for years thereafter. 10/10 Expand
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7
HellHoleHorrorFeb 15, 2022
Man was this a truly horrific masterpiece. It was so difficult to watch that I almost didn't. The story moves along and interests you with intrigue and then when it all comes to a head you are blown away by the visceral and raw horror of theMan was this a truly horrific masterpiece. It was so difficult to watch that I almost didn't. The story moves along and interests you with intrigue and then when it all comes to a head you are blown away by the visceral and raw horror of the situation that you have found yourself in. This is for hardened horror viewers only. This made me jump a few small times but that was nothing compared to the tough and brutal scenes of torture. Very good film for anyone who can stomach it. Not the scariest although one of the most savage. Expand
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6
SimonGJun 12, 2010
Interesting switch from a romance to a horror, but the end section of the movie felt a bit too 'trippy' for my tastes and it felt like the whole film was lacking in any real direction. Try it if you're a fan of horror.
0 of 0 users found this helpful
8
RJSep 18, 2007
"Audition" reminds me of "Psycho" and "Deliverance" (both brilliant films) in that it leads the audience into thinking the story is moving along in one direction, when all of a sudden, one crucial scene appears that changes the nature of "Audition" reminds me of "Psycho" and "Deliverance" (both brilliant films) in that it leads the audience into thinking the story is moving along in one direction, when all of a sudden, one crucial scene appears that changes the nature of everything that has come before it and the viewer turns around to see the path they have been following is suddenly no longer there, and they are lost in the deep dark woods. After Marion Crane, the only apparent protagonist of "Psycho," with whom everyone in the audience has come to care about and identify with is shockingly murdered, the audience feels stranded and misplaced like a panicked kid who has lost his mother in a gigantic spooky department store. "Audition" has a scene like that which sneaks up on you and leaves you confounded, misled, and deeply apprehensive. It's a scene where the protagonist, Aoyama, calls up the seemingly sweet, soft-spoken young woman he has fallen for, and we see her at her apartment sitting in front of the phone as it rings. I won't go into detail, but what we immediately realize from this moment is that this young woman is severely disturbed, and to be avoided at all costs. Unfortunately we, the audience, like Aoyama, have fallen into the director, Takashi Miike's, diabolical trap. Quite disturbing and memorable. Expand
0 of 0 users found this helpful
10
sidewinder572Feb 16, 2006
The best film of the past 10 years. There I've said it. It's everything that a great horror movie should be and it's genius is that it's extremely boring for about the first hour until it slowly creeps up on you and The best film of the past 10 years. There I've said it. It's everything that a great horror movie should be and it's genius is that it's extremely boring for about the first hour until it slowly creeps up on you and eventually ninja kicks you in the face. Anyone who even consider themelves as a horror fan must see this film. Expand
0 of 0 users found this helpful
9
kammi666Dec 10, 2010
Great movie, as someone stated before, very ninjalike lol. There were times when the acting was sub par (the scene on the stairs leading to the bar, when he sees the tongue) but when Im watching horror, I expect some bad acting, its almost asGreat movie, as someone stated before, very ninjalike lol. There were times when the acting was sub par (the scene on the stairs leading to the bar, when he sees the tongue) but when Im watching horror, I expect some bad acting, its almost as big a part of the genre as blood and gore, for all I know they were doing it on purpose.
Anyway, loved it, and I did not find it boring at all. My advice is this: when your watching a movie STOP WAITING for things to happen. Sit down, shut up, and let it take you where it wants to. If you actually pay attention to the first 2/3 of the movie, youll witness some great (and disturbing/sexist/narcissistic) character development, some comedic moments, and the joys of everyday life/business as usual/daily routine. This is what makes the ending hit that much harder. If the movie was not paced this way, it would not be memorable or as great.
Another thing- the rehash. There were things he experienced that he never could have known about, that makes a lot of people gripe but again, stop expecting things to be handed to you and you'll get it. Maybe the girl was telling him this while he was tripping. A movie does not have to overexplain things to 'work' if you have an imagination ^^
Also- I loved the ending because I have a thing against feet. ew.
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9
wiiisawesome396Mar 16, 2011
I absolutely love this movie. It is a brilliant combination of romance and horror. Takashi Miike really made this movie pure genius. One thing I love about this movie is the fact it starts off slow and then pops up right at the end. SomeI absolutely love this movie. It is a brilliant combination of romance and horror. Takashi Miike really made this movie pure genius. One thing I love about this movie is the fact it starts off slow and then pops up right at the end. Some people not like this movie because of this, however. The script is great and the characters fit the story so well it's not even funny. The flaws with this movie is that it is really long (over 2 hours in length). Also, the movie had some parts when you didn't know what was going on. Hence, this is a fabulous movie and if you love J-horror, this is one you should watch. It is much better than a lot of American horror films these days and will keep you entertained from start to finish. Expand
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7
ozymandias79Jun 29, 2014
This review contains spoilers, click expand to view. Wasn't sure about the horror element until the end when it turns into a snuff film. A hugely psychological film open to interpretation. I think the extreme scenarios were invented by the protagonist because of guilt felt for moving on from his first wife. But the movie finishes with the horror scenario played out in full. Certainly up there with the best of J-horror. Expand
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8
horcrux2007Sep 2, 2014
Part romance, part horror, "Audition" does both parts well. The romance is quite bittersweet, and the horror is absolutely terrifying. It takes quite a while for anything notable to happen, but once the movie starts getting darker, the moviePart romance, part horror, "Audition" does both parts well. The romance is quite bittersweet, and the horror is absolutely terrifying. It takes quite a while for anything notable to happen, but once the movie starts getting darker, the movie gets extremely disturbing and scary. It's also very well acted and shot, and "Audition" is also a very entertaining movie to watch. I recommend this film for every horror fan. Expand
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8
MovieMasterEddyApr 3, 2016
The Japanese psychological horror film "Audition" has been responsible for throngs of shaken filmgoers staggering out of theaters for the last year or so; it's "Fatal Attraction" with a sense of morality instead of a need to pander —The Japanese psychological horror film "Audition" has been responsible for throngs of shaken filmgoers staggering out of theaters for the last year or so; it's "Fatal Attraction" with a sense of morality instead of a need to pander — specifically, the movie's theme is the objectification of women in Japanese society and the mirror-image horror of retribution it could create.

