For 1,284 reviews, this critic has graded:
  • 49% higher than the average critic
  • 3% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 2.9 points lower than other critics. (0-100 point scale)

V.A. Musetto's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Lorna's Silence
Lowest review score: 0 Controlled Chaos
Score distribution:
1284 movie reviews
    • 68 Metascore
    • 75 V.A. Musetto
    Addiction Incorporated delivers a hard kick in the butts to the tobacco industry.
    • 86 Metascore
    • 75 V.A. Musetto
    A sentimental, whimsical autobiography.
    • 66 Metascore
    • 75 V.A. Musetto
    Serves as a primer on a musical style that may be unfamiliar to many, while putting a human face on the problem of illegal immigrants.
    • 70 Metascore
    • 75 V.A. Musetto
    It shows the hardship that women -- especially older women -- must endure in a male-dominated business.
    • 76 Metascore
    • 75 V.A. Musetto
    Pegg and director/co-writer Edgar Wright mix numerous references to other zombie flicks with hilarious bits of their own. The best has Ed and Shaun deciding which LPs can be used as ammo.
    • 73 Metascore
    • 75 V.A. Musetto
    Dickie is intense in her screen debut, which requires her to be in nearly every scene. The supporting cast is strong, and Robbie Ryan's handheld camera provides gritty ambiance for this taut thriller.
    • 86 Metascore
    • 75 V.A. Musetto
    A sensitive and subtle meditation on aging, loss and bereavement.
    • 64 Metascore
    • 75 V.A. Musetto
    The dimly lit, exquisitely composed cinematography, by Guillermo Nieto, adds to the draw of this highly recommended movie.
    • 68 Metascore
    • 75 V.A. Musetto
    The result is a charming mix of Walter Mitty and "About Schmidt."
    • 60 Metascore
    • 75 V.A. Musetto
    Gordon and Abel (who delivers one of the longest yawns in screen history) are howls as husband and wife. Their long, lean buddies seem custom-made for slapstick humor. Keaton would approve.
    • 76 Metascore
    • 75 V.A. Musetto
    The hit man's narration is compelling and frightening on its own.
    • 57 Metascore
    • 75 V.A. Musetto
    Gitai's characters are meant to represent the Israeli people as a whole. Just as they question their lives, the filmmaker questions 21st-century Israel.
    • 73 Metascore
    • 75 V.A. Musetto
    The oft-told story of lust and deception isn't the reason to see Untold Scandal -- Rather, it's the look -- stunning costumes and art direction, lush landscapes, and beautifully framed and lighted sequences -- that make this worth seeking out.
    • 68 Metascore
    • 75 V.A. Musetto
    Unfolds as meditatively as a game of go. Cinematographer Wang Yu shifts easily from tranquility to violence, and he is able to turn something as simple as a man walking outdoors into a visual feast. Chang Chen, a star of "Crouching Tiger, Hidden Dragon," provides a strong yet understated portrayal of Wu.
    • 65 Metascore
    • 75 V.A. Musetto
    A parable about greed. But don't let that serious-sounding description keep you away. It also is funny, knowing and immensely enjoyable.
    • 65 Metascore
    • 75 V.A. Musetto
    Heisenberg's thriller ends with a chase across highways and through woods that will give viewers adrenaline highs of their own.
    • 83 Metascore
    • 75 V.A. Musetto
    The cast is solid, with standout performances by first-timer Habib Boufares as Slimane.
    • 73 Metascore
    • 75 V.A. Musetto
    Despite a contrived ending that brings together all the film's characters, Alias Betty is inventive filmmaking.
    • 67 Metascore
    • 75 V.A. Musetto
    According to Irene Salina's eye-opening documentary Flow, 500,000 to 7 million US residents are sickened by tap water each year.
    • 71 Metascore
    • 75 V.A. Musetto
    Hilarious.
    • 61 Metascore
    • 75 V.A. Musetto
    Movies about addicts are a dime a dozen, but Cocaine Angel does its own thing, mixing humor with bleakness and resisting the too-common urge to romanticize addiction.
    • 74 Metascore
    • 75 V.A. Musetto
    Carion gets excellent performances from Emir Kusturica as the Russian and Guillaume Canet as the Frenchman. Each is a filmmaker in his own right -- Canet's directorial résumé includes the thriller "Tell No One" and Kusturica's lists the Serbian black comedies "Underground" and "Black Cat, White Cat."
    • 90 Metascore
    • 75 V.A. Musetto
    It is a vivid, at times heartbreaking, portrait of a life and a nation in crisis.
    • 73 Metascore
    • 75 V.A. Musetto
    Peled was harassed at every turn by Chinese officials, but he managed to get this shocking film made. That's just one reason China Blue is worthy of praise.
    • 71 Metascore
    • 75 V.A. Musetto
    The release of Crossing the Line couldn't be more timely. Earlier this week, it was announced that the two Koreas would hold a summit this month in Pyongyang. Perhaps Kim will bring Dresnok with him.
    • 67 Metascore
    • 75 V.A. Musetto
    In the words of Al Gore, "Garbage Dreams makes a compelling case that modernization does not always equal progress."
    • 72 Metascore
    • 75 V.A. Musetto
    A highly original black comedy from Greece -- and one of the weirdest movies I've seen in a long time.
    • 58 Metascore
    • 75 V.A. Musetto
    Boasts a lovable ensemble cast, with a standout performance by Zaira Valenzuela as 14-year-old Paola.
    • 86 Metascore
    • 75 V.A. Musetto
    A thought-provoking documentary that would go well on a double bill with Richard Linklater's fictional "Fast Food Nation."
    • 67 Metascore
    • 75 V.A. Musetto
    The titular abode in the Brazilian drama Alice's House is crowded, and its inhabitants dysfunctional.

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