A History of Violence
New Line Cinema | Release Date: September 23, 2005
7.4
USER SCORE
Generally favorable reviews based on 898 Ratings
USER RATING DISTRIBUTION
Positive:
648
Mixed:
98
Negative:
152
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10
MikeL.Nov 11, 2005
C'mon people - METAPHOR! The look of the film, the performances and the story play with/twist standardized forms from the inside out. Its supposed to feel awkward and stilted, that's the idea! The film can feel uncomfortable to C'mon people - METAPHOR! The look of the film, the performances and the story play with/twist standardized forms from the inside out. Its supposed to feel awkward and stilted, that's the idea! The film can feel uncomfortable to watch cuz it mirrors our own superficial, hair's breadth distance from a history of the worst kind of violence. From apehood to rape to the miriad abuses of power, the human race is still in its infancy and we're still dealing with all this stuff. This movie sheds a light on a culture which was to a large degree born of violence. Its a difficult film - sometimes difficult films are good - great in this case.… Expand
1 of 1 users found this helpful
8
tonyGreenJul 15, 2011
The Cronenberg trademark gore SFX are here, but so too is a great drama, characters and a story. If it kicks off feeling a little too made-for-TV (a little too saccharine on the domestic bliss angle?) , it pays off later in the adrenalineThe Cronenberg trademark gore SFX are here, but so too is a great drama, characters and a story. If it kicks off feeling a little too made-for-TV (a little too saccharine on the domestic bliss angle?) , it pays off later in the adrenaline rush of sudden, brutal realistic violence.… Expand
1 of 1 users found this helpful10
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8
beingryanjudeAug 25, 2014
A History of Violence is raw and compelling. This film will make you question everything, absolutely everything. And for good reason. By the end, you'll understand why Viggo Mortensen is much more than Aragorn.
1 of 1 users found this helpful10
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8
SpangleJul 25, 2014
This one is definitely a slow burner, but the pay off is great and as a film, it is certainly something to marvel at. Firstly, the direction from David Cronenberg is great and as this was the first film of his I have seen, it certainly makesThis one is definitely a slow burner, but the pay off is great and as a film, it is certainly something to marvel at. Firstly, the direction from David Cronenberg is great and as this was the first film of his I have seen, it certainly makes me want to continue going through his filmography. In terms of acting, Viggo Mortensen is great, as are Ed Harris and Maria Bello. The only actor whose performance was iffy was Ashton Holmes as Mortensen's son. He struggles at times, especially when on screen with heavyweights like Mortensen and Harris. In addition, the film is filled with tension. The film may be a slow burner and all, but once it kicks into high gear, things are very interesting thanks to these very well developed characters and their interpersonal relationships. While at the end of the day, this is a movie, everything felt very authentic and you really believed these people were who they said they were thanks to great writing, acting, and direction. The film has a smalltown feel as well, which is awesome. The violence is a tad graphic, but it never feels like it is too much, which is also a big plus for me personally. Overall, A History of Violence is a good film that really highlights what a thriller should be like.… Expand
1 of 1 users found this helpful10
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8
Compi24Mar 29, 2014
While exploring richly thematic ideas of harm, family, and the troubled past, David Cronenberg and the case of "A History Of Violence" ultimately craft a fantastically thought-provoking and thoroughly intriguing thriller.
1 of 1 users found this helpful10
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8
ReelViewsJun 14, 2015
David Cronenberg, the director of such films as Dead Ringers and The Fly, has a reputation for being a little "out there." It may come as a surprise, therefore, to learn that his latest, A History of Violence, is almost mainstream in the wayDavid Cronenberg, the director of such films as Dead Ringers and The Fly, has a reputation for being a little "out there." It may come as a surprise, therefore, to learn that his latest, A History of Violence, is almost mainstream in the way it tells a linear story and curtails freaky images. The movie, which is at its heart a meditation upon the meaning of identity, is not perfect. Although there's little wrong with the first two-thirds, A History of Violence slides onto a tangential path during its final act, and this misstep reduces the production's overall effectiveness. Nevertheless, there's a lot to admire here.

Tom Stall (Viggo Mortensen) is a model citizen, ideal father, and loving husband. His two children, Jack (Ashton Holmes) and Sarah (Heidi Hayes), trust him, and his wife, Edie (Maria Bello), adores him. The fun hasn't gone out of their marriage, as Edie proves when she dons a cheerleader outfit to seduce Tom. One evening, while Tom is working behind the counter at his diner, two thugs come in with rape and robbery on their minds. After a brief struggle, Tom gets the gun away from one of the robbers and uses it to dispatch both intruders. He is hailed as a hero, and there is blanket news coverage. And it's on TV that Carl Fogaty (Ed Harris) sees a familiar face. Based on the evidence of his eyes, the man who calls himself Tom Stall is actually Joey Cusack, an ex-killer from Philadelphia. So, with henchmen in tow, Carl heads for the town of Millbrook, Indiana.

Central to the film's success is the uncertainty about Tom's past. When confronted by Carl, he not only denies being Joey, but claims to have never been in Philadelphia. Neither the script nor Viggo Mortensen gives us a clue whether Tom and Joey are the same person, or whether Tom is the victim of an unfortunate coincidence. As the Stalls must deal with the new, dangerous presence in their life, they must grapple with questions of identity. What makes each of us who we are? Is it our face, or something deep within?

Cronenberg weaves a spell for over an hour, but he proves unable to sustain it for the entire running length. The need for a conventional resolution pulls him off course during the movie's final third. Some of the most interesting characters and relationships are taken off the screen to allow A History of Violence to move in a different direction. Since the screenplay is based on a graphic novel, I suspect that the filmmakers may have had little choice about the trajectory.

The children have their own mini-stories as well. Sarah is afraid of monsters in her closet, and is comforted by her father (who says there are no monsters) and brother (who asserts that monsters are afraid of the light). Meanwhile, Jack has problems with a school bully. At first, he backs down but, in the wake of his father's "heroic" actions at the diner, he decides that confrontation may be the better course of action. Has the wimp become an avenger? Once again, it comes back to a question of identity.

Mortensen finds the perfect pitch for Tom. In this performance, we see a good, simple man who cares about his family and community. But we also see hints of something else - a darker, more decisive personality. During the film's first hour, I changed my mind several times about whether Tom was Joey, and a lot of that had to do with the way Mortensen plays the role. Opposite him, Maria Bello is a firecracker, the kind of actress who draws the camera's attention. Not since The Cooler has she been given this juicy and demanding a part. And, as the villain, Ed Harris is nothing short of despicable.

