The Sinking City

The Sinking City is held back by extreme technical issues, weak presentation, and monotonous combat, but the high quality investigation mechanics and incredible worldbuilding make it a one-of-a-kind ride.

A more linear, non-combat story-driven game would certainly have been preferred, but if you are curious and love a bit of Lovecraft then you should always consider a deep dive into The Sinking City.

If you like lateral thinking, great [branching] storytelling and excellent voice-acting, and can look past a drab, repetitive sheen that is less gameplay heavy and more set-dressing, you’ll still find a gem in this H.P. Lovecraft love letter to the sea, left in an old bottle to wash up on your shore.

The Sinking City is easily the best H.P. Lovecraft game yet, throwing players into a well-realised but characteristically melancholy town that’s coming to terms with its cosmic fate. It’s a classic detective game through and through, which rewards smarts and isn’t afraid to let you explore and immerse yourself with no handholding. It’s just a bit of a shame that’s hindered by some rudimentary combat, shoddy technical issues and an open world that’s a little too big for its own good.

Despite the technical disaster that it is, The Sinking City knows how to capture the essence of H.P. Lovecraft's work to create their own story in an interesting place like Oakmont, full of details and mysteries to discover.

The Sinking City offers a captivating Lovecraftian detective adventure, with some good mechanics but hindered by a too repetitive gameplay and a lacklustre technical production.

I wouldn’t describe The Sinking City as a bad game, by any means. Much like its Sherlockian predecessors it’s very much for a niche audience, but if you’re part of that niche — and I think I am — it’ll be a fun way to pass 15-20 hours.

In The Sinking City, combat has no depth or character. You essentially just shoot something a bunch until it dies.

Its supernatural elements aren’t unnerving, its noirish elements rest on characters who are simply shady as opposed to morally complex and its technical shortcomings don’t do it any favors.

A solid but sadly unpolished Lovecraft-inspired detective story, The Sinking City has all of the key ingredients to be something compelling, but it's rough around the edges. Dodgy combat drowns an otherwise robust horror-tinged bout of sleuthing, drenched in intrigue.

The Sinking City is just the latest in a long line of horror games to be delivered via the Lovecraft Express. Because it's not adherent to any one of the author's tales, it manages to feel different from the crowded pack due to the blending of noir storytelling, its big open world full of side quests, and an investigative loop that asks you to put on your thinking fedora. Lousy combat and a low-res, buggy, lifeless land are blemishes for sure, but overall while this may not be the best of the bunch, The Sinking City is certainly the most ambitious of all recent Lovecraftian horror games.

Without the sharply deduced cases or clear focus of Crimes & Punishments, Frogwares’ latest is a damp squib of a detective. Though its open-world city has a grimy appeal, and the odd “ah-hah!” moment satisfies, this snoop is sunk by its own uneven, outstretched ambition. [Issue#180, p.77]

Through solid world design and intelligently structured detective mechanics, The Sinking City provides a commendable basis for its intriguing adventure. The game is every bit as seemingly interesting as it is unique, and makes for a strong story that knows how to toy with perception. It’s a damn shame that it sits in the midst of so many technical drawbacks, so many bugs, and so many poor design choices. This, is squandered potential at its finest.

You'll rise from the murky depths of The Sinking City wondering whether you should have bothered getting wet in the first place.

The Sinking City’s engrossing premise is ultimately betrayed by counterintuitive systems and bleak monotony.