16 Blocks
Warner Bros. Pictures | Release Date: March 3, 2006 CRITIC SCORE DISTRIBUTION
63
METASCORE
Generally favorable reviews based on 34 Critic Reviews
Positive:
24
Mixed:
8
Negative:
2
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Critic Reviews

Critic scorePublicationBy date
83
Entertainment WeeklyLisa Schwarzbaum
A helluva lot happens in 16 Blocks - an outrageous amount, really, along with a coda that deposits the audience squarely at a movieland finale. Who knew that looking both ways before crossing is where the real action is? Read full review
83
Baltimore SunChris Kaltenbach
As good as Willis is, he's no match for Mos Def. Read full review
80
L.A. WeeklyScott Foundas
This is some of the best filmmaking ever done by director Richard Donner, a longtime Hollywood journeyman known more for his proficient deployment of three long-running movie franchises (The Omen, Superman and Lethal Weapon) than for his lyricism. Read full review
80
The New York TimesManohla Dargis
Mr. Willis has always been an acquired taste, but for those who did acquire that taste, riding shotgun on his good times and bad, it's a pleasure to see him doing what comes naturally. Read full review
80
Wall Street JournalJoe Morgenstern
A mismatched-buddy movie that's endearing, funny and affecting in equal measure.
80
Los Angeles TimesKevin Crust
A ticking clock scenario and a terrific performance by Willis as an alcoholic NYPD detective make up for the film's occasional missteps and some strange pop culture references. Read full review
80
Chicago ReaderJ.R. Jones
Def and Willis are both good, but Donner's lethal weapon here is Morse, a chronically overlooked character actor whose combined tenderness and ruthlessness make him the most fascinating heavy since Robert Ryan. Read full review
75
Christian Science MonitorPeter Rainer
Mos Def makes it work. It's a truly daring piece of acting because it skirts racial stereotyping and is so out of key with everything else in the movie. But that's just why it is so good. Read full review
75
Chicago Sun-TimesRoger Ebert
The bedrock of the plot is the dogged determination of the Bruce Willis character. Jack may be middle-aged, he may be tired, he may be balding, he may be a drunk, but if he's played by Bruce Willis you don't want to bet against him. Read full review
75
TV Guide MagazineMaitland McDonagh
A throwback to an age when action movies had room between shoot-outs and car chases for dialogue - real dialogue, not rim-shot-ready one-liners - and character development. Read full review
75
Charlotte ObserverLawrence Toppman
16 Blocks is a burger movie, served by an old pro: 76-year-old director Richard Donner, who hasn't done work this interesting since the other Bush was president but who knows his way around a thriller. Read full review
75
Philadelphia InquirerCarrie Rickey
Richard Wenk's script, taut and enjoyable, pays homage to those police procedurals, with a nod to the Brazilian hostages-on-mass-transit documentary, "Bus 174." Read full review
75
New York PostLou Lumenick
Achieves the odd distinction of being the first post-9/11 NYPD corruption movie - complete with a shootout in the Criminal Courts building. Cool. Read full review
70
The Hollywood ReporterSheri Linden
Although much of the plot defies credulity, Richard Donner directs the odd-couple action drama with a nimble facility that draws viewers in. Read full review
70
VarietyRobert Koehler
Not that it ever rises to the level of Sidney Lumet's Gotham police pics ("Serpico," "Prince of the City"), but 16 Blocks does raise the banner for the tradition of the textured urban cop drama, spurred by action but made substantial by characters at crossroads. Read full review
70
New York Magazine (Vulture)David Edelstein
A happier surprise is the smart work of director Richard Donner: 16 Blocks is all jumble and jangle--crowds, snarled traffic, and discordant car horns. The scariest moments have no music. Read full review
70
SalonStephanie Zacharek
This is a sturdy little cop thriller, and even when it stretches the bounds of plausibility, you go with it, partly because you believe -- almost against your better judgment -- in what the characters are doing. Read full review
70
Film ThreatPete Vonder Haar
Thanks to a compact story and some economical direction, it actually ends up better than it has any right to be. Read full review
67
Austin ChronicleMarc Savlov
It's still just cops and robbers, but with Donner at the helm, it feels like so much more. Read full review
67
Seattle Post-IntelligencerSean Axmaker
Never quite transcends its origins as a high-concept action thriller, but the clean professionalism of Donner's direction, the low-key turn by Willis and the street-level heroics make it a satisfying piece of genre filmmaking. Read full review
67
Portland OregonianShawn Levy
Has a sweaty, weary, often intimate feel, with the human aspect dominating the mechanistic. Donner can't help but push it over the top now and again, like a bodybuilder flexing his muscles when he spots a potential mate. But he contents himself with aiming for small virtues more often than grand impact. Read full review
63
New York Daily NewsJack Mathews
The action sequences that follow are routine to the point of monotony, involving chases through crowded streets and store fronts, a commandeered bus, a woman in peril, and so on. But Donner wisely devotes long spells in between to the evolving relationship between Jack and Eddie. Read full review
63
Boston GlobeWesley Morris
It's unbelievably bland. Read full review
63
Rolling StonePeter Travers
Until Richard Wenk's script drives the characters into a brick wall of pukey sentiment, it's a wild ride. Read full review
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