Buena Vista Pictures | Release Date: November 21, 1990 CRITIC SCORE DISTRIBUTION
51
METASCORE
Mixed or average reviews based on 19 Critic Reviews
Positive:
7
Mixed:
9
Negative:
3
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100
A genuine winner in the old-fashioned family entertainment genre.
75
With Tom Selleck, Steve Guttenberg and Ted Danson as the Three Men, you can forgive the artifice. All three have affable, winning personalities - not a hint of darkness in any of them. And it's refreshing to see a buddy movie without blazing Uzis and crashing cars. [19 Nov 1990]
75
I hated the original, but like this easygoing sequel. And unlike Home Alone, the filmmakers don't have to wreck real estate to earn some holiday- movie smiles. [21 Nov 1990, p.2D]
75
St. Louis Post-DispatchHarper Barnes
Three Men and a Little Lady is by no means great comedy, but it is enjoyable nonsense, significantly better than the original movie with its overdose of cutesy-poo gags. [25 Nov 1990, p.7C]
50
Too soft, too indistinct and too deliberately unambitious to rouse strong feelings one way or the other. It occupies two hours of your time, then melts without a trace. [21 Nov 1990, p.C1]
50
Thoroughly dull. [23 Nov 1990]
50
The follow-up to Three Men and a Baby offers more of the same. Mixed in among the cliches and stereotypes, there's a genial chuckle or two to be found Laughs that are strictly low-cal. [24 Nov 1990]
40
Tampa Bay TimesJean Carey
Borrowing liberally from Arthur and A Fish Called Wanda, the Little Lady ekes out a few good chuckles at its climax by combining slapstick with broad satire of British manners. [21 Nov 1990, p.1D]
40
When the comedy is on this level, all the actors can do is to hang on and hope for the best. [23 Nov 1990, p.7]
38
The Seattle TimesMichael Upchurch
Almost nothing works here.
25
The most uncomprehending sequel of the last few years. It shows no awareness at all of what made the first film work so surprisingly well. What little emotion it summons is superficial and sentimental. The rest of the time it falls back on dumb farce and embarrassing Brit-bashing, climaxing with a vacuous chase scene. And this in a film that's supposed to be more mature than its predecessor. [21 Nov 1990, p.37]
25
Mostly, though, the movie is a hack sitcom romance in which the big question is how long it will take Tom Selleck to confess his love for Nancy Travis, Mary's mom. [21 Nov 1990, p.D1]