Patronizing audiences may be a sure way to make money, but the resulting pictures are like writing on sand; "Audition," now at the Film Forum, has no such impermanence. With a quiet that's meticulously transformed into moodiness and then fear-filled tension, the director Takashi Miike eases us in slowly; in the early part, the picture has the formal modesty of a work by Yasujiro Ozu, the Japanese director best known for his minimalist melodramas in which a vital element is missing from a family. In "Audition," what's missing is a wife. The face of Aoyama (Ryo Ishibashi) is slack with sadness. He's a widower who has raised his son by himself. This solid middle-class citizen is finally persuaded to look for a new woman in his life by a friend who has a cold-blooded idea. Aoyoma is a television producer, and the friend has him try to find someone by auditioning women under the pretext of looking for an actress for his next project.

Asami (Eihi Shiina), who catches his eye, is a demure pastry in virginal white. After a few dates, she disappears and Aoyama, who has allowed himself to be vulnerable, is stricken. When we find what Asami has been doing when she isn't seeing Aoyama — besides apparently sitting motionless by the phone — hearts skip a beat.

The picture is about victims — Asami has most definitely suffered more than Aoyama — but it's also a great, sick rush with a kicker on the level of "The Vanishing."

In "Audition," though, the awful denouement is earned. Mr. Miike's talents include patience. Nothing is rushed here, and he lets horror mount. (His most recent film, "Dead or Alive," was a crime drama catalog of shock effects by a man capable of showy and empty gestures, all reflexes. This film is the polar opposite, where every note is thought through and worked out.)

Aoyama's loneliness gives "Audition" density and shape. It's a thoughtful element that provides the picture with a rooting interest, and he seems too decent a man to have gone along with the crass scheme of turning women into items in a display case — it's as low as the stories of showbiz people who thumb through stacks of actresses' photos looking for dates.

Mr. Miike's skill comes in the accretion of emotional details and in his knack for dropping information in at just the right instant. Aoyama can't help but evoke ambivalence; though we're sympathetic to his plight, he has done the wrong thing. It would be easier if he were mean, or crazy. It's worse — at heart, he's a desperate romantic who has fallen for a mirage. When his vision clears and he sees what's really there, it's much too late.

Mr. Miike doesn't hold everything in check: he simply keeps information from Aoyama, but not from the audience.

The most telling and unforgettable horror is performed with a straight face, no winks or smirks to let us off the hook. "Audition" could be an O. Henry story as directed by Douglas Sirk in full "Written on the Wind" mode, and the climactic scenes in which the true heart of darkness is revealed are gruesome and nightmarish.

It's beyond what Aoyama could ever have imagined, and you'll probably flash back to that first image of Asami in her white wrapper; she was obviously auditioning Aoyama, too. Unfortunately for him, he failed the tryout. "Audition" doesn't let you down, but bring a strong constitution — like any audition, it's a test of nerve.
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5
BroyaxJan 18, 2019
Avec le réalisateur Takashi Miike, on ne sait jamais sur quoi on va tomber... mais la plupart du temps, on trébuche et on se prend les pieds dans le tapis de ses films bizarres, pervers, tarés... ou malsains. Avec "Audition", ce qui commenceAvec le réalisateur Takashi Miike, on ne sait jamais sur quoi on va tomber... mais la plupart du temps, on trébuche et on se prend les pieds dans le tapis de ses films bizarres, pervers, tarés... ou malsains. Avec "Audition", ce qui commence comme une gentille petite histoire débouche inopinément sur un putain de film d'horreur assaisonné de folie pure... Il paraît que la solitude est "le mal japonais du siècle" mais avec un film comme ça, ça ne va pas arranger les affaires... Vous ai-je précisé que le gentil monsieur cherchait une nouvelle compagne après la mort de sa pauvre femme ? non ? eh bien, c'est fait... bon courage dans vos recherches, chers célibataires...