A History of Violence can be seen as a thriller, but in many ways it works best during its quieter moments. As the title indicates, this is not a sedate art film. It contains moments of sharp, vicious mayhem and there is a body count. But the strength of the movie lies in its psychological complexity and depth. And, while I wasn't enthused about where A History of Violence takes the audience during its waning moments, it at least offers a sense of closure, and, in the final scene, hope. Left unresolved, however, is the perhaps unanswerable question about whether the nature and identity of a person are fixed or fluid.… Expand
1 of 1 users found this helpful10
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8
EpicLadySpongeMar 6, 2016
What's this? The last feature film made by Hollywood to be released on VHS? RIP - VHS'es. No longer relevant after 2006. A History of Violence is seriously one of those violent movies that actually works.
1 of 1 users found this helpful10
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8
timoneJun 6, 2019
A History of Violence has had it's aspects when it comes to body horror by David Cronenberg which does not have anything to do with body horror. It's based on the graphic novel. So when I had heard about A History of Violence, I've heard thatA History of Violence has had it's aspects when it comes to body horror by David Cronenberg which does not have anything to do with body horror. It's based on the graphic novel. So when I had heard about A History of Violence, I've heard that it's going to be violent and yeah, I was right. It had some violent scenes that are bloody and will keep you on a big impact. Viggo Mortensen plays an diner owner, Tom Stall, who lives with his wife and kids in the small town of Millbrook, Indiana. One night, two robbers attempt to rob the restaurant but Tom saves the day by killing them in self-defense. After this, Tom is at hospital while the news went worldwide making him a hero. Then the next day, Carl Fogarty played by Ed Harris visits Tom in the diner calling him Joey Cusack who Tom says he's never been to Philadelphia so now Fogarty stalks the Stall family and he'll kill him if he doesn't come back to Philadelphia with him. When it comes to David Cronenberg when he is known for making body horror flicks about changing bodies, this one is not about that. Actually, that reminds me. I saw a deleted scene which is known as "Scene 44" for some bizarre reason which features a dream sequence in the diner, where Fogarty tells Tom he will kill him and his family which leads him to kill him with a shotgun and then he shoots back. While the director was amused by the idea he then rejects by leaving it out of the movie. I enjoyed this film even if it's not your typical film by David Cronenberg. I like the acting in this which is something that grabbed your attention. Viggo Mortenson and the other cast did good. Viggo's character is a regular guy who used to kill people back in Philadephia and now goes on with his life and doesn't want his wife and kids to know about his past. He's a great character who knows what he's doing and living his normal life. William Hurt is also great in this but he's only in the film for eight minutes considering that he was nominated for an Academy Award. And the ending just leaves you in emotion where it's all silent when Tom returns home. If you haven't heard of this movie or won't understand what it is about then I suggest you check it out and then you will understand it. Give it a try.… Expand
1 of 1 users found this helpful10
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8
amheretojudgeSep 17, 2018
mannerism foliates its space and crowdedness equally..

A History Of Violence A History Of Violence is a character driven dramatic thriller about a guy whose hidden past haunts him back to his family after he leaves his street credit behind.mannerism foliates its space and crowdedness equally..

A History Of Violence A History Of Violence is a character driven dramatic thriller about a guy whose hidden past haunts him back to his family after he leaves his street credit behind. The feature is surprisingly fast and utterly exhilarating to the core with its street ruggedness and raw brutality that grounds this stunning craft. The range of its narrative is fascinatingly wide and it excels on each peak moments that it dares to achieve. It is sharply calm with a jagged script behind the screen that is slowly ticking along with it which when hits its allotted frame, it explodes emotionally that leave an everlasting impact on you. The background score is decent, the sound effects are sharp and aptly loud, the art designing may not be in its A game, the cinematography is stunning and so is its fine editing. Despite of resonating tremendously with practicality, it glorifies its malleable mythological characters with such panache that leaves the audience in an awe of it. Mortensen is poised, reserved and profoundly calm in its horrifying portrayal with Harris supporting convincingly as always and Hurt giving some of his career's best work in here. Olsen's adaptation tells a compelling gritty tale whose mannerism foliates its space and crowdedness equally. And armed with a script as such Cronenberg executes the anticipated vision on screen with his finesse and a bit of pepper added in it, that makes it raunchy. The short screenplay enfolding characters and eye popping decisions which is also justifying to the core as much as entertaining it is, along with a stellar performances by a cast of such caliber are the high points of the feature. A History Of Violence has a plethora of emotional distress in here to keep the tense environment alive among the characters and the hook that binds them all.… Expand
1 of 1 users found this helpful10
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8
FedericoSierraMar 26, 2019
This review contains spoilers, click expand to view. Cronenberg presents us a genuinely lovable guy with a very peaceful life; this serves to allows us to sympathize with Dr Jeckyl before we get to meet Mr Hyde.
Once Tom's past comes into light we judge him for his actions instead of his intentions. Violence begets violence, and Tom's history of burying his past to reinvent himself in order to break away from this vicious cycle might be the most heroic aspect of this complex character.
But violence, regardless of the motive, is violence nonetheless. The real question we should ask ourselves after watching this tale of the American dream is:
can violence be forgiven?… Expand
1 of 1 users found this helpful10
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7
Onlyclassicvg1Jan 23, 2021
C'mon people - METAPHOR! The look of the film, the performances and the story play with/twist standardized forms from the inside out. Its supposed to feel awkward and stilted, that's the idea! The film can feel uncomfortable to
1 of 1 users found this helpful10
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8
kyle20ellisMar 29, 2022
David Cronenberg fascinates me, and his directing style and films are quite unique. Unique in how they really get under one's skin, explore complex and difficult themes not explored an awful lot by other directors without any sugar-coating orDavid Cronenberg fascinates me, and his directing style and films are quite unique. Unique in how they really get under one's skin, explore complex and difficult themes not explored an awful lot by other directors without any sugar-coating or excessiveness and how many of them disturb and makes one feel uncomfortable. Films of his have shown some dark wit and have found myself connecting emotionally to others, primary examples being my favourites of his 'The Fly' and 'Dead Ringers'. His films are much more than horror.

As is evident with 2005's 'A History of Violence', which is as long away from horror as one can get. Instead a mix of thriller and drama, which for Cronenberg back then was pretty much completely different. As were the themes, those of violence and identity, explored again two years later in 'Eastern Promises' (which there is a marginal preference for). Although the audience reaction is evidently polarising, understandably too, 'A History of Violence' was critically acclaimed at the time and in my mind while it is not perfect rightly so. It is by some way one of Cronenberg's better and more interesting later films and towards the better half of his overall filmography. Do agree with those who say that it is one of his more accessible and mature films.

Not a perfect film, again from personal opinion. The first portion or so is on the slow side and doesn't draw one in straight away. Not everything felt necessary either, in particular could have done without the gratuitous staircase "hate sex" scene and the high school scenes which had very little tension or surprises and would have been more in place in a teenage comedy drama.

Heidi Hayes is very wooden and expressionless as Sarah. Some have slammed Ashton Holmes, personally thought he fared much better as there was more intensity and emotion from him and Jack was an infinitely more interesting character, at least the film actually tried to develop him whereas Sarah was more the stereotypical young daughter that contributes little to the story.

On the other hand, 'A History of Violence' as usual for Cronenberg looks great. The locations create a sense of foreboding as does the very atmospheric lighting and tight editing. In this regard though, the star is Cronenberg regular Peter Suschitzky's cinematography, which has the right amount of grimy grit and audaciousness. While there is a preference for more characters-of-their-own scores 'The Fly', 'Dead Ringers' and 'Eastern Promises' of his collaborations with Cronenberg, Howard Shore's score is still suitably dramatic and hauntingly ominous with no questionable placements. Cronenberg provides some of the most ambitious and tightest directing of all his later films, doing a great job pulling no punches and keeping the tension going, keeping it remarkably and uncharacteristically straight.

