| Zeitgeist Films | Release Date: January 15, 2021 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
16
Mixed:
0
Negative:
0
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Critic Reviews
Lyrical and provocative, Acasa, My Home brings an intimate slant to age-old questions about the value of conformity, the pleasures and challenges of the natural world versus the comforts and distractions of modernity, and the amorphous but essential matter of what constitutes a good life. And it does so with laudable concision.
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Needless to say, the point of Ciorniciuc’s immersive, lively, warm and heartbreaking film is not to see the Enaches in the park as total paradise and their stab at urban living as some terrible detour into restrictiveness. Acasă, My Home is much more complicated, as any thorough portrait of our modern world is when progress is a balance between old and new ways and people like the Enaches find their notions of survival and independence challenged.
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It’s both intimate and analytical, a sensitive portrait of real people undergoing enormous change and a meditation on what that change might mean. It taps into something primal in the human condition, a basic conflict between the desire for freedom and the tendency toward organization — an argument, finally, about the meaning of home.
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Ciorniciuc’s journalistic background infuses the film with rigour and forward propulsion so that a narrative spine begins to develop. And he does a fine job contrasting the family’s reality with the puffed-up words from politicians and community leaders, who see the Bucharest Delta as merely an opportunity for an urban park.
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RogerEbert.comJan 19, 2021
While the filmmaker tries to neatly bring the complex tale to a close in its final minutes, it feels like a different story takes off at the conclusion of Ciorniciuc’s compact 80-something minutes; one that would encompass new jobs, a newborn, distressingly uncertain prospects, and even higher-than-before stakes in the midst of an unforgiving urban jungle.
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The PlaylistJan 19, 2021
Acasa, My Home explores how bureaucracy sucks the life out of families, one by one, by turning them into 40-hour-a-week workhorses. It ruminates powerfully on the meaning of freedom, positing that our only chance at control may be a place far, far away from civilization, a place where the reeds sway gently and the fish are plenty.
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IndieWireJan 15, 2021
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