Marathon

Marathon is a game where a professional company like Bungie made way too many amateur mistakes. I wouldn't be too surprised if it joins the caravan of games that get their servers shut down..

Marathon is a shooter that gets better the more you play and the training wheels come off. Near the twenty-hour mark, there's a moment when the game opens up and everything starts clicking. The gunplay feels fantastic, the maps start getting good, your squad knows which Runner Shells to pick, the loot is fantastic and the risk-reward loop gets you. Getting to that feeling not only takes way too long, however, but is also offset by poor starting maps, grindy objectives and no narrative to really push you through those opening hours. Marathon is also held back by confusing decisions made by Bungie. Locking Cryo Archive behind arbitrary walls like making it only available on weekends, having poor options for solos and no permanent options for duos and only being able to play one contract per run are all choices that limit Marathon. It's unfortunate, because Marathon can be quite fun to play when everything eventually clicks. Bungie has built a good foundation with Marathon, but it's not quite the clean start it should have been.

Marathon is an interesting project from Bungie that has some merit, but so far it doesn’t feel like it’s living up to its full potential. It’s held back by limited content, a cluttered layout, poor navigation, and repetitive gameplay. That said, the game has a solid foundation in its shooting mechanics, movement, and the need for tactical decision-making during extractions.

Ultimately, Marathon presents itself as a kind of digital Rorschach test in which each player projects their own tolerance thresholds for frustration and aesthetic fascination: it is a work dedicated to gunplay fetishists who demand a physical response to every mouse input, and to those who, tired of the reassuring linearity of modern blockbusters, seek the thrill of fragmented and brutal storytelling. The shift toward the extraction shooter genre proves to be a bold strategic move to test the limits of competition, attracting anyone curious to see how the DNA of 1994 has mutated under Ziegler’s vision, while simultaneously forcefully repelling those who look for a guided approach or a minimalist UI. It is not a game for those who detest extraction anxiety or the permanent loss of loot, since the absence of waypoints and the informational overload of the HUD require a cognitive investment that many might find exhausting. Those with modern hardware and ultrawide displays will derive the greatest visual pleasure from this chromatic jungle, but they will still have to reckon with a system that gives nothing away and turns every mistake into a definitive erasure. Marathon, ultimately, is a technological shell that admits no compromises: either one accepts living within its distortions, or one is rejected by the system like obsolete code.

At the start of its journey, Marathon is a game whose bold artistic style sometimes overshadows its best features: excellent shooting and a satisfying progression model. It is an interesting alternative in the extraction shooter genre for well-coordinated teams of three who are not afraid of brutal combat and grind. Unfortunately, the flashy, confusing interface and lack of a useful introduction to the gameplay may be enough to put some players off.

With any luck, developer Bungie will spruce up the strong foundation of Marathon to make it a bit more palatable.

Packed with incredible atmosphere and intriguing lore, Marathon is hampered by a nightmarishly bad UI and punishing game mechanics that make the experience frustrating for anyone but groups of dedicated fans.

Marathon looks great and benefits from some excellent moment-to-moment action, especially if you’re playing with friends. Even so, the clear lack of content, terrible cosmetics, and abundance of repetitive fetch quests give you few compelling reasons to keep coming back for more once the initial burst of excitement wears off.