A24 | Release Date: March 4, 2022
7.1
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Generally favorable reviews based on 59 Ratings
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41
Mixed:
12
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8
JLuis_001Mar 5, 2022
In terms of conceptualization After Yang does not cover much. But it does make it clear that there will be an interpretation by the audience, and one that the director himself had about his story. After Yang is obviously set in the future. AtIn terms of conceptualization After Yang does not cover much. But it does make it clear that there will be an interpretation by the audience, and one that the director himself had about his story. After Yang is obviously set in the future. At its core it's a science fiction film, but even though its story shows us technology that's frankly unthinkable in our present day. it surprisingly feels natural.
Let's say it would be what reality might feel like decades from now.

The story deals with something that's arguably an android. They're known as Techno Sapiens
Androids that can think, care and interact in a completely natural way with human beings. The techno Sapien in question is Yang, acquired second-hand by the father of the family he now lives with, who have adopted him as a member. Unfortunately a technical failure occurs and when they try to repair it they realise he has a memory bank inside his body.
Here begins the true essence of this film, which encapsulates the meaning of what I personally believe to be the human condition. Kogonada offers a reflective and contemplative film in which we are shown a robot that within its programming chose the memories it considered memorable and worth preserving.
We are exposed to these memories in sequences of exceptional visual beauty that for me are the best part of this work.

It may seem far-fetched, but After Yang is a story that provokes simple but very interesting questions.
What are the important things in our daily lives? What deserves to be stored in our memory? And what does it mean to be able to relive them through the eyes of a person we have lost?
As human beings that's impossible, but the way this film exposes it left me quite satisfied.

I like Colombus better, but that doesn't really mean anything. This is a good film and a more than solid follow-up for a director who's starting to make his way in the industry.
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2 of 2 users found this helpful20
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8
moviemitch96Mar 6, 2022
A touching and thought-provoking sci-fi A.I. drama in the same vein as fellow A24 film 'Ex Machina', Colin Farrell stars as a husband and father who attempts to repair his family's A.I. named Yang that he got for his daughter specifically toA touching and thought-provoking sci-fi A.I. drama in the same vein as fellow A24 film 'Ex Machina', Colin Farrell stars as a husband and father who attempts to repair his family's A.I. named Yang that he got for his daughter specifically to help her appreciate her Asian heritage and culture. The film closely examines the effect that Yang has on the family and the heartache they face in possibly having to lose him for good. Farrell gives one of his more intimate and heartfelt performances to date, alongside equally tender supporting performances from Jodie Turner-Smith and Haley Lu Richardson in particular. I also found the film rather aesthetically unique, given its modest budget, as the production and effects, while minimal, I still found rather unique and impressive. Story-wise, while there are some plot beats that feel a little familiar from other similar sci-fi stories, the performances and gentle handling of the material help it stand apart from the rest. So overall, it's another tender and unique little sci-fi gem from A24 thanks to the performances of the cast, intriguing production values, and a sweet story at its core. Expand
1 of 1 users found this helpful10
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10
JustThinkinMar 17, 2022
Jean-Luc Godard once remarked that a story should have a beginning, a middle and an end, but not necessarily in that order. Which brings us to After Yang. The story begins in "the middle." Jake is a middle-aged man, stuck. He is lonely andJean-Luc Godard once remarked that a story should have a beginning, a middle and an end, but not necessarily in that order. Which brings us to After Yang. The story begins in "the middle." Jake is a middle-aged man, stuck. He is lonely and dispirited. His small business is running on fumes. He seems depressed. He is withdrawing, self-isolating from his wife and daughter, both of whom are clearly aware that Jake has checked out emotionally. The family is getting along. They are pleasant with one another. They go through the motions. But the spark is gone. Perceptive viewers will sense trouble ahead. The film is the story of Jake coming back to life -- a story that begins with a shock of recognition, a voyage of discovery, a new perspective that brings with it a stunning acknowledgment of loss, and the beginning of healing. Jake sets out to fix Yang. Yang ends up fixing Jake, and the family. It is subtle, understated and beautifully done.

