| Amazon | Release Date: April 8, 2022 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
22
Mixed:
9
Negative:
1
|
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Critic Reviews
The Film StageApr 8, 2022
Pine and Newton work valiantly to fill in the blanks, though the gray-flannel template of the dialogue often pushes back. When they do manage to transcend it, the movie becomes something still rare enough to appreciate: an urbane thriller calibrated for slow burns and analog attention spans.
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Based on the novel of the same name by Olen Steinhauer and directed with style and skill by the Danish filmmaker Janus Metz, All the Old Knives feels like a small-scale version of a John Le Carré adaptation, with the obligatory Spy Movie Score as perfect accompaniment to the tension-building sequences in the restaurant and the cloak-and-dagger stuff in Vienna.
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I’m glad to report that All the Old Knives is a minor but engrossing genre movie: tightly wound, more or less rooted in the real world, with taut dialogue and espionage gambits that fall just this side of contrived. It’s not John le Carré, but it’s not thinly patched together pulp either.
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SlashfilmApr 6, 2022
At the end of the day, however, one will walk away satisfied with the characters and moved by a bleak and tragic ending, but left with little to carry in their memory. Ironically, a film about the painful suspicions of the past and the aching nature of memory is largely unmemorable.
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The framing device of the conversation between Henry and Celia, which includes a bit of flirtation, necessitates a certain ennui, though director Janus Metz (“Borg vs. McEnroe”) does his level best to open up the claustrophobic setting with frequent jaunts to other times and locales. Come to think of it, there’s an air of a tennis match to the proceedings of All the Old Knives, with its two protagonists playing a mental game of volley and return, as it were.
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ColliderApr 8, 2022
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