Tom Russo
Select another critic »For 366 reviews, this critic has graded:
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55% higher than the average critic
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3% same as the average critic
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42% lower than the average critic
On average, this critic grades 7.3 points lower than other critics.
(0-100 point scale)
Tom Russo's Scores
- Movies
- TV
| Average review score: | 58 | |
|---|---|---|
| Highest review score: | Richard III | |
| Lowest review score: | The Food of the Gods | |
Score distribution:
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Positive: 200 out of 366
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Mixed: 113 out of 366
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Negative: 53 out of 366
366
movie
reviews
- By Date
- By Critic Score
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- Tom Russo
There’s nary an honorable death that resonates, although we do get some creative visual perspectives on enthusiastically digitized brutality. But wasn’t the game good for that already?- Boston Globe
- Posted Jun 9, 2016
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- Tom Russo
What’s somewhat unique about Jojo Moyes’s weepie, which the writer scripted from her 2012 bestseller, are the provocative dilemmas it explores to coax those tears.- Boston Globe
- Posted Jun 2, 2016
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- Tom Russo
What starts out as a lowbrow gag very typical of a pedestrian ’toon gradually balloons into absurdity that Mel Brooks would probably love. Here, at least, the Angry Birds fly.- Boston Globe
- Posted May 19, 2016
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- Tom Russo
One of the best things about the movie, aside from its screwily positive message, is the blithely freewheeling yet clever way that Rogen and company assemble the story’s puzzle pieces.- Boston Globe
- Posted May 19, 2016
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- Tom Russo
The storytelling here might also be stronger if Brown’s dialogue were less conspicuous, and left it to Patel and top-billed Jeremy Irons to more subtly communicate their characters’ passion for numbers.- Boston Globe
- Posted Apr 28, 2016
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- Tom Russo
Pretty uninspired material for a dream-teaming of actresses who currently rate among the edgiest of them all.- Boston Globe
- Posted Apr 21, 2016
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- Tom Russo
It’s like an international-relations microcosm imagined by the Coen brothers, down to an occasional sense that the absurdity isn’t taking us anywhere.- Boston Globe
- Posted Apr 21, 2016
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- Tom Russo
This time the not-so-idle talk is about taking a socially conscious stand against gang violence. And while some of this territory is covered too tritely and safely to have all the impact intended by director Malcolm D. Lee (“The Best Man Holiday”), the movie’s entreaties are compelling enough.- Boston Globe
- Posted Apr 14, 2016
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- Tom Russo
When the action is at its sharpest, such as with Henry’s mid-chase leap from a detonating truck onto the back of a motorcycle, it’s spectacular.- Boston Globe
- Posted Apr 7, 2016
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- Tom Russo
The loosey-goosey fun might be a bit much at the finish, but it’s still a laugh watching McCarthy try to get back on her feet.- Boston Globe
- Posted Apr 7, 2016
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- Tom Russo
If you appreciated the first movie’s sweetness, then you’ll likely be charmed enough. Otherwise, you’ll find the oof-to-opa! ratio hasn’t changed.- Boston Globe
- Posted Mar 24, 2016
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- Tom Russo
Disappointingly, this scruffy indie doesn’t live up to its promise either, despite a few flashes of subversive inspiration.- Boston Globe
- Posted Mar 17, 2016
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- Tom Russo
This doesn’t even feel much like Tris’s story anymore, just generically overdigitized combat. The main thing she’s diverging from at this point is the tone that hooked us in the first place.- Boston Globe
- Posted Mar 17, 2016
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- Tom Russo
For the sequel, London Has Fallen, Butler and director Babak Najafi (HBO’s “Banshee”) strike a tone that’s more consistent — consistently dumb.- Boston Globe
- Posted Mar 3, 2016
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- Tom Russo
Judy and Nick’s unlikely-buddies routine is amusing, but their exploits and interplay occasionally neglect the youngest demographic.- Boston Globe
- Posted Mar 3, 2016
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- Boston Globe
- Posted Feb 25, 2016
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- Tom Russo
Despite a few diverting moments and some ambitiously dramatic themes, this one is simply too uneventful and too populated by thinly sketched characters to keep its target audience engaged.- Boston Globe
- Posted Feb 18, 2016
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- Tom Russo
They even make the requisite cameo by Marvel founding father Stan Lee feel profanely inspired. Not your usual Marvel superhero scene? In this case, that’s a good thing.- Boston Globe
- Posted Feb 11, 2016
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- Tom Russo
In the end, though, the film disappointingly, even lazily, shies away from being anything more than you’d expect.- Boston Globe
- Posted Feb 4, 2016
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- Tom Russo
Writer-director Burr Steers delivers a screen mash-up that’s generally done in the right, warped spirit. It lampoons Austen cleverly enough at points, without winking any harder than needed.- Boston Globe
- Posted Feb 4, 2016
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- Tom Russo
A story that builds toward Po training an army of his panda brethren fails to deliver exponentially greater fun.- Boston Globe
- Posted Jan 28, 2016
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- Tom Russo
Returning director Wilson Yip commits to this tone too late, getting lost in tangential conflict and stunt casting — in this corner, Mike Tyson! — at the expense of the drama and even the action.- Boston Globe
- Posted Jan 21, 2016
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- Tom Russo
It’s tough to stay focused on the provocative bits when soapy talk of teenage yearning and angst keep making us snicker.- Boston Globe
- Posted Jan 21, 2016
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- Tom Russo
You’ll have to be satisfied with a modest assortment of energetically comic moments here, because the story sure isn’t a reason to catch this encore, and neither are who-asked-for-’em cast additions such as Ken Jeong.- Boston Globe
- Posted Jan 14, 2016
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- Tom Russo
For all the adrenalizing positives in this reworked Point Break, inadvertent silliness remains- Boston Globe
- Posted Dec 24, 2015
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- Tom Russo
Consider it a predictable movie with flashes of unpredictability, one that actually coaxes some early laughs with, yes, scatological wit, then makes us groan when it shamefully takes the low road back to poopville a bit later on.- Boston Globe
- Posted Dec 22, 2015
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- Tom Russo
It just feels misguided, not clever, when John Waters is dragged out for a cameo. That’s when you know the filmmakers must realize how hopelessly they’re caught in a loop-the-loop of punchless comedy.- Boston Globe
- Posted Dec 17, 2015
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- Tom Russo
After a long, long stretch in which the series’ attrition had come to feel like even more of a bummer than intended — no more Mickey, no Apollo, no Adrian — the franchise has welcome new life. But instead of going by Rocky, he goes by Creed.- Boston Globe
- Posted Nov 24, 2015
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- Tom Russo
What’s ironic — and frustrating — is how precipitously the movie itself eventually goes tumbling down the intelligence scale. In the process, Chiwetel Ejiofor is wasted, along with some potent moments from costars Roberts and Nicole Kidman.- Boston Globe
- Posted Nov 19, 2015
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- Tom Russo
Angelo Pizzo knows inspirational sports drama. As the writer of “Hoosiers” and “Rudy,” Pizzo has made a career out of mining the genre and its themes of underdog determination and locker-room brotherhood. But he’s overmatched in his directing debut, the well-intentioned football biopic My All American.- Boston Globe
- Posted Nov 12, 2015
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