Witney Seibold

Love Hurts marks the first leading role for Ke Huy Quan, and he avails himself well enough. He doesn't ever shimmer off the screen, and he doesn't handle the romance elements perfectly, but he possesses an appealing hangdog quality that feels human and relatable. However mediocre the movie around him, one always has the instinct to cheer him on.

Sanders' The Crow has nothing on its mind, and forgets why we should be sad and frustrated at the death and meaningless violence in the world.

Expend4bles may be the best of the series. This is not a compliment to Waugh's film, but a mere note on how badly this series of films has fared over the last 13 years. These are useless, badly written gimmick films whose gimmicks never bore fruit. As the title implies, the flick is expendable. Or perhaps expend4ble. Read More: https://www.slashfilm.com/1399641/expendables-4-review/

The Electric State is one of the most expensive films ever made, and one can see every dollar on the screen. The robots feel real, and their design, taken from Stålenhag's book, is fitfully unique. But one wonders why so much effort went into a movie that has almost nothing on its mind.

We're expected to find the Weeknd's melancholy entertaining. It isn't. Nor is Hurry Up Tomorrow. It's just awful. 

Madame Web does not provide a crowd-pleasing bombast. This is a pity, as this odd duck makes for a fascinating watch. This may be one of the final films of the superhero renaissance. Enjoy it before it topples over entirely. 

Rambo: Last Blood captures everything that's gone wrong with this action franchise over the years.

Although inspired by an interesting post-modern true crime story, and featuring an unexpectedly depressive performance from Jim Carrey, Dark Crimes is a dull, dark, depressing film with very little on its mind.