After Everything
Good Deed Entertainment | Release Date: October 12, 2018 CRITIC SCORE DISTRIBUTION
67
METASCORE
Generally favorable reviews based on 11 Critic Reviews
Positive:
9
Mixed:
2
Negative:
0
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Critic Reviews

Critic scorePublicationBy date
90
Film ThreatChuck FosterOct 11, 2018
Marks and Power deliver that unicorn of romance movies. It’s funny, heartbreaking, but, most of all, intelligent and realistic. Read full review
88
RogerEbert.comNell MinowOct 12, 2018
Writer/directors Hannah Marks and Joey Power have made an intimate little drama that feels fresh because the diagnosis turns the usual love story upside down. Read full review
80
Los Angeles TimesKatie WalshOct 11, 2018
With real soul and gravitas, Marks and Power craft romantic drama that demonstrates that life’s hardest challenges can come at any age. Read full review
80
The Hollywood ReporterFrank ScheckOct 11, 2018
It's the hugely appealing White and Monroe who authoritatively carry the film, mining the material for all its pathos and humor and displaying the sort of chemistry more often aspired to than achieved in romantic films. They make it look easy, as do the talented filmmakers. Read full review
75
ReelViewsJames BerardinelliOct 13, 2018
This isn’t just another “cancer movie.” Read full review
75
Film Journal InternationalAnna StormOct 11, 2018
The true star of the movie is its structure. By cleaving the action in two, both the development of Elliott and Mia’s relationship and what happens after its peak are given their just due. It’s certainly something to make someone who is sure she already knows where the story is going think: Who cares? I’m with these characters, anyway. Read full review
70
The New York TimesTeo BugbeeOct 11, 2018
White and Monroe demonstrate natural chemistry, and they discretely suggest the private experiences of their characters, the youthful doubts that can’t be extinguished by passion. In unpretentious fashion, After Everything portrays the bittersweetness of a first love that blooms in crisis. Read full review
70
VarietyAmy NicholsonJul 12, 2018
Its refractory tone, both deadpan and swoony, announces that the first-time feature directors have a phenomenal eye for character (which is something those who’ve been watching Marks’ work as an actress may already have realized). Read full review
63
New York PostSara StewartOct 11, 2018
Jeremy Allen White (“Shameless”) and Maika Monroe (“It Follows”) shine in this dramedy. Read full review
50
L.A. WeeklyKaren HanOct 11, 2018
White and Monroe are terrific — their relationship, as well as its dissolution, is completely believable — but they’re limited by a script full of old tropes. Read full review
50
The PlaylistKevin JagernauthOct 11, 2018
The young couple exists in a bubble of love that has an air of reality sucked right out of it. Read full review
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