The "beginning" is glimpsed only in flashbacks of memory. The "end" is projected in hints. Most of the narrative is the voyage of discovery, in which Jake for the first time truly sees a life that had been lived right in front of him, unnoticed. This is a character study played out in the shadows of memory. The question, "Do you believe a cup of tea can contain a world" reminded me of "An Occurrence at Owl Creek Bridge," the classic story by Ambrose Bierce, which explored how much can be contained in a fraction of a second. Come to think of it, that might make a worthy next project for Kogonada, a master of subtlety and indirection. This is a wonderful movie, the best so far of 2022. Kogonada raises more questions than he answers. He leaves mysteries to ponder. He does not insult viewers with simple answers to unanswerable questions. Jake's ceremonial care in making tea is a metaphor for Kogonada's treatment of grief, mystery and wonder: they swirl and fall, slowly and delicately, and the viewer must find his own meaning in the search. This is a contemplative film and will not be to everyone's taste, but let it steep slowly and you will be rewarded.
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1 of 1 users found this helpful10
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8
IntakeCinemaJul 5, 2022
If meditation were a film, it would be After Yang - the definition of serene.
1 of 1 users found this helpful10
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9
DunkaccinoDec 23, 2022
A tender, moving picture that understands human connection and how memories work.
1 of 2 users found this helpful11
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5
TVJerryMar 6, 2022
Colin Farrell and Jodie Turner-Smith play a married couple who adopt a Chinese girl. To help her appreciate her heritage, they buy an Asian android (or as they call it, a technosapien). When he malfunctions, Farrell goes on a quest to repairColin Farrell and Jodie Turner-Smith play a married couple who adopt a Chinese girl. To help her appreciate her heritage, they buy an Asian android (or as they call it, a technosapien). When he malfunctions, Farrell goes on a quest to repair him, while examining their lives without him. This is subtly set in the future, other than the android, hints of a self-driving car and a distant cityscape, there's almost nothing to suggest a sci-fi world. Instead, this is an intimate personal drama with plenty of lingering wide shots, a snail's pace and lots of silence. As a result, it's a dry assessment of the family that lacks much emotion or warmth. Expand
0 of 1 users found this helpful01
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3
MetacriticOnurMar 5, 2022
bad
[ bad ]

adjective, worse, worst;(Slang) bad·der, bad·dest for 36.
not good in any manner or degree.
0 of 7 users found this helpful07
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8
bertobellamyJan 24, 2023
'After Yang' raises the typical questions your regular independent sci-fi movie does, but its slow cinema approach, unique aesthetic, and stellar performances by Colin Farrell and Justin H. Min keep you hooked most of the time. Kogonada's'After Yang' raises the typical questions your regular independent sci-fi movie does, but its slow cinema approach, unique aesthetic, and stellar performances by Colin Farrell and Justin H. Min keep you hooked most of the time. Kogonada's meditation about the natural and the artificial converging poses questions about mortality and the meaning of being human. The film explores the power of memories, grief, and the new existential dilemmas of a very plausible future.

Also, this is a fine example of a very budget-limited utilizing its resources at maximum to make it look otherwise.

Oh, and I just watched 'M3GAN,' and I couldn't help to think that this is the same film but with a chill robot.
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9
Brent_MarchantMar 8, 2022
How often does a movie seek to address the big questions of life? Well, if you're the filmmaker Kogonada, the answer to that question would appear to be "every time." Like his previous beautiful and ambitious release "Columbus" (2017), theHow often does a movie seek to address the big questions of life? Well, if you're the filmmaker Kogonada, the answer to that question would appear to be "every time." Like his previous beautiful and ambitious release "Columbus" (2017), the director has followed up with an even more beautiful and ambitious project in "After Yang." Based on the short story "Saying Goodbye to Yang," this thoughtful and emotive cinematic meditation follows the efforts of a San Francisco couple of the future in trying to save the family's malfunctioning trans-sapien teenage "son," Yang, an AI who was brought into the household to act as a cultural mentor and role model to their young adopted Chinese daughter, Mika. But, as those valiant attempts to save Yang progress, parents Jake and Kyra begin to discover that there is more to their surrogate child than they ever realized, raising intriguing questions about what it means to be human (or even sentient for that matter). Countless recollections bring those considerations to the fore and give both characters and viewers alike pause to examine and reevaluate outlooks that may have once been rigid but can now be looked upon in a more fluid light. With fine performances all around, stupendously gorgeous cinematography (a Kogonada hallmark) and a lovely background score, "After Yang" evokes a profound array of moods, from joyful to sad to reflective, leaving one supremely touched by the experience. There are occasional pacing issues, and a few of the ideas raised are left less than resolved (most likely intentionally), but overall this is a truly stirring experience, one whose impact will linger long after the lights come up. Expand
0 of 0 users found this helpful00
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4
Mauro_LanariDec 1, 2022
(Mauro Lanari)
Farrell fathoms the sphere of robotic AI of Dick and Scott Sr. in Lanthimos mode ("The Lobster" and "The Killing of a Sacred Deer"): when depressogenic rhetoric is passed off as lyrical existential crisis. Sakamoto's music adds
(Mauro Lanari)
Farrell fathoms the sphere of robotic AI of Dick and Scott Sr. in Lanthimos mode ("The Lobster" and "The Killing of a Sacred Deer"): when depressogenic rhetoric is passed off as lyrical existential crisis. Sakamoto's music adds an oriental touch. Not my cup of tea, in this case also literally.
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8
jackieddMar 4, 2022
A must watch for any sci fi fan. The cast shines and the story intrigues. Another hit by A24.
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9
MahmusApr 29, 2022
A quiet and moving sci-fi drama that touches on universally relatable themes while also presenting a unique and charming futuristic style.
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9
DawdlingPoetSep 25, 2022
This is a quite moving, poignant film about memories, loss and grief. I really liked it. It handles the topics well and its not tacky, its quite thought provoking. I thought Colin Farrell did well playing the father figure, Jake, as did MaleaThis is a quite moving, poignant film about memories, loss and grief. I really liked it. It handles the topics well and its not tacky, its quite thought provoking. I thought Colin Farrell did well playing the father figure, Jake, as did Malea Emma Tjandrawidjaja as Mika, the daughter.