Some have criticised the script, personally found it thought-provoking, taut when needed, darkly satiric in places and subversively witty in others, failing only in the high school scenes. The story on the most part did grip me with its teasing tension and suspense in the atmosphere, loved the tension between Viggo Mortensen and Maria Bello, the unflinching and pretty frightening violence that really doesn't hold back and the unforgettable climax. Mortensen gives one of his best performances in one of his meatier roles and Bello brings a lot of heart to hers. Ed Harris chills the bone and to me he was more deserving of the Best Supporting Actor nomination than the still very good William Hurt who really livens proceedings up in his ruthlessly ripe turn.… Expand
2 of 3 users found this helpful21
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10
cameronmorewoodNov 8, 2012
It is very rare that a film is so compelling that it keeps my eyes absolutely glued to the screen from its opening sequence to its final frame. Surely, A History of Violence is one of the great films of the decade.
7 of 11 users found this helpful74
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10
cinephile1Jan 3, 2011
This review contains spoilers, click expand to view. This movie is phenomenal: from the long take, no cutting opening to the incongruity of Ed Harris' car in the small town to Viggo experiencing a rebirth after having killed his brother, to the brilliant and wordless scene that closes the film, this movie is almost virtuoso beyond belief. This film is just about perfect.… Expand
1 of 2 users found this helpful11
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10
AAWOct 4, 2005
Best movie of the year. Extraordinary. Go now. Do not wait.
0 of 1 users found this helpful
10
Lopez17Aug 11, 2010
For as long as humanity has existed we have always been violent we may have not been created that way but somewhere down the line we found out that violence could save us or destroy us. It all depends on if we choose to use violence as aFor as long as humanity has existed we have always been violent we may have not been created that way but somewhere down the line we found out that violence could save us or destroy us. It all depends on if we choose to use violence as a means of salvation or as a means of destruction in David Cronenberg's blunt yet very insightful film raises thought provoking and shocking questions about the true nature of violence and how it can affect some and change others. how sometimes a single act of violence can make all the difference, how it can change who you are and turn you into a person you told yourself you would never be. This is the story of one man, the story of one family and the story of "A History of Violence". David Cronenberg's violent, brutal and extremely intelligent look into the nature of violence is nothing short of insightful, moving and at times shocking, shocking because it delivers a story so true and unflinchingly honest that turning away from the screen, turning away from the story would be near impossible. It is such a powerful and thought provoking film that just leaps out at you at every turn it shocks and amazes with its brutal violence, it's emotional and heartfelt story of family angst and how the past can sometimes catch up with you. Cronenberg know for his gory horror films and wigged out thrillers has created a stable film of right and wrong, good and evil, life and death. Cronenberg's "A History of Violence" is not a film for the squeamish or the faint of heart what it is a powerful film experiences that leaves you with a haunted and disturbed feeling making you wish you had not seen the film and at the same also making you feel glad you did. This film calls you to watch a film that needs you to watch it to see the darkness of one manâ… Expand
0 of 1 users found this helpful01
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10
WeismuellerOct 22, 2010
Exciting, challenging, brilliant. A film that starts in on you hard--but slowly--giving you just one long chance (a monumental single shot sequence) to get up to speed and recognize that if you ever think the story is uneven, implausible,Exciting, challenging, brilliant. A film that starts in on you hard--but slowly--giving you just one long chance (a monumental single shot sequence) to get up to speed and recognize that if you ever think the story is uneven, implausible, it's because YOU aren't getting it. It's a parable, a morality play, a electrically-fast hand-to-hand combat symphony, but above all, it's about people's wishes to be good and peaceful until they are threatened, when they wish for a savior to step between their lives and the paradox of unsympathetic evil that cannot be dissuaded. If you have ever been in that situation, you know--but may not accept, or like yourself for it--you know that you would destroy that man that threatens you. But then, how to live? Many of us chose to live by avoiding the problem (and who wants to have it?) and therefore letting others destroy for us. This film reminds us: those others that destroy for us have faced the same choice, and come to a different conclusion: they will not avoid. Are they worse for helping us live? Have you watched bullying and done nothing? Have you not been involved? Have you risked yourself for me? If not, don't condemn me for helping you live.… Expand
0 of 1 users found this helpful01
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9
j30Nov 15, 2011
Fantastic performances all around, Viggo Mortensen is one of the best actors around today. There's no corny one-liners from the bad guys, it's all raw and violent. There's almost something poetic about it.
0 of 1 users found this helpful01
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9
jsp41Dec 16, 2011
This review contains spoilers, click expand to view. This movie is incredible. The sudden bursts of extreme violence, the acting, the raw sex scenes, everything is top notch. The story amazes, and the ending at the dinner table is one of the most tense and thrilling scenes I've ever witnessed.… Expand
0 of 1 users found this helpful01
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9
YoursTrulyJul 22, 2013
This is a top-notch film. It is paced very well and the story is great. I was continuously waiting for the next development to find exactly what was going on. Combine all of this with great acting and you've got something really good.
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10
trevortalksNov 14, 2012
Wow.
0 of 1 users found this helpful01
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7
CalibMcBoltsMay 30, 2016
David Cronenberg's ''A History of Violence'' starts off slowly, then changes into a brilliant sprinting marathon, but tumbles before the finish line. That's the best i could describe this film. The beginning is slow, the middle is trulyDavid Cronenberg's ''A History of Violence'' starts off slowly, then changes into a brilliant sprinting marathon, but tumbles before the finish line. That's the best i could describe this film. The beginning is slow, the middle is truly incredible, but the third act (after a certain turning point, i wont say which, but anyone who's seen the film knows what i'm talking about) falls falt on it's ass, and it loses all of its momentum which is such a disappointment, if the ending kept the same momentum as the first and second act, it would've totally been a 5/5 star movie.

As for the writing. I feel like it's a script written by the Coen brothers, but they had to hand it over to a serious director who doesnt like comedy so he deleted all of the light moments from the script to make a serious thriller. That's basically what it is, and it's remarkable. Also for a movie directed by David Cronenberg, this movie is surprisingly easy to watch without crazy disgusting imagery or practical effects, it's a pretty straight forward film which was interesting to see. The movie does have lots of explicit violence and 2 sex scenes, but you need to see something of Cronenberg's style in this film.

Except for the disappointing third act, David Cronenberg's ''A History of Violence'' truly is a remarkable thriller. (The slow build up is dismissive)… Expand
0 of 1 users found this helpful01
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8
daviddelnorte23Apr 12, 2017
Esta película me parece maravillosa. La presentación tanto de todos los personajes como de la trama y como hacen que todo encaje en un mismo punto es genial. Aunque cuando parece que la película se va a estancar y necesita un empujón, loEsta película me parece maravillosa. La presentación tanto de todos los personajes como de la trama y como hacen que todo encaje en un mismo punto es genial. Aunque cuando parece que la película se va a estancar y necesita un empujón, lo tiene con un espectacular giro de guión. A partir de ese momento parece que va a caer, pero se mantiene bien hasta el final. Y es que ese es otro de sus puntos fuertes, lo rápido que llega el final. Indicando que está bien escrita y muy BIEN montada, lo que hace que tenga un gran ritmo toda la película.

Los personajes están bien construidos y te crees que los protagonistas son una familia. Muy interesante el personaje de Viggo Mortensen e interpretado de manera sensacional. Mención aparte para la valentía de la mujer del protagonista. Ole.

Otro de los puntos fuertes de la película reside para mí, en la crudeza de las imágenes en la mayoría de las ocasiones. Una cámara que no rehuye de nada, ni de las consecuencias de la violencia ni se priva de mostrar las escenas de sexo, como si de una serie de la HBO se tratase.

