The Good Life

Weird, good natured, and pretty funny with it, The Good Life stands apart, like most SWERY games.

I enjoyed my time in Rainy Woods, but I wish The Good Life would have given me more reasons to stick around longer. It’s a refreshing experience that encourages you to slow down for a minute and take the time to smell whatever it is that grows out there. And for SWERY fans, The Good Life feels like his most polished effort to date and probably a greater realization of what he had attempted to do with Deadly Premonition, at least in terms of free, exploratory gameplay.

Playing The Good Life can be a baffling experience. There’s a parade of weird characters, a constant stream of odd happenings, and a complete refusal on the game’s part to ever explain the whys of its biggest mysteries. I can’t pretend I wasn’t disappointed that things never came to a satisfying conclusion, and its eleventh-hour attempts to suddenly announce what it’s all about seem a little desperate. Even though it doesn’t stick the landing, The Good Life offers players a chance to visit a charming town full of interesting people and take part in one of the chillest, most relaxing open world adventure games ever. It’s not a masterpiece but it’s certainly worth the trip, even for those not obsessed with SWERY’s work.

The Good Life is another flawed yet fascinating gem from Swery65. It's a weird world full of unforgettable characters, and even when the gameplay grows a bit tiring or repetitive, it's worth all the photo quests and fetch missions in the world to see that next bonkers twist in the story.

The Good Life comes with excellent narrative elements, but the entire experience is damaged by some weird design choices that result in mediocre gameplay. While this is hardly surprising for a game directed by SWERY, some of the ideas featured in The Good Life, like the cat and dog transformation mechanics, deserved a much better execution, as they feel shallow and not particularly interesting. With such flawed gameplay, only die-hard fans of the Japanese director will truly love The Good Life.

In spite of its lack of polish, I enjoyed The Good Life. It has some rough edges, but these can contribute to its charm, and it’s undeniably entertaining when the story is purposely silly or when I had time to just breathe in the world. The Good Life has heart, even if its features don’t always work together and its design holds it back.

The Good Life unfortunately isn’t very good. It’s a thoroughly average game supported by a few good storylines and the personality of its author.

The Good Life is a curious and uneven experience. As a sort of hybrid RPG meets life-sim, it's certainly competent, despite the grind it demands. Surprisingly, the novel premise takes a back seat for the most part, but it's never anything less than adorably easy-going, carried along by a carefree attitude and endless charm.

If you can get through the fetch quests and borderline walking simulator elements, then The Good Life has an intriguing narrative for you to unravel and enjoy. It’s charming and unique in its own way, with its goofy presentation and silly supernatural elements. Maybe it’s the good life that SWERY65 had always imagined.

The Good Life does many things, but they never felt like they coalesced together into an experience that could stick with me. I certainly enjoyed parts of it, and some of its stranger moments really do land as big, enjoyable peaks. But there’s a lot of valley in-between, and while I arrived in Rainy Woods eager for a pleasant countryside escape, I didn’t feel like making a return trip after the credits had rolled.

The developers seem to revel in their weak game design as if saying, “Yes, we know that our quests are atrocious, enjoy!” No interesting conversations, no stories, just emptiness decorated with mediocre puns and overly dumb situations. The same emptiness permeates the main storyline, which riffs on age-old cliches featuring UFOs, Nazis, Sherlock Holmes and medieval poems. There is no thought behind this madness, and all these quirky characters don’t come off as actual people.

The Good Life is Swery's first take on the Life simulators genre. While it incorporates all the features that made him a cult creator it also shows a disorienting mix of elements and mechanics that just don't work well together. The thin narrative line and the histrionic cast of characters fail to fully flesh out the social commentary that the creator intended to convey. The whole experience ends up feeling more like a list of chores rather than a smart and enjoyable experience in Swery's characteristic Troma-like fashion.

The Good Life makes for a charmingly eccentric getaway for the 12 hours its story lasts, though you'd hardly want to spend weeks, let along months, there. [Issue#365, p.116]

While The Good Life is an often frustrating and dull experience, riddled with annoying mechanics and lacking in polish, I’d struggle to say that I necessarily had a bad time overall. I found the town of Rainy Woods and its mysteries engaging enough to want to see the experience through to the end. There are so many nuggets of potential that are held back by irritating health meters and repetitive side quests. If you’re a fan of SWERY’s previous output or have a lot of patience for fetch quests, there is reason enough to check out The Good Life, but it is a hard sell for pretty much anyone else.

I love bad games. But The Good Life doesn’t fall into this category of bad-fun, it’s simply too much of a mess. Did anyone say no to anything in the course of refining the core concept of this game? Probably not. Is it even fun? I still don’t know because even after 8 to 10 hours, I feel stuck between a begrudging sense of sunk-cost fallacy and possible Stockholm syndrome as someone who also once faced ruinous debt and an unwanted move. Honestly, there’s no such thing as a good life unless you have paws, eat garbage and can pee freely in public, but you don’t need to play this game to know that.

Squint hard enough and you may latch onto some modicum of intrigue with the mechanics it offers and the objectives it poses. But for anyone inexperienced with Swery’s past work — let alone those who simply don’t take well to ample busywork — The Good Life is unfortunately equal parts unappealing and unsure on just what kind of game it wants to be.

The Good Life is a bit of a mess, trying to be too many things and getting very little right, with weak characters and an unpolished plot.