| Buena Vista Pictures Distribution | Release Date: July 23, 1993 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
8
Mixed:
17
Negative:
1
|
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Critic Reviews
Yet the personalities of the actors are so appealing here and the direction by John Badham (''Stakeout,'' ''Saturday Night Fever'') so filled with inventive comic bits and details that Another Stakeout plays much better than you'd think. It's a consistently entertaining two- hours-or-so at the movies. [23 July 1993, p.C3]
Another Stakeout offers unfettered (and largely mindless) fun. The humor ranges from mildly amusing to downright hilarious, and the action scenes are handled with an eye for pacing and tension. Perhaps because of the absence of romantic chemistry, the second Stakeout isn't as good as the first, but it's still a worthy successor. Since virtually everyone involved in the 1987 picture is back, the sense of continuity is seamless, both in big and little things. For those looking for uncomplicated summer entertainment, Another Stakeout fills the bill adequately.
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A typical 90's comedy featuring staples Richard Dreyfuss and Emilio Estevez who re-hash their 'cheeky cops' schtick from the first picture and are now joined by O'Donnell who tries to inject more humour allowing us to forgive the lack of an engaging story. Sadly this is where all three fail.
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The boys are breezy; their companions glib and glittery. This big studio mix of bang-bang and badinage isn’t really a bad movie. But a lot of it suggests a fancy misfire: a super-powered evening at the town’s most expensive eatery, where everybody starts out psyched up to have Big Fun, and things start to slide. What happens? The food disappears. The music is too loud. The conversations are brittle, the jokes are pushed too hard, everyone laughs too much. And, at the end, in case your attention starts wandering, people start pulling out guns and killing each other.
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Another Stakeout -- like the original, directed by John Badham -- feels more like a rousing encore than a bold, new development. It's basically straight-out situation comedy, merely punctuated (or interrupted) by the evil doings of hitmen, FBI agents and other gun-toting suits. To those who seek these things, don't worry: People still get plugged with bullets. But comedy is the main artillery and Dreyfuss and Estevez, effortlessly replaying their elbow-nudging relationship, do most of the shooting.
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Another Stakeout eventually crumbles under the weight of its own stupidity. Badham and Kouf are compelled to shove the comedy aside for an overly violent shootout finish that leaves as many bodies as unanswered questions about the case. An overblown pyrotechnic sequence that destroys a house from a handful of angles is too familiar to be exciting. [23 July 1993, p.9]
Even before the witness-protection/trial angle has been conveniently jettisoned, it's clear that the plot is no more than a compulsory ingredient in a previously tested formula. Workmanlike in its execution, reliably predictable throughout, the movie might as well have been called "Another Paycheck."
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Another takeout—untidily slapped into a Styrofoam container—is more like it. Aimed at less discriminating viewers, this sequel to the 1987 Stakeout, again directed by John Badham, isn't too bad if you're looking for nothing more than good-natured silliness, low comedy, gratuitous tilted angles, and protracted dog jokes.
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For fans of Rosie O'Donnell, Another Stakeout is also noteworthy as the first real starring vehicle for the fast-rising, dead-pan comic. But she seems awkward as a lead and never very funny. You get the sense that her considerable talent might be better suited to television, stand-up comedy and supporting roles. [23 July 1993]
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