En resumen, película fácil y rápido de ver pero no por ello menos buena. Todo lo contrario. Me ha dejado muy satisfecho y con un final muy 'agridulce' que la eleva más si cabe como una propuesta valiente. Genial. Un PEDAZO de 8.… Expand
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10
LoreliOct 4, 2005
Superb movie. Acting is excellent. May catch mainstream audiences, who exclusively want entertainment, off guard. They will find themselves not only entertained but also pondering the movie and its questioning of violence and identify for Superb movie. Acting is excellent. May catch mainstream audiences, who exclusively want entertainment, off guard. They will find themselves not only entertained but also pondering the movie and its questioning of violence and identify for days afterwards. Cronenberg has taken the age-old themes of the classic genres of the Western and revenge bloodfests and imbued it with a provocative point of view. Is violence an ugly but necessary means to an end if your intention is noble, or is it always just ugly and self-defeating? Does the moral cost of violence negate its use in all circumstances? Can one ever escape your past no matter how much you have managed to reinvent yourself? Although he has successfully defeated all threats to his idyllic life, has Tom Stall destroyed ultimately destroyed that life in his attempts to keep it? Is he any longer "the best man" his wife has ever known? These are just some of the questions I came away with after viewing the movie, and there aren't too many other films I have seen lately that have done that for me.… Expand
0 of 0 users found this helpful
8
RachelH.Oct 9, 2005
Great movie overall. The only thing I really questioned is the ending.....the plot twists were excellent, they kept you wondering the whole way through. Especially good performance by Mortensen.
0 of 0 users found this helpful
10
AlexE.Oct 1, 2005
You don't realize just how much this movie has affected you until it is over, the credits are rolling, Howard Shore's subtly haunting score is playing softly, and you realize that for the first time in a long time, a movie has You don't realize just how much this movie has affected you until it is over, the credits are rolling, Howard Shore's subtly haunting score is playing softly, and you realize that for the first time in a long time, a movie has caused you to feel physically and emotionally uncomfortable. The final scene in this film is heartbreaking, chilling, and incredibly unsettling. I will not tell you exactly what it contains, but I will say that it is no sort of "twist" ending and it is almost entirely silent. That one scene is enough to put this movie well onto my "Best of 2005" list, but the rest is what really cements its place. Cronenberg plays the audience like a fiddle for an hour and a half, taking our desensitization against violence on film and throwing it in our faces so that we can no longer look away. The experience of watching this in a crowded theater is exhilarating, as it seems the entire audience is sharing something very, very powerful. Great work from Viggo Mortensen, Maria Bello, William Hurt, and Ed Harris. See this if you have wondered where serious mainstream cinema has been hiding.… Expand
0 of 0 users found this helpful
9
alicew.Oct 24, 2005
one of the best movies i have seen in a long time.
0 of 0 users found this helpful
9
MikeG.Oct 4, 2005
From the eerily silent first moments of the film, Cronenberg captures mood and never lets go of it throughout. A History of Violence might have been a mediocre gore fest in the hands of a lesser director, but Cronenberg keeps you on the edge From the eerily silent first moments of the film, Cronenberg captures mood and never lets go of it throughout. A History of Violence might have been a mediocre gore fest in the hands of a lesser director, but Cronenberg keeps you on the edge of your seat throughout the entire film and leaves you wondering about not only these characters and this story, but about the world we live in. Viggo Mortensen slips marvelously into the lead role, capturing the duality of his life perfectly: there is an anonimity in his character that's delivered adroitly. There are some small holes in the plot, but you won't find yourself thinking about them until long after you leave the theater. William Hurt's performance is a little weird - is his character supposed to be funny? - but this is quibbling. A History of Violence is a movie worth seeing.… Expand
0 of 0 users found this helpful
9
randyw.Oct 6, 2005
A brilliant movie; one that makes the intelligent viewer question the place and role of violence in American society, regardless of circumstance. One can see the master touch of a director whose Canadian viewpoint and perspective on American A brilliant movie; one that makes the intelligent viewer question the place and role of violence in American society, regardless of circumstance. One can see the master touch of a director whose Canadian viewpoint and perspective on American life reveals much about the dark underside of that society.… Expand
0 of 0 users found this helpful
7
LingX.Oct 6, 2005
A walking teapot that boiled and went on a killing spree. that's just about it.
0 of 0 users found this helpful
10
RJSamsonOct 7, 2005
It's a movie about character. If someone else directed it, it may turn commercial. But Cronenberg's style has definitely drawn sincere realism to one of the best movies of the year. Subtle yet strong. What more can I say?
0 of 0 users found this helpful
9
DeWayneP.Sep 25, 2005
Excellent film. May not be everyone's cup of tea, because it's talks about our relationship to violence and how it reflects who we are as a society. Seeing how seductive our temptations are towards violence and how we use it for Excellent film. May not be everyone's cup of tea, because it's talks about our relationship to violence and how it reflects who we are as a society. Seeing how seductive our temptations are towards violence and how we use it for sexual fulfilment, revenge, as well as how we decide right (whistle-blower) from wrong (stool pigeon), or is it the other way around? One should approach this film not as an entertaining enterprise i.e. a Mel Gibson film, but as a film to give us pause and reflection as to who we are and have been. And it's okay, we can be reflective and critical and still be American...really...It's only a movie.… Expand
0 of 0 users found this helpful
7
SebaD.Feb 1, 2006
well done Maria Bello, beautiful performance you did. Now tell me if there s someone who really believe that Mortenesen was like "the carmelita descalza"?
0 of 0 users found this helpful
10
JaredFeb 20, 2006
I'm sorry, if you think this movie is predictable and boring, then you weren't watching the same movie as I was. What I saw was a brilliant, haunting, shocking portrayal of the American Dream being ripped apart by violence and I'm sorry, if you think this movie is predictable and boring, then you weren't watching the same movie as I was. What I saw was a brilliant, haunting, shocking portrayal of the American Dream being ripped apart by violence and lies, leaving behind the ugly truth that can seeth beneath such "perfect" families. The belief that we can run from who we are and change without regard for our past is brutally ripped apart. What we are left with is a family who has to pick up the pieces and try to deal with the horrible truth revealed to them.… Expand
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9
SamApr 7, 2006
I thought this movie was excellently acted, directed and shot. Sure, if you just want mindless violence or cheap gags then steer clear. But if you're prepared to actually invest yourself in and engage with a film, pay attention off your I thought this movie was excellently acted, directed and shot. Sure, if you just want mindless violence or cheap gags then steer clear. But if you're prepared to actually invest yourself in and engage with a film, pay attention off your own back instead of expecting it to do all the work for you then you'll find some amazing themes and thought-provoking angles. There are violent scenes in the film, but they serve a purpose rather than being arbitrary or superfluous, like in so many films.… Expand
0 of 0 users found this helpful
8
JonD.May 6, 2006
This movie was really really good. It was very different which is probably why so many people give it such a low rating. its either a love it or hate it movie. Let me say one thing GRAPHIC NOVEL. The violence is over the top because of this This movie was really really good. It was very different which is probably why so many people give it such a low rating. its either a love it or hate it movie. Let me say one thing GRAPHIC NOVEL. The violence is over the top because of this have you seen other graphic novel movies? Sin City perhaps or maybe Road To Perdistion ... the violence is over the top for a reason. That is why some people dont understand it, because they dont know that its a graphic novel. The story is a little different as well and it probly wouldnt happen in real life but its not supposed to. Overall a very well done movie and most people will either love it or hate it.… Expand
