We Are OFK

If you loved the original Life is Strange, We Are OFK should be on both your list of games to play and most definitely on your music playlist. It’s a banger, though it should be said, Debug deserves its own game.

We Are OFK came out of nowhere and immediately captured my attention. While the game’s concept has been done before on TV, this is, to my knowledge, the first time a video game has told the story of a fictional (or perhaps I should say, virtual) band that makes and releases real music. Really good music that I may or may not be listening to as I write this review. The plot has a few pacing issues and the gameplay is limited, but the art style is undeniably attractive, the writing is great, and I love the cast. If a future sequel — shall we say a season two? — means more time with these messed-up goofballs and more great music, I’m all for it.

We Are OFK is not only a dazzling game about music, but a captivating story about the struggle found in juggling creative ambitions with the complexities of everyday life.

A stylish, well-voiced, visual novel that tells a poignant and heartfelt story over five, one-hour episodes, We Are OFK is more interactive TV series than game. Let yourself drift away in its peaceful melancholia, but don’t expect much in the way of gameplay.

We Are OFK is a poignant story of growing up in the modern era, where love and music go hand in hand to shape our futures and lives.

In a medium where narrative adventures have grown rather predictable, this one shines.

A short, sweet season of story let down by the choice of form. We respect the experimental interpolation, though perhaps they should’ve played this piece straight. [Issue#19, p.87]

I enjoyed my time with We Are OFK. Even for a visual novel, the storyline can feel a bit too on the rails at times, but Itsumi, Carter, Luca, and Jey's journey is poignant in its relatability and powerful in its narrative exploration through music. This is best expressed in the interactive music video segments, especially when they allow you to fully lose yourself in the song and respond to the vocals, rhythm, or accompanying visuals in your own way. It's a good opening track for OFK's career, and I can't wait to see what's in store for the virtual group.

We Are OFK is an incredibly well-written game that stretches the boundaries of the medium. There's not a lot of traditional gameplay, but the characters are so well-realised and the writing so strong that even though there’s not much for you to do during each of the episodes, the act of being there and listening remains highly engaging. Between the strong art and soundtrack, there’s a lot to like, even if there’s not a lot to play.

Undoubtedly set to be divisive, We Are OFK will garner fans in with its catchy pop tunes and emotional storytelling, but also lose just as many with narrative and character omissions, light gameplay and purposefully cheesy dialogue. Still, for better or worse, this is an experience not like many others. Captivating cinematography also paints a haunting if bittersweet L.A. narrative. Like a classic pop debut that its own self is based on, We Are OFK has heart and moments that’ll reel you in while remaining plenty messy. If all else, isn’t that how this road was always going to go?