Rocksmith

Rocksmith's European version is an improvement over the original but the ingenious concept still leaves some things to be desired. The idea is there, the tech works. Now it's up to future versions to serve guitar prospects the freedoms to choose how they play the game and to ditch the automatically adjusting difficulty.

At its core, Rocksmith is wildly cool, innovative technology sitting on top of a tired formula many of us have played to death. Had the story mode been anything other than the tried-and-true Guitar Hero/Rock Band "play a few songs, unlock new venues, rinse and repeat," it would have been infinitely more fun. Even so, Rocksmith is undeniably interesting, and the potential for greatness in the franchise is there.

The prevailing problem with Rocksmith: defining exactly what it wants to be. It doesn't go all the way in teaching you guitar, in that you're not learning how to read notes or construct a composition. Conversely, as a videogame, its straight-faced tone, added playing mechanics, and high price make it less accessible than, say, Rock Band.

A novel idea and clever piece of kit, but indecision on whether it's a videogame or learning tool is a downfall, along with its confusing bespoke notation method. [Issue#91, p.82]

It will make you feel comfortable holding and playing a real guitar, and empowered to go further in spite of its apparent animosity towards you. The less you treat Rocksmith like a game, the more fun you'll have with it.