0 of 0 users found this helpful
10
MichaelK.Jun 10, 2006
From what I understand, this movie was based on a graphic novel so it definitely has that comic book feel. Watch with an open mind and don't search for holes and you'll enjoy the film. I found myself caring about each character and From what I understand, this movie was based on a graphic novel so it definitely has that comic book feel. Watch with an open mind and don't search for holes and you'll enjoy the film. I found myself caring about each character and at times I found the movie very tense. Be warned, both the sex and the violence are at 100%.… Expand
0 of 0 users found this helpful
10
PatT.Mar 21, 2007
I am generally appalled by the gratuitous violence of so many films these days, yet still I found myself drawn to the flawed protagonist. In spite of its brute force, this is a nuanced movie, with scenes of extreme violence juxtaposed with I am generally appalled by the gratuitous violence of so many films these days, yet still I found myself drawn to the flawed protagonist. In spite of its brute force, this is a nuanced movie, with scenes of extreme violence juxtaposed with domestic scenes of calm beauty. Even the brass score adds energy and tension, and the ending was a nice touch as well, with its lack of resolution but hint of hope. Ultimately, this film appeals to that very basic human satisfaction of seeing the bullies, mobsters, and thrill killers of the world get their due at the hands of the underdog.… Expand
0 of 0 users found this helpful
10
jaymorrisApr 16, 2008
The best film of the year, hands down. David Cronenberg's enthralling meditation on violence, and the duality of man's nature and his capacity to change, recalls Anthony Mann's Bend of the River. Mr. Cronenberg has found hisThe best film of the year, hands down. David Cronenberg's enthralling meditation on violence, and the duality of man's nature and his capacity to change, recalls Anthony Mann's Bend of the River. Mr. Cronenberg has found his James Stewart in Viggo Mortensen; his performance is absolutely mesmerizing. One hopes that this masterpiece launches more teamings of this supremely accomplished director and his new leading man.… Expand
0 of 0 users found this helpful
10
SeamusSNov 15, 2005
Brilliant, One of cronenburgs best.
0 of 0 users found this helpful
9
BitBurnOct 11, 2005
That one really caught me by surprise. Very intense, raw. Awesome screenplay. Perhaps not for everyone but I loved it.
0 of 0 users found this helpful
8
megw.Oct 10, 2005
Liked it rather a lot, almost strangely so. Saw it last night and still musing on it. Very violent bloodshed interspersed with serious erotic moments, gorey but not mindlessly so. A couple of laughs, but definitely not a comedy-no idea where Liked it rather a lot, almost strangely so. Saw it last night and still musing on it. Very violent bloodshed interspersed with serious erotic moments, gorey but not mindlessly so. A couple of laughs, but definitely not a comedy-no idea where people got that impression- and not one to take the kids to, least not smallish kids, older teens maybe, if you're comfortable with them viewing blood and sex. Not terribly predictable, enough twists and turns, done without beating one over the head with some moral perspective, which is refreshing. Worthwhile, different, not for the squeamish or easily offended.… Expand
0 of 0 users found this helpful
9
SuzieH.Nov 1, 2005
Loved it! Very graphic violence & sex.
0 of 0 users found this helpful
9
JayM.Oct 1, 2005
Cronenberg's most complete and successful film to date, fabulous performances by the whole cast, wow wauw! So not a Hollywood production, this is a @#$! real movie!
0 of 0 users found this helpful
10
leahNov 20, 2005
One of the best movies of the year, so darkly funny that i found myself to be the only one in the theater laughing! Cronenburg has not dropped the ball yet in his lengthy career.
0 of 0 users found this helpful
8
JonziOct 12, 2005
To appreciate this movie you must view it as part of the revisionist western genre like Peckipah or the "urban revenge" movies like Dirty Harry. Lacking in humanity, cold and certainly doing nothing for Cronenbergs feminism credentials - I loved it!
0 of 0 users found this helpful
7
MarkB.Oct 15, 2005
Despite the cold, clinical feel that David Cronenberg often brings to his horror and other films (and a similar reputation that he seems to enjoy cultivating in print), his best work includes a large dose of humanity to drive home his rather Despite the cold, clinical feel that David Cronenberg often brings to his horror and other films (and a similar reputation that he seems to enjoy cultivating in print), his best work includes a large dose of humanity to drive home his rather morose scientific themes and obsessions in ways that his more distanced work (Dead Ringers, eXistenZ, Spider) can't always do no matter how creepily fascinating or technically accomplished it may be. His adaptation of Stephen King's The Dead Zone has as much loss, poignancy and heartbreak as any movie made in the last 25 years; his all-time masterpiece The Fly wouldn't be nearly so resonant if it weren't as much a tragic romance as a gross-out horror classic. Not surprisingly, these two were his biggest box-office hits ever, and A History of Violence, which effectively jettisons the supernatural or science fiction elements while still dealing with many of Cronenberg's pet concerns, looks to join them. Small town family man and business owner Tom Stall (Viggo Mortensen) gets into more than he expected when he violently but understandably derails an attempt to rob his diner; nationwide notoriety, reporters and gangsters appear to threaten his perfect family life and maybe expose some less-than-savory truths that he'd vastly prefer remain submerged. (It's tough to discuss a film like this without tiptoeing into spoiler territory; on the other hand, if you've seen the trailer, you can probably guess the difference between a potential full-length movie and a 15-minute short subject.) Much of Cronenberg's previous work has dealt with, as a major theme or a subplot, parasitic invasive physical or mental forces that take over, dominate and often destroy their hosts; in Tom's case, said unwelcome elements could have been there all along, which is why I was less moved by his situation than that of his gentle, sensitive high-school son Jack (affectingly played by Ashton Holmes), who may or may not have inherited certain violent tendencies that he neither chose nor wants to have. Despite gripping (and often funny) supporting performances from Ed Harris, William Hurt, Maria Bello as Tom's wife (three cheers and an 'amen' for actresses who don't place any limitations on the sexual demands of the scripts they want to do!) and especially Mortensen himself, in a fascinating, career-redefining, coiled-spring performance that lends real ambiguity and danger to even the movie's early scenes, this effort is perhaps too linear and straightforward to fully engage Cronenberg's most devoted followers or to inspire repeat viewings as readily as his best mainstream work. But there's still plenty to absorb, appreciate and admire, although I have a feeling that the biggest discussion and debate--both among the film's surviving principal characters AND its audience--will inevitably occur after the closing credits have rolled. And it's impossible for me NOT to respect a film that questions the basic ethos of the action-film resumes of Charles Bronson, Steven Seagal, Jean-Claude Van Damme and pre-1980 Clint Eastwood by asking whether the so-called heroes of these films prevail because they have the forces of good and right on their side--or maybe because they're just a little bit better and more skillful at marshalling the forces of bad and wrong?… Expand
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10
mitchellmOct 18, 2005
Wow, these last low reveiws show us how people don't know what a goood movie is, they'd rather see something like "the fog" or some nonesense like that. and say its " the best movie ever!", thes people need to be shown what a real Wow, these last low reveiws show us how people don't know what a goood movie is, they'd rather see something like "the fog" or some nonesense like that. and say its " the best movie ever!", thes people need to be shown what a real masterpeice looks like, and this is one of them.… Expand
0 of 0 users found this helpful