En tout cas, à part cette dinguerie et cette bouffée délirante qui fait à chaque fois sursauter et qui n'arrive que bien tardivement, le film de Miike est assez lent et emmerdant. Il n'avance que lentement à très **** pas et s'il se permet quelques touches d'humour bienvenu lors des auditions des filles, il est aussi ballot qu'un feuilleton français pour le reste.

Il ne construit que trop vaguement quelques doutes, cherchant à nous endormir pour ensuite nous poignarder lâchement dans le dos... salaud de Miike ! un Misery à la japonaise qu'on appréciera qu'avec précaution et grande modération.
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10
LegitSaltOct 21, 2020
Takashi Miike's 1999 film, Audition, is a perplexing, enthralling masterpiece that deserves remembering as one of the best horror films out there, despite mostly not being all that scary. The movie is a slow and steady burn, it may feelTakashi Miike's 1999 film, Audition, is a perplexing, enthralling masterpiece that deserves remembering as one of the best horror films out there, despite mostly not being all that scary. The movie is a slow and steady burn, it may feel lengthy at first watch, but it's under 2 hour run time breezes by upon repeated viewings. The movie's layers of suspense and sprinkled absurdity fit it perfectly. It builds up suspense and tension without ever giving into dramatic irony. It does this while simultaneously providing moments of respite that both prevent things from being taken too seriously and open the doors to new possibilities of horror. For the first hour and a half, the only scary elements of the movie are ones the viewer superimposes into the film. The last portion of the film may be gut-wrenching to some, but even this visceral horror is interjected by moments of abatement. Technically and thematically, the movie performs far beyond almost any of its horror contemporaries, presenting a critique of modern Japanese society in a well-executed and incredibly precise manner.

Audition tells the tale of a widowed middle-aged man set on the quest for a new wife at his teenage son's behest. Unaware of his coworkers' feelings about him, he works together with a friend to set up a semi-false casting call with the purpose of finding several candidates to date. Upon looking through the submitted auditions, one applicant catches his eye, a woman with over a decade's experience in ballet who had to give up on her dreams after a debilitating accident. Encapsulated by her story, he spends the next act trying to win her over, eventually agreeing to be with her if he loves only her. However, things may not be as they seem, as some of her history appears falsified, and she suddenly disappears. The question becomes whether the leading man will be able to give up on his dream girl or try and pursue a woman with no tangible connections.

Within this quest for love, Audition looks more generally at how adult relationships function in Japan, specifically at the treatment of marriage/remarriage what actions are seen as culturally normative. In this vein, Audition proposes a plausible scenario and looks at how it can spiral into disastrous consequences. How unrequited love manifests itself and impacts those at its center. How stigmatizing certain practices can result in unhealthy relationships. How commodification of women can be a double-edged sword. And how corporate culture in Japan impacts the forming and health of relationships. In doing so, Audition never fully shows its hand. It presents possible outcomes but also implies that they might be preposterous. It looks at horrific tortures and mutilations while simultaneously suggesting that they may not be authentic. The movie doesn't present a definitive version of its events or messages, and this allows it to become malleable and shaped for each viewer. What one person gets out of Audition is likely not the same as another, but these differing views can be confirming of their holder's worldviews.

Technically, Audition is also very nuanced. The ways that it chooses to shoot scenes, that is, the angles, lenses, and classical continuity conformity, give added meaning to the text. The mise-en-scene of the film is incredibly meticulous. Every camera movement and shot framing feels motivated and adds layers to the story and themes of the film. The restaurant scenes are especially noteworthy, each highlighting different aspects and employing varying techniques, something the film seems to be aware of as it revisits some of these sequences multiple times under different contexts. Each of the settings has different lightings and atmospheres associated with them, making them all uniquely striking and memorable. These distinctive settings highlight the film's surrealism and dream-like qualities, a central element in the film's open interpretation. The true meaning of the film's components may be unknown, but the possible readings and takeaways from the film show its true potential.
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4
DoniJrNov 8, 2018
Loved how it ends, the "kiri kiri kiri" scene it's iconic and I'll never forget how sadistic and briliant it was. But, besides that the slow burn approach did not appealed to me, I really wished I liked it more.
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7
LumdogDec 9, 2021
It's a really weird film. There's enough of an interesting premise here to be intriguing, but I felt it's all a little too unfocused and ambiguous. It wasn't as scary as I was hoping, but the mystery and intrigue will keep you watching. It'sIt's a really weird film. There's enough of an interesting premise here to be intriguing, but I felt it's all a little too unfocused and ambiguous. It wasn't as scary as I was hoping, but the mystery and intrigue will keep you watching. It's a slow burn that builds up to one of the most tense toe-curling scenes I've ever seen. Expand
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