Slain: Back from Hell

 PlayStation Vita
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No user score yet- Awaiting 1 more rating

User score distribution:
  1. Positive: 2 out of 3
  2. Mixed: 0 out of 3
  3. Negative: 1 out of 3

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  1. 2TonTongue
    Jul 27, 2017
    4
    Im always down for a 2D Metroidvania style game, and not bothered by brutal imagery. However, this game is so dark graphically it's almost unplayable - even in a room with minimal screen-glare potential. From what I played, it's super linear, so no Metroidvania aspect. I could deal with timing-heavy combat and bad attack animations, but the insta-kills did me in. Moving platforms or justIm always down for a 2D Metroidvania style game, and not bothered by brutal imagery. However, this game is so dark graphically it's almost unplayable - even in a room with minimal screen-glare potential. From what I played, it's super linear, so no Metroidvania aspect. I could deal with timing-heavy combat and bad attack animations, but the insta-kills did me in. Moving platforms or just straight-up parts of flat land will kill you in a second. You basically have to move fast and memorize. Combined with having to squint to see anything, screw this game. Maybe it gets better later in; I didn't stick around to find out.… Expand

Critic Reviews

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No score yet - based on 2 Critic Reviews

Critic score distribution:
  1. Positive: 0 out of 2
  2. Mixed: 2 out of 2
  3. Negative: 0 out of 2
  1. The Vita Lounge
    Mar 20, 2017
    60
    Slain!: Back From Hell is a beautiful game that presents itself in a great, self-aware way, but fails to be fun due to the frustrating level design that it throws at you right from the beginning.
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  2. Gaming Age
    Feb 13, 2017
    50
    Slain lathers on the gore with gusto, and everything is covered in a heavy layer of blood and guts. On top of that, it's got a very loud soundtrack that seems like it was tailor-made to score blood splatters and exploding bodies. That's not enough to make the game worth playing, though. Slain undoubtedly gets points for having a clear vision of what it wants to be, but all that is negated by the fact that it doesn't bridge the gap between its ambition and its execution.
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