| Walt Disney Studios Motion Pictures | Release Date: July 6, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
42
Mixed:
14
Negative:
0
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Critic Reviews
It’s fast, it’s funny, it’s superficial, it’s full of likable stars and scientific mumbo-jumbo, and, above all, it taps into the human urge to see big things become little and little things get big. It’s as close to lizard-brain entertainment as superhero blockbusters get, and as the mercury pushes toward 100, I’ll take it.
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Given how much of the film is spent on watching tiny items grow to improbable size, and huge objects shrink down to the scale of toys, it seems only appropriate that Ant-Man and the Wasp neatly balances its big, serious concerns with its little petty ones. It’s a movie that understands all the variances of scale, and takes the audience along for the ride as they constantly change.
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Ant-Man and the Wasp is firmly on the B-movie end of the Marvel spectrum, a happy enough place to be: clacking along with all its bug friends, for the moment unfussed about Thanos and geopolitics. It seems pretty nice. Would that we could wrestle the rest of the world down to that same agreeable scale.
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Ant-Man and the Wasp is a two-hour mental break when a lot of people could need a mental break. If this sounds like I’m being condescending to this movie at all, I promise you I am not. I mean this as a huge compliment. It’s so lighthearted and everyone in the movie is so darn pleasant and they all seem to like each other, it kind of feels like the most fictitious Marvel movie to date.
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Despite its considerable charms, Ant-Man and the Wasp is decidedly not a must-see event. In fact, it sometimes feels less like a movie than an episode of an ongoing superhero TV series. But it’s a really, really good episode of that series. And it’s the perfect antidote for the gravity of Infinity War.
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Visually here’s the crucial thing with Ant-Man and the Wasp, and it sounds like a small thing, but really it’s a big thing: The sequel has upped the instances and exploits of the rapidly changing superheroes, and every time the movie cuts to a shot of the heroes’ miniaturized car, scooting around the streets of San Francisco, it’s good for a laugh.
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The result is an effects-laden goofball comedy in which anything goes and nothing matters. Not that this is an entirely plot-free extravaganza or just an excuse for comic riffs. But the filmmakers are so cavalier about the idea that any of this is supposed to make any sense that there's a certain liberation in not burdening two human-brained insects with the fate of the entire universe.
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There’s too much convoluted plot...and the movie at times feels big and ponderous, like Ant-Man when his malfunctioning suit does the opposite of its normal effect.... There are also too few jokes, and though Rudd and Peña work like mad to get laughs, they come up well short of optimal levels achieved in Thor: Ragnarok.
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Ant-Man and the Wasp offers nothing close to what we have come to expect from entries into the MCU. Plodding, repetitive, replete with technobabble nonsense and lifeless action, this is easily the worst-written of any of the 20 MCU offerings and may be the worst all-around film featuring a Marvel superhero since Sony rebooted Spider-Man.
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