It is a bit dark (I mean that physically, in terms of lighting), so if your in a bright room, then this may be an issue. Ocassionally I struggled to entirely tell what was going on. This is a film I'd highly recommend.
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5
OctaneNitroApr 11, 2022
After Yang spends so much time trying to craft a thematically-rich piece of high art, it fails to pay enough attention to the fundamentals. The film doesn't develop its setting at all, while also lacking interesting characters and aAfter Yang spends so much time trying to craft a thematically-rich piece of high art, it fails to pay enough attention to the fundamentals. The film doesn't develop its setting at all, while also lacking interesting characters and a comprehensible plot. Sadly, whispered monologues and esoteric flashbacks can only get you so far - at some point, you actually have to DO something with the themes and foundations you've laid.

Arguably the most engaging part of the film is how it portrays human connections in a world governed by cold technology, with the same privacy and "you'll own nothing and enjoy it" issues present in our world today. Unfortunately, the film's central family dynamic is similarly cold: "the good times" are hardly shown at all, and we're simply told that Yang was a beloved part of the family via unconvincing dialogue.

The film's plot is equally sparse. Despite being fairly focused at first, after a while, it devolves into flashback after flashback, and conversation after slow conversation, killing any forward momentum before the film unceremoniously ends. At points, it actually becomes difficult to follow, with characters (some with the same name?) popping up for a scene or two and then vanishing.

Overall, it's clear that this was created strictly for an indie, film festival audience. There's nothing wrong with that, but After Yang is far from a modern classic. It's bitter medicine, reluctantly taken and dubiously effective.
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7
ExceladeogunAug 29, 2023
After Yang

This sci-fi drama sees a family as they try to repair their defunct robotic child. This slow mystery unfurls a story of loss and reliance on technology. This introspective flick is slow-paced (a win or loss, depending on the
After Yang

This sci-fi drama sees a family as they try to repair their defunct robotic child.

This slow mystery unfurls a story of loss and reliance on technology. This introspective flick is slow-paced (a win or loss, depending on the viewer), subtle and richly styled; The slow pace does make the movie seem longer than its one hour 36 minutes runtime, and begs for more to be infused into its beautiful concept.

The cinematography here is vibrant and full of life, and the camera placements make everything even better. The score is also salient.

Although After Yang has some moments of stumbling, the overall result is a beautiful contemplative piece on memories and what makes us human.

7/10
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10
Grumpy52Mar 6, 2022
Brilliant film. Like Kogonada 1.0, Kogonada 2.0 has no villains, no violence, and no dysfunctional, self-destructive behavior to drive an artificially goosed plot; this film is about human universals. It is quiet, gentle, and meditative. TheBrilliant film. Like Kogonada 1.0, Kogonada 2.0 has no villains, no violence, and no dysfunctional, self-destructive behavior to drive an artificially goosed plot; this film is about human universals. It is quiet, gentle, and meditative. The sci-fi flourishes are present in abundance, but this is not a film about gadgets; like the best thoughtful sci-fi, the future is simply present, with a lived-in feel. Kogonada trusts the viewers to fill in the blanks. The open-ended storytelling is something of a Rorschach test: viewers willing to engage and think will enjoy this; viewers needing flying spandex, explosions and simple resolutions tied up with a bow may be overmatched. If you like slow, thoughtful cinema, this is a must-see. You will be left with many unanswered questions that invite further reflection. Whether this is a feature or a bug is up to you. For thoughtful viewers, this is a film that will linger and bear rewatching more than once. There are a lot of differences between After Yang and Columbus, but there is a line in Columbus that captures the underlying unity: "effort plus cost to see what is invisible but always visible." In Columbus, that refers to things that are absent -- both physical and emotional, with the architecture acting as metaphor for Jin and Casey's inner journeys. That which is absent leaves a contour that can be discerned and a gap that an engaged viewer is invited to fill. In After Yang, the gap is created when Yang unexpectedly drops out of a family's life. The gap needs to be filled. It must be seen and felt before it can be filled. That's the story. And the third act twist -- no spoilers -- is simply brilliant, as Jake and Ada come to understand that Yang understood more than they could have imagined about the road upon which they are walking now.

Lest I forget: the acting is excellent. Colin Farrell has never been better. The supporting actors are superb, and I was left wanting more from several of them -- but leaving an audience wanting more is a good thing, not a bad thing. This cast should be considered for the ensemble awards come next awards season.
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