| Aviron Pictures | Release Date: November 2, 2018 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
25
Mixed:
7
Negative:
0
|
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Critic Reviews
RogerEbert.comNov 2, 2018
The dramatic, personal story of Colvin herself is absorbingly told here, largely because of Pike’s dynamic performance, showing us a woman who was courageous enough to risk her life for a story on a daily basis but remained vulnerable enough to make the stories viscerally compelling.
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By the time the narrative comes to Colvin’s greatest get — she was essentially the first Western journalist to get inside Homs and refute Syrian President Bashar al-Assad’s bold-faced lie that he wasn’t bombing his own people into oblivion — the price of that sacrifice, and the power of her story, feels finally, fully real. Whatever her private battles, War works hard to be the public reckoning her work deserves.
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A Private War certainly gets viewers to care about Colvin. The screenplay, by Arash Amel, drops Marie (and viewers) into several war zones where she reports about various horrors. Heineman wisely does not shy away from showing some of the blood and the carnage, lest anyone forget the very real human stories that Colvin reported.
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It’s not just that Pike changed the timbre of her voice, the way she walks and even her posture to accurately reflect Colvin physically (though she has). It’s that this fierce, lived-in performance, complete down to the drawn face and go-for-it personality, is so convincing that people who knew Colvin were shaken at the resemblance.
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Despite the occasional moment where the depiction of newsroom procedures doesn’t quite ring true, or a supporting character delivers a line that’s a little too perfect and succinct for the moment, most of what transpires feels grimly authentic and true to the real-life characters and events.
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Pike plays Colvin as selfless, but also a woman who would have pitched a drink in your face for calling her that. The movie takes Colvin's cue. At no point is her personal drama bigger than the suffering of the people on whom she is reporting, and the concluding events in Syria are particularly well-handled and tactful.
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The new film A Private War ranks higher than most, in the truth department and in cinematic storytelling. Whatever your personal interest or disinterest in Sunday Times reporter Marie Colvin’s line of work, the way she did it — and the bloody global conflicts she ran towards, full gallop — makes for a tense, engrossing account.
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Heineman’s film is, in many ways, the movie so many people say they want: a portrait of a deeply complex, flawed, but brilliant and forceful woman. But as tempting as it is to think of Pike’s Colvin, with her eyepatch and sailor’s mouth, as a “badass,” there’s not much that’s aspirational about the film.
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The Observer (UK)Feb 21, 2019
Honoring the journalist's sense of mission but never shying away from the hard living and psychological damage that went with it, A Private War relies on the believability of star Rosamund Pike, who commits to this take on the character even when Heineman risks pushing off-the-battlefield drama too far.
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The PlaylistSep 15, 2018
Aside from the striking scenes occurring on the battlefronts, everything else in this picture is subpar. “A Private War” works off a disjointed script and tells a dull story, populated with forgettable characters. Pike throws herself into Marie, and the intensity of her commitment is palpable, but the flashy performance feels soulless.
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