A Perfect World

Warner Bros. | Release Date: November 24, 1993

CRITIC SCORE DISTRIBUTION

71	METASCORE Generally favorable reviews based on 24 Critic Reviews

Positive:

Mixed:

Negative:

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Critic Reviews

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100

Roger Ebert

This is a movie that surprises you. The setup is such familiar material that you think the story is going to be flat and fast. But the screenplay by John Lee Hancock goes deep. And the direction by Clint Eastwood finds strange, quiet moments of perfect truth in the story. Read full review

Janet Maslin

A deeply felt, deceptively simple film that marks the high point of Mr. Eastwood's directing career thus far. Read full review

Peter Travers

Eastwood grabs the reins and draws Costner's scrappiest performance since Bull Durham. In going beyond chase-yarn duty, Eastwood and Costner do themselves proud. Read full review

Hal Hinson

A Perfect World is one of the Academy Award-winning actor-director's most unexpected, most satisfying films. This isn't the first time that Eastwood has turned the tables on our expectations, but he's never been this bold in the past, or this sure of himself. Read full review

Jeff Shannon

Despite a slightly relaxed first hour and forgivably minimal lapses in credibility, debut screenwriter John Lee Hancock has crafted an ultimately satisfying study of fate and circumstance that is worthy of its superstar showcase. [24 Nov 1993, p.E1]

Michael Wilmington

A Perfect World proves again, if it needs proving, that Eastwood's directorial signature is among the strongest and surest in American movies. [24 Nov 1993, p.1C]

Nick Schager

It’s material primed for mushiness, yet Eastwood shrewdly marries sentimentality to both self-deprecating humor (including a late bullhorn gag) and darker, more desolate undercurrents. Read full review

Marc Savlov

A Perfect World is a gorgeous, sprawling road movie, full of unique characters (more or less -- Laura Dern's criminologist seems like some sort of PC afterthought, and Eastwood's grizzled Ranger borders on cliché) and arresting cinematography that reminds us why we live here in the first place. Read full review

Chris Cabin

Hancock lays the groundwork for Eastwood to transform what might have been an admirable, tightly told entertainment into something far more emotionally resonant, slyly self-aware, and rich in subtext. Read full review

Jay Carr

In short, it's a gripping film with some surprises that emerge from around the edges. [24 Nov 1993, p.39]

Edward Guthmann

Costner and Lowther are a winning pair, and Eastwood, an elegant director, takes his time telling the story, seasoning it with frequent humor and avoiding the logistics of the manhunt. [24 Nov 1993, p.E1]

Steve Persall

Eastwood keeps the tension humming from his director's chair and contributes a little too much comic relief, but gives Costner an eye-opening, image-shattering showcase that adds a sheen to his often-criticized acting career. [24 Nov 1993, p.6B]

Desson Thomson

Within its narrow, unambitious, commercial boundaries, the movie is highly watchable. Lowther is appealing, and Costner is a likable rebel. Read full review

Staff (Not Credited)

Star Kevin Costner and director Clint Eastwood deliver lean, finely chiseled work in A Perfect World, a somber, subtly nuanced study of an escaped con’s complex relationship with an abducted boy that carries a bit too much narrative flab for its own good. Read full review

Bill Cosford

Watching Eastwood and Costner is a pleasure (even though they don't have much screen time together). In Costner's case, it's an unexpected one. Give him a role with weight, apparently, and he can carry the load. [24 Nov 1993, p.E1]

Jay Boyar

Though A Perfect World may deserve to be attacked for its casual pacing and occasional clumsy staging, and for one or two less-than-fabulous performances, the darn thing kind of grew on me. [24 Nov 1993, p.E2]

Mike Clark

Ultimately, World comes down to two inherently appealing icons in an imperfect casting fit. Costner modifies his Louisiana accent from JFK, and again we're forced to accept it on good faith. He's never quite believable, but he is tolerable in a role that demands a star presence. [24 Nov 1993, p.4D]