9
ChadS.Oct 20, 2005
I'll be the cheerleader, and next time, you be the man with a violent past. That scene on the stairwell is interesting because we've already seen the couple engage in role-playing when they have sex. Edie (Maria Bello) is like the I'll be the cheerleader, and next time, you be the man with a violent past. That scene on the stairwell is interesting because we've already seen the couple engage in role-playing when they have sex. Edie (Maria Bello) is like the Lorraine Bracco character in "Good Fellas" who admits to being turned-on when Henry (Ray Liotta) tells her to hide the gun. There's a darkness in Edie, too. If there's a flaw to "A History of Violence", it's the violence inflicted by Tom (Viggo Mortensen) on his victims because the rest of the film belies any graphic novel connection. Like fellow indie-director Richard Linklater, David Cronenberg mainstreams himself with dignity and class.… Expand
0 of 0 users found this helpful
10
TrevorCottonOct 22, 2005
A History Of Violence works on so many levels with such convincing acting and a riveting story. Believe the hype this is one of the years best films!
0 of 0 users found this helpful
9
TimD.Oct 31, 2005
I'm not generally a fan of Cronenberg's stuff. And I'm not generally a fan of film critics. I'm with them on this one, though -- I thought it was excellent,disquieting, staying with me afterward in a way many movies do I'm not generally a fan of Cronenberg's stuff. And I'm not generally a fan of film critics. I'm with them on this one, though -- I thought it was excellent,disquieting, staying with me afterward in a way many movies do not. And I find the number and vehemence of the negative viewer reviews here to be genuinely interesting. Ah, well. To each their own.… Expand
0 of 0 users found this helpful
10
TerryD.Oct 3, 2005
Wow. What a thought-provoking, disturbing movie. You'll be thinking about this one long after you leave the theater, which is a good thing. Wow again.
0 of 0 users found this helpful
8
russw.Oct 3, 2005
Gripping at times, very entertaining.
0 of 0 users found this helpful
10
ChaninderB.Oct 4, 2005
Awsome...captivating, and so well done. Cronenberg is the man.
0 of 0 users found this helpful
10
GnarlesOct 4, 2005
Igonore the idiots on here - this is the real deal, folks.
0 of 0 users found this helpful
10
MondoQuantS.Oct 9, 2005
A Masterpiece, but not for everybody. Those familiar with violence and the psychology will see much beneath the surface. Many before/after themes run through this film, leaving you to think days afterwards. The before/after sexual scenes A Masterpiece, but not for everybody. Those familiar with violence and the psychology will see much beneath the surface. Many before/after themes run through this film, leaving you to think days afterwards. The before/after sexual scenes between Tom and his wife are telling. The final scene of the family at the dinner table, trapped in the realization they are changed, never to be the same - no other good option - is haunting.… Expand
0 of 0 users found this helpful
9
BoydPOct 9, 2005
A stunning and unsettling story of violence and how it affects and upsets the status quo. This is basically a character piece, which may be surprising to those expecting an action film. The violence is quick and brutal, the sex is raw and A stunning and unsettling story of violence and how it affects and upsets the status quo. This is basically a character piece, which may be surprising to those expecting an action film. The violence is quick and brutal, the sex is raw and revealing, and the comedy is very dark. If you think the violence is the only interesting aspect of the film, perhaps that says more about you than it does about the movie. Which, I think, is exactly the point the movie is making.… Expand
0 of 0 users found this helpful
10
AaronSep 23, 2005
"A History Of Violence" is something of a masterpiece and just about the best film Cronenberg has ever made. To reveal anything more would do the film a disservice. So far, it's the best picture of 2005 and something really spectacular "A History Of Violence" is something of a masterpiece and just about the best film Cronenberg has ever made. To reveal anything more would do the film a disservice. So far, it's the best picture of 2005 and something really spectacular will have to come out to displace it as such for me.… Expand
0 of 0 users found this helpful
9
NormG.Sep 24, 2005
The backdrop of History of Violence is a small quiet Indiana town and family. So when the Violence comes the contrast is sharp and startling. You just don't know what is lurking below the surface. Though the story is predictable, the The backdrop of History of Violence is a small quiet Indiana town and family. So when the Violence comes the contrast is sharp and startling. You just don't know what is lurking below the surface. Though the story is predictable, the direction and performances keeps it from degenerating into tired gratuitous action-movie clichés. The scene that ends the film at first left me puzzled then it chilled and soon became almost redemptive. You won't know what hit you.… Expand
0 of 0 users found this helpful
10
ChristinaV.Sep 27, 2005
There is not one wasted moment in this superb film.
0 of 0 users found this helpful
7
JudyT.Sep 30, 2005
Undecided whether or not I really liked this movie, but the acting elevated the predictable story. It's an incomplete movie with an unsatisfying ending.
0 of 0 users found this helpful
9
ShirleyC.Jan 26, 2006
Modern classic since a clockwork orange issued. Another movie needs to think about human is evil.
0 of 0 users found this helpful
8
MichaelS.Jan 3, 2006
A gripping comment on the subversive power of violence. A film that hangs the negative results out to dry along with the emotional sympathy generated by Tom/Joey. This is a must see for our adult generation.
0 of 0 users found this helpful
10
DanielC.Jan 4, 2006
The best movie I watched this year.
0 of 0 users found this helpful
10
JakeFeb 2, 2006
Probably my favorite movie of the year. Although it was pretty obvious from the trailers that "Tom Stahl" was more than just a nice guy. Probably the best use of VERY graphic violence and gore (since Saw at least......only kidding). But Probably my favorite movie of the year. Although it was pretty obvious from the trailers that "Tom Stahl" was more than just a nice guy. Probably the best use of VERY graphic violence and gore (since Saw at least......only kidding). But seriously, the killing scenes were shocking and compelling, especially the final showdown, which I won't ruin for those of you who haven't seen it. Viggo did a great job at playing two different characters.....why was he an unknown before LOTR? All in all, a great film with a resonating message.… Expand
0 of 0 users found this helpful
10
RickMar 15, 2006
It's good, here's a good idea to find good movies, get the ones that are 2 thumbs up. You'll never watch a bad movie again if you do that.
0 of 0 users found this helpful
10
AdanC.Mar 17, 2006
Anyone who gives this movie a rating below 7, didn't get it. Trust me, I've read all the reviews. I think these people where expecting some simple movie like The Rundown or something, when in fact they got something much richer. Anyone who gives this movie a rating below 7, didn't get it. Trust me, I've read all the reviews. I think these people where expecting some simple movie like The Rundown or something, when in fact they got something much richer. Too bad they can't see it.… Expand
0 of 0 users found this helpful
7
JordanM.Mar 21, 2006
Man, narrowmindedness is a bad thing. But as always, some people hate things and some people love things. This movie, i felt was a much needed break from the norm of films today with a realistic feel and a great plot that made you interested Man, narrowmindedness is a bad thing. But as always, some people hate things and some people love things. This movie, i felt was a much needed break from the norm of films today with a realistic feel and a great plot that made you interested in all the character's thoughts. Although the shootout scenes are short, they are VERY satisfying. Also, the ending is a bit unsatisfying, some apologies were in order from him.… Expand
0 of 0 users found this helpful
9
LanceT.Mar 25, 2006
The subtle tones given off by this movie are brilliant. DC has held back his usual difficult to understand plot lines and given us a character driven Marvel. Although you know Tom has been a naughty boy, you want to see him do it again and again.
0 of 0 users found this helpful
9
WalkenM.Mar 27, 2006
