Allelujah
| Release Date: TBA CRITIC SCORE DISTRIBUTION
52
METASCORE
Mixed or average reviews based on 9 Critic Reviews
Positive:
2
Mixed:
7
Negative:
0

Critic Reviews

Critic scorePublicationBy date
80
The TelegraphRobbie CollinSep 17, 2022
Heidi Thomas’s screenplay, cannily expanding a little on Bennett’s glisteningly witty original script, shows its hand with tactical finesse. Read full review
70
TheWrapRobert AbeleSep 17, 2022
While Thomas and Eyre slip occasionally into feel-good vibes, they ultimately leave intact his narrative’s essential anger about the bureaucratic threat to community health care. Read full review
60
The GuardianPeter BradshawSep 17, 2022
This watchable, undemanding drama rolls along capably, enlivened by unmistakably Bennettian gags and drolleries which come along every minute or so. Read full review
50
New York PostJohnny OleksinskiSep 17, 2022
There’s nothing wrong with some silver screen sorrow, but not when it amounts to indecisive mush. Read full review
50
The PlaylistGregory EllwoodSep 17, 2022
Perhaps it worked better as a theatrical endeavor, but the result is a film that feels like a collection of familiar hospital set storylines thrown together without a true compelling throughline. Read full review
50
Screen DailyWendy IdeSep 17, 2022
The aims are laudable, but the execution is as baggy as a discarded pair of support tights. Read full review
50
VarietyGuy LodgeSep 17, 2022
It didactically calls out governmental hypocrisy while exposing corrupt elements and inefficiencies within the precious institution itself. It hedges its bets politically between nostalgic keening for a kinder, fairer Britain of old and advocating for a top-down socialist makeover. It wavers tonally between cozy comedy and head-on polemic. Read full review
40
EmpireJordan KingMar 17, 2023
Eyre’s all-star cast may shine in Allelujah, but even Dame Judi Dench can’t save a film whose third act so spectacularly nosedives into “Batshit-Craziest Story Choices Ever Put On Film Hall Of Fame” territory. Read full review
40
Time OutPhil de SemlyenMar 16, 2023
This take on Alan Bennett’s pre-pandemic play, a love letter to the NHS set on a geriatric ward in Wakefield’s beloved-but-threatened Bethlehem Hospital (‘The Beth’), ticks along amiably enough for an hour or so. Then, like a hand grenade in a tombola, a harrowing third-act twist detonates beneath it and narrative and tonal destruction ensues. Read full review
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