| Neon | Release Date: November 23, 2022 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
33
Mixed:
1
Negative:
0
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Critic Reviews
As an artefact of the invaluable intersection between artistic effort and pragmatic resistance, All the Beauty and the Bloodshed is a testament to the dialectic of form and content, of artwork and social reality as a crucial, actively-engaged site of political struggle, an apt battleground in the fight against all-pervasive capitalist monoliths.
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ColliderDec 8, 2022
It strikes at the core of what makes us human, our hopes and fears and the relationships we invest ourselves in. It is community as art as activism in one giant loop, filtered through the gaze of a woman so unflinchingly tireless in her efforts that you cannot help but be on her side.
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If you’ve ever doubted how art, rage or action can make meaningful change, Goldin’s combination of all three fighting an opioid crisis that nearly killed her is exhilarating proof of the power of “screaming in the streets,” to borrow what the queer artist David Wojnarowicz — one of many close friends of Goldin’s whom the AIDS epidemic took — wryly described as a necessary ritual of the living in a time of too much death.
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A great visual artist documentary has to be more than a series of images set to narration like an art history course. The best films find some compelling reason in the present to spend time with them. All the Beauty and the Bloodshed filmmaker Laura Poitras’ searing, urgent portrait of photographer Nan Goldin finds that in the opioid crisis.
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The PlaylistSep 10, 2022
The movie’s bifurcated shape isn’t novel, but Poitras’s marshaling of all this information is exceptionally graceful. She has an abundance of fantastic material at her disposal — including a generous selection of Goldin’s artwork — but what makes the movie work so well is how Poitras seamlessly uses the different sections of Goldin’s life to weave a coherent portrait of the artist.
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Goldin might not have known it when she started photographing her LGBTQ friends, but her work has always been about looking at the so-called fringe cultures in society, about showing the problems that the masses would rather just ignore and making them so urgent that you can’t look away anymore.
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The director wisely dives with her whole heart and soul into Goldin’s life, which makes seeing her almost destroyed by an addiction to painkillers so painful. And then, when Goldin resurrects her energies into waging a David versus Goliath war, there is a distinct sense of against-all-odds triumph that hits hard, and lingers long.
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The Film StageSep 10, 2022
It’s important to note how successfully and stylishly Poitras and [her editing team] cross-cut between exposition and narration on Goldin’s long, fascinating biography and present-day passages where more information on her various campaigning efforts against the Sacklers comes through.
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If you’re looking for a more granular account of the Oxy epidemic and its perpetrators, Emmy-nominated miniseries Dopesick and investigative journalist Patrick Radden Keefe’s bestseller ‘Empire of Pain’ both have your back. But All the Beauty and the Bloodshed plots a slightly different kind of narrative: one that’s full of defiance and emotion.
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SlashfilmNov 23, 2022
Nothing short of a true-life triumph, All The Beauty and the Bloodshed is all at once the most important film about addicts, outcasts, and what makes each one—no matter their "sin" or the stigma—family. There is an understanding at the core of this documentary, one that says to the addicts and the ostracized alike, "I see you. I know you. I will not turn my back on you." The message is welcomed; In fact, it sounds like a new hymn.
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