In A History of Violence, Cronenberg sets out to criticize the very laziness responsible for the popular backlash against this incisive and compassionate film. Only those with no understanding of subtext could determine the film empty beyond In A History of Violence, Cronenberg sets out to criticize the very laziness responsible for the popular backlash against this incisive and compassionate film. Only those with no understanding of subtext could determine the film empty beyond its pointed exaggerations of American culture. Cronenberg problematizes the notion of redemption through brutality, ultimately questioning the stability of a society so willing to forgive, and even embrace, the notion of ends-justifying-means violence. Far beyond a purposeless condemnation, Cronenberg composes a cultural critique that does not insult our intelligence, exposing instead an establishing violence that indicts all civilized societies. A History of Violence … Expand
0 of 0 users found this helpful
9
MarcB.Mar 20, 2006
A great B movie that raises questions many A movies dont know how to raise. Stellar performances all around, especially from the two leads. A Norman Rockwell vision of America on the surface cant hide the kill em all, Faustian demons lurking A great B movie that raises questions many A movies dont know how to raise. Stellar performances all around, especially from the two leads. A Norman Rockwell vision of America on the surface cant hide the kill em all, Faustian demons lurking beneath the surface. Cronenberg does an excellent job of making us mentally involved in the violence and with skillful editing and cinematography shows the act of violence with quick and brutal speed. Can a killer change? Old habits die hard.… Expand
0 of 0 users found this helpful
8
BarryW.Mar 31, 2006
Great Story. Fight scenes are nice and violent and a great performance from vigo.
0 of 0 users found this helpful
10
AaronH.Apr 10, 2006
I can not understand how anyone could watch this movie and give it a rating below a 7. I personally think it deserves a 10. One of the best movies Ive seen because it has a mainstream entertainment quality while also creating an undercurrent I can not understand how anyone could watch this movie and give it a rating below a 7. I personally think it deserves a 10. One of the best movies Ive seen because it has a mainstream entertainment quality while also creating an undercurrent of dark and disturbing feeling about the consequences of violence and how a violent past is difficult to escape. I love this movie because it entertained me while tapping my emotions and making me think about family, love, and the secrets we all hide.… Expand
0 of 0 users found this helpful
10
RuthR.Jul 2, 2006
I loved the subtlety of the performances throughout this beautifully made movie, I loved the silences free from music which allowed the viewers to think and absorb, and I loved the main character who is essentially so much like the man I am I loved the subtlety of the performances throughout this beautifully made movie, I loved the silences free from music which allowed the viewers to think and absorb, and I loved the main character who is essentially so much like the man I am married to, and I love that I picked up in that final scene the tiny innuendo that no one else has noticed nor agrees, upon second viewing, is there. This bothers me not in the least. I know it was there. I saw it, I believe it, and I felt it every time I saw it - four times now. I could never be convinced otherwise, and the fact of it and my sure and certain knowledge of it, makes me feel just a tiny bit superior. There are few things in life that I ever feel superior about - I'm going to keep this one close to my heart and try never to forget it.… Expand
0 of 0 users found this helpful
9
NickA.Mar 27, 2007
Reading some of the reviews I'm beginning to wonder whether there are two versions of this film! This was a superb insight into marriage, betrayal, revenge and the darker side of the human spirit. It asks some interesting questions Reading some of the reviews I'm beginning to wonder whether there are two versions of this film! This was a superb insight into marriage, betrayal, revenge and the darker side of the human spirit. It asks some interesting questions mainly just how much will we forgive for love, can we ever truly leave our past behind, can we be two people at the same time, and for parents practice what you preach! The inter-play between Mortensen and his wife is superb,perhaps the best scene is the understated last reel. So subtle but so brilliant. A great film and a major return to form by David Cronenberg.… Expand
0 of 0 users found this helpful
10
RaymondGSep 6, 2007
Excellent, gripping film! Very complex and moving. Loved the performances of all the main characters, especially Viggo Mortensen's. His character's dilemma is related to that of Matt Damon's in "The Bourne Identity." Very taut Excellent, gripping film! Very complex and moving. Loved the performances of all the main characters, especially Viggo Mortensen's. His character's dilemma is related to that of Matt Damon's in "The Bourne Identity." Very taut and economical. I will remember it for a long time. Maria Bello and William Hurt also do wonderful jobs.… Expand
0 of 0 users found this helpful
7
NK.Apr 19, 2008
Absorbing and well made. I agree with critic, it do agree with some critic it does not add any great understanding. I guess my expectations were incorrect.
0 of 0 users found this helpful
10
SamS.Nov 11, 2005
Woo hoo.
0 of 0 users found this helpful
8
LeeG.Oct 10, 2005
Well, this film was not great the first time you watch it, in fact it is awful, that is, if you go in watching it not having know anything about it in the first place! However, apon watching it again, and reading directors and producers Well, this film was not great the first time you watch it, in fact it is awful, that is, if you go in watching it not having know anything about it in the first place! However, apon watching it again, and reading directors and producers notes, i must say this film is one to watch. It can be very easily misunderstood, but it is, and will be for a long time, a masterclass at showing the hidden secrets in everybody - and not just the violent past of this ex-mobster. It wasn't perfect by a long way, for example the girl they used as viggo mortensen's daughter was terrible, and the son had his moments of good acting - but they were few and fair! It was horrifically violent, but then that was kind of the point of the film too! See it, but maybe see it twice before commenting!… Expand
0 of 0 users found this helpful
10
janiejNov 10, 2005
Viggo Mortensen captures this complicated character very effectively. This movie should receive a 10 for the sex scene alone. That scene is a 5 minute mini-movie conveying the complex feelings of both characters without a spoken word. Viggo Mortensen captures this complicated character very effectively. This movie should receive a 10 for the sex scene alone. That scene is a 5 minute mini-movie conveying the complex feelings of both characters without a spoken word. Excellant film.… Expand
0 of 0 users found this helpful
10
brianmOct 10, 2005
Masterpiece. Run, do not walk, to this picture. The best film since Lord of the Rings, and not because they share similar scores.
0 of 0 users found this helpful
9
timothyk.Oct 11, 2005
If you don't love this movie then you should have your head checked. Rawness and simplicity are the point. Dirty Harry meets Unbreakable.
0 of 0 users found this helpful
9
JobA>Oct 11, 2005
Very good and unexpected.The acting and story was terrific!
0 of 0 users found this helpful
9
thewisekingOct 11, 2005
A brilliant Cronenberg art film which plays like a populist melodrama. This film works on every level. The casting is absolutely first rate, and the screenplay is brilliant. The film flies by in around 90 minutes, unlike most of the tedious, A brilliant Cronenberg art film which plays like a populist melodrama. This film works on every level. The casting is absolutely first rate, and the screenplay is brilliant. The film flies by in around 90 minutes, unlike most of the tedious, overwrought 2 hours plus crap we feel like walking out of nowadays. Several hours after seeing it, you start to like it even more, It is profound and thought provoking as well as entertaining.… Expand
0 of 0 users found this helpful
10
zackseymourNov 21, 2005
It's pure Cronenberg. Take it or leave it.
0 of 0 users found this helpful
10
BobXOct 12, 2005
