4 Days in France
Cinema Guild | Release Date: August 4, 2017 CRITIC SCORE DISTRIBUTION
73
METASCORE
Generally favorable reviews based on 10 Critic Reviews
Positive:
7
Mixed:
3
Negative:
0
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Critic Reviews

Critic scorePublicationBy date
91
The Film StageJose SolísAug 5, 2017
In 4 Days in France, writer-director Jérôme Reybaud establishes that almost any connection between humans, whether physically or digitally, can never truly be meaningless. Read full review
90
VarietyGuy LodgeAug 3, 2017
Unapologetically rambling but never dull at over 140 minutes, this story of two gay lovers both separated and united by mobile distractions of the flesh loiters coolly where the sensibilities of Jacques Rivette and Alain Guiraudie intersect — which is to take nothing away from the droll peculiarity of Reybaud’s own voice. Read full review
88
Slant MagazineDiego SemereneAug 1, 2017
There’s something liberating about such a steady creative hand that rejects justifying the twists and turns of a storyline, which becomes in 4 Days in France something akin to cruising itself. Read full review
83
The A.V. ClubMike D'AngeloAug 2, 2017
What makes 4 Days In France special, though, is that it’s far more expansive than its basic premise would suggest. Read full review
80
Los Angeles TimesKimber MyersAug 10, 2017
This is a beautifully shot film whose visuals work well with its philosophical approach to life and relationships. Read full review
80
Village VoiceMelissa AndersonAug 1, 2017
Reybaud’s film similarly serves as a tonic lesson in physical specifics, each location populated with richly idiosyncratic conversation partners. Read full review
70
The Hollywood ReporterBoyd van HoeijAug 1, 2017
Four Days in France is certainly not a character- or narrative-driven drama, an impression reinforced by understated acting of the cast. What the film does offer is gorgeous shots of the French countryside and an idea of how different gay men navigate present-day life in France, especially away from large urban centers. Read full review
60
The New York TimesGlenn KennyAug 3, 2017
While Mr. Reybaud has exemplary artistic confidence and an interesting vision, this is a movie that in many ways defines or justifies the “not for everybody” critical hedge. Read full review
58
The PlaylistKevin JagernauthAug 1, 2017
If nothing else, Reybaud’s debut flaunts his knack for casting, particularly with the lead performance by Pascal Cervo. Read full review
40
TheWrapDan CallahanAug 1, 2017
It’s as if Reybaud wants to put in every scene and character he has ever thought of in one film, and so his two main characters get lost. Read full review
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