A thinking man's movie that doesn't end when the credit's roll. Put simply, if you are the kind of person who can sit through an Adam Sandler film, or worse yet, enjoy it, then this film is clearly not for you. The film is a A thinking man's movie that doesn't end when the credit's roll. Put simply, if you are the kind of person who can sit through an Adam Sandler film, or worse yet, enjoy it, then this film is clearly not for you. The film is a living, breathing critique of itself and the people who gave this film low reviews. It's about the victory of the primal and the stupid over the intelligent and gentle. And while the plot itself may be fairly straightforward, the subtext for what is occuring on screen has delighted me and my friends for days now in discussion. To put it on familiar terms, the movie is a very good approximation of Joseph Conrad's Heart of Darkness,a much better representation than any of the films that lay claim to that name. The camera-work itself is very amazing, it moves slowly and majestically like the story does at the beginning. Giving a very gentle and relaxing atmosphere and the musical score follows suit. The pacing perfectly depicts the change in the life of Stall (Viggo) and his family as their instincts overwhelm their good nature. The camerawork becomes insular and even violent at times, justly reflecting the changes of the family. Mortesen and Harris both give great perfomances acting but it's really Bello and Hurt who you remember afterwards. Hurt steals the show for his brief performances and most of the discussion of plot wll end up centering around Bello. In the end it is very simlilar to the third act of adaptation where the movie itself becomes what it criticizes and ultimately I think the subtext is much to complex and subtle for the average movie goer these days. Don't worry kids, there will be another Adam Sandler flick out as soon.… Expand
0 of 0 users found this helpful
9
AnonymousMCOct 13, 2005
Superlative directing, editing and acting. Although probably intended to appeal to a mainstream audience, this film nonetheless is vintage Cronenberg, with all the psychological tension and visceral thrills wrapping up a philosophical theme,Superlative directing, editing and acting. Although probably intended to appeal to a mainstream audience, this film nonetheless is vintage Cronenberg, with all the psychological tension and visceral thrills wrapping up a philosophical theme, in this case determinism vs. free will. Not a single frame is wasted in this film: when the final credits roll, you might guess the running time was fifteen minutes. From a great director, another fine effort which will reward attentive and intelligent viewers.… Expand
0 of 0 users found this helpful
10
DSOct 14, 2005
A fantastic piece of work, with both excellent acting and a gripping story that draws the viewer in. Highly recommended.
0 of 0 users found this helpful
8
PatridiaG.Oct 17, 2005
I'm usually one who canno watch a violent movie; however, even tho 13 paople meeet grisley deaths, the acting in this movie kept me glued to my seat. The tension was palpable and I loved the non-hollywood ending. You are allowed to make I'm usually one who canno watch a violent movie; however, even tho 13 paople meeet grisley deaths, the acting in this movie kept me glued to my seat. The tension was palpable and I loved the non-hollywood ending. You are allowed to make up ;y;our own or realize that life goes on and doesn't end with the credits of a film.… Expand
0 of 0 users found this helpful
10
RaphaelC.Oct 17, 2005
Viggo Mortensen delivers one of the best performances I've ever seen, in what might be the best movie of the year.
0 of 0 users found this helpful
10
JimmyE.Dec 1, 2005
It's so awesome.
0 of 0 users found this helpful
9
NickHOct 2, 2005
Did you like "The Exorcism of Emily Rose"? Planning on seeing "Into the Blue" this week? Have you seen, and loved, "Just Like Heaven" and "cry_wolf"? Then don't see this movie. If you like your movies generic, formulaic, and uninspired Did you like "The Exorcism of Emily Rose"? Planning on seeing "Into the Blue" this week? Have you seen, and loved, "Just Like Heaven" and "cry_wolf"? Then don't see this movie. If you like your movies generic, formulaic, and uninspired stay at home and rent "Robots". This is, hands down, one of the best movies of the year. Cronenberg strikes again with another whacked-out and amazing movie. Mortensen proves he's more than Aragorn in his great preformance. Hurt, Harris, and Bello are great in their supporting roles. Realize that this movie is NOT for everyone, before you go. Just because it's called "A History of Violence" doesn't mean it's an action movie, get it through your head before you go. It's not conventional, it's way out there... but, if you didn't know that when you heard Cronenberg in the trailers - stay out of the theatres.… Expand
0 of 0 users found this helpful
10
A.S.ChristensenDec 27, 2005
The film of the year. Great acting. It get better every time,you see it.
0 of 0 users found this helpful
9
MarcusGOct 22, 2005
As perfectly paced as the best Hitchcock thriller. Then, to that "A grade", add such a unique agenda, worthy and absorbing. Cronenberg makes A History of Violence an undeniably fantastic film. It's an A+.
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10
SHFBDec 5, 2005
I think the main reason so many people gave this a low-rating is that the title led them to expect your typical cinematic bloodbath. You're not going to get that with "History," although it is, in fact, quite violent. This is a movie I think the main reason so many people gave this a low-rating is that the title led them to expect your typical cinematic bloodbath. You're not going to get that with "History," although it is, in fact, quite violent. This is a movie that requires you to think and not merely to be entertained. It throws a number of curveballs - causing you to question your assumptions and expectations. I was blown away by the writing, acting and directing. Honestly. I can't think of one criticism. Bottom Line: This movie is not for everyone. If you aren't looking to be challenged by a movie, give this one a miss. Because if you can't see the deep social/cinematic critique and instead take it all on the most literal level, you're going to be very very disappointed, as apparently were many of these viewers. It's a shame, really. Hollywood needs more movies like this, not fewer, and those looking for, as one viewer put it, "cool violence," have far too much say in what movies do and don't get made.… Expand
0 of 0 users found this helpful
9
KeatonK.Oct 25, 2005
Startlingly affective. Cronenbergs expressionistic stylings devastate and arrest.
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10
WhaddyaknowOct 25, 2005
I've raely seen such a divisive film. Look at these reviews! Almost split directly between 9/10s and 1/2s. Some would say that's the sign of a truly great movie. Others would say half of the population are dumb. Either half. I've raely seen such a divisive film. Look at these reviews! Almost split directly between 9/10s and 1/2s. Some would say that's the sign of a truly great movie. Others would say half of the population are dumb. Either half. I'd say that this is a superb movie with plenty going on and some truly wonderful moments. People complaining about the sugar-sweet town and the cartoon gangsters are sort of missing the point. It's ok to work with cleverly set-up stereotypes if they work in the context of your film. And boy do they work. See it for yourelf - you'll either see one of the best of the year, or you'll be thoroughly entertained telling people why it's so terrible when you come out. You can't lose!… Expand
0 of 0 users found this helpful
10
DanM.Oct 26, 2005
Maybe its cause i read the comic first but this is grade A stuff. cronibergs best.
0 of 0 users found this helpful
10
GeederOct 27, 2005
Very disturbing movie but extremely well done. Violent (duh) and very well acted. The facial acting of Ms Bello gave the viewer a lot to think about. The teenage son was believable (as I have one). The younger sister was not as well acted Very disturbing movie but extremely well done. Violent (duh) and very well acted. The facial acting of Ms Bello gave the viewer a lot to think about. The teenage son was believable (as I have one). The younger sister was not as well acted but she wasn't in the film that often. I think about the film often and that to me is the mark of a good film. Not for the queasy or sexually embarassed.… Expand
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9
JHOct 28, 2005
A fantastic movie. The ending, and how it loops back onto a previous discussion early on in the movie, is excellent. Cronenberg takes clear cliches and weaves them together into a sly, humorous movie that also pulls no punches in the A fantastic movie. The ending, and how it loops back onto a previous discussion early on in the movie, is excellent. Cronenberg takes clear cliches and weaves them together into a sly, humorous movie that also pulls no punches in the violence. Wonderful movie with wit and style - a must see for people who appreciate something different, unique and without a number after the